The following three tables provide dates of Vermeer's paintings by eight authoritative Vermeer scholars. The publications in which the datings appear can be found on the bottom of this page or at this site's in-depth bibliography page.
DE GROOT, Hofstede C. , A Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, vols.10, 1907-1928; Vol.1, "Johannes Vermeer."
DE VREIS. A. B. , Jan Vermeer van Delft, London / New York (2nd.ed.), 1948
GOWING, Lawrence, Vermeer, London, 1952 and 1970
BLOCK,Vitali, Tutta la pittura de Vermeer di Delft, Milan, 1954
GOLDSCHEIDER, L., Jan Vermeer, London, 1958
BLANKERT, Albert, (with contributions by RUURS, Rob and VAN DE WATERING, Willem), Vermeer, 1978
WHEELOCK, Arthur K. Jr., Vermeer; The Complete Works, 1997
LIEDTKE, Walter, Vermeer and the Delft School, New York, 2001
Since very few of Vermeer's paintings were dated by his own hand (probably only The Procuress in 1656), the dates given throughout this site are a distillation of those estimated by three contemporary Vermeer scholars: Albert Blankert, Walter Liedtke, and Arthur Wheelock.To resolve discrepancies among them, the range of the dates for each painting has been indicated.
| TITLE | Blankert | Liedtke | Arthur Wheelock | Goldschieder | Block | De Vreis | Thorè-Burger | de Groot | Gowing | |
| Christ in the House of Martha and Mary | 1654-1656 | 1655 | 1654-1655 | no.1, 1654 | before 1656 | no.2 | no.1 | c. 1655-1659 | ||
| Diana and her Companions | 1654-1656 | 1653-1654 | 1655-1656 | no.2, 1655 | before 1656 | no.1, 1654 | no.3 | c. 1660-1662 | ||
| The Procuress | 1656 | 1656 | 1656 | 1656 | 1656 | no.3 | no.1 | no.41 | c. 1660-1662 | |
| A Maid Asleep | 1657 | 1657 | 1657 | no.3, 1656 | 1655-1660 | no.4, 1656 | no.16 | c. 1660-1662 | ||
| A Girl Reading a Letter at an Open Window | 1659 | 1657 | 1657 | no.6, 1658 | 1655-1660 | no.5, 1657 | no.31 | no.34 | c. 1660-1662 | |
| The Little Street | 1661 | 1658-1660 | 1657-1658 | no.7, 1659 | 1665-1660 | no7, 1658 | no.49 | no.47 | c. 1660-1662 | |
| Officer and Laughing Girl | 1661 | 1658-1660 | 1658-1660 | no.5, 1657 | 1657-1660 | no.6 | no.7 | no.39 | ||
| The Milkmaid | 1658 | 1658 | 1658-1660 | no.9, 1660 | 1655-1660 | no.9, 1658 | no.25 | no.17 | ||
| The Glass of Wine | 1660-1661 | 1658-1659 | 1658-1660 | no.11, 1660 | 1655-1660 | no.11, 1658-1660 | no.20 | no.37 | ||
| The Girl with a Glass of Wine | 1660-1661 | 1659-1660 | 1659-1660 | no.15, 1663 | 1660 | no.12, 165-1660 | no.6 | no.38 | ||
| Girl Interrupted in Her Music | 1662 | 1659-1660 | 1660-1661 | no.19, 1660-1661 | 1661 | no.13, 1658-1660 | no.9 | no.27 | ||
| View of Delft | 1661 | 1661 | 1660-1661 | no.10, 1660 | 1660-1661 | no. 8, 1658 | no.48 | |||
| The Music Lesson | 1664 | 1662-1663 | 1662-1664 | no.13, 1662 | 1655-1660 | 1659-1660 | no.10 | no.28 | ||
| Woman in Blue Reading a Letter | 1662-1665 | 1663-1664 | 1663-1664 | no.17, 1662-1664 | 1660-1665 | 1663 | no.32 | no.31 | ||
| Woman Holding a Balance | 1662-1665 | 1663-1664 | 1664 | no.21, 1664 | 1660-1665 | no.17, 1662-1663 | 26/27 | no.10 | ||
| Young Woman with a Water Pitcher | 1662 | 1662 | 1664-1665 | no.16, 1663 | 1660 | no.10, 1658-1660 | no.19 | |||
| Woman with a Lute | 1662-1663 | 1664 | no.19, 1664 | 1665 | no.20, 1663-1664 | |||||
| Woman with a Pearl Necklace | 1662-1665 | 1663-1664 | 1664 | no.18, 1665 | 1665 | no.18, 1662-1663 | no.3 | no.20 | ||
| A Lady Writing | 1666 | 1665 | 1665 | no.29, 1665 | 1665 | no.19, 1663-1664 | no.40 | no.36 | ||
| Girl with a Red Hat | 1665 | 1665-1666 | no.25, 1666-1667 | 1667 | no. 22, 1664 | no.47 | no.46A | |||
| Girl with a Flute | 1665-1670 | no. 26, 1667 | 1667 | 1664 | no.22 | |||||
| The Girl with a Pearl Earring | 1665 | 1665-1667 | 1665-1666 | no.23, 1665 | 1660-1665 | 1660 | no.44 | |||
| The Concert | 1664 | 1666-1667 | 1665-1666 | 1662 | 1660 | no.14, 1658-1660 | no.23 | no.29 | ||
| The Art of Painting | 1662-1665 | 1666-1668 | 1666-1667 | no.24, 1666 | 1665-1670 | no.23, 1665 | no.1 | no.8 | ||
| Study of a Young Woman | 1672-1674 | 1665-1667 | 1666-1667 | no.34, 1666-1667 | 1660-1670 | no.15, 1660 | no.2 | no.42 | ||
| Study of a Young Woman | 1666-1667 | 1666-1667 | 1667 | no. 29, 1670 | 1665-1670 | no. 21, 1666-1667 | no.8 | no.33 | ||
| The Astronomer | 1668 | 1669 | 1668 | no.27, 1668 | 1668 | no.27, 1668 | no.36 | no.6 | ||
| The Geographer | 1669 | 1669-1670 | 1668-1669 | no.28, 1668 | 1668 | no.28, 1669 | no.34 | no.5 | ||
| The Lacemaker | 1670-1671 | 1669-1670 | 1669-1670 | no.22, 1669-1670 | 1665-1670 | 1664 | no.37 | no.11 | ||
| The Love Letter | 1667 | 1669-1670 | 1669-1670 | no.31, 1669-1670 | 1665-1670 | no.24, 1666 | no.32 | |||
| The Guitar Player | 1671-1672 | 1669-1670 | 1670 | no.32, 1670 | 1665-1670 | no.26, 1667 | no.26 | |||
| Lady Writing with Her Maid | 1671 | 1670-1671 | 1670 | no.30, 1670 | 1665-1670 | no.16, 1660-1670 | no.35 | |||
| Allegory of Faith | 1672-1674 | 1672-1673 | 1671-1674 | no.37, 1672 | after 1670 | no.29, 1669-1670 | no.41 | no.2 | ||
| A Lady Standing at a Virginal | 1670 | 1672-1673 | 1670 | no. 35, 1671 | late | no. 30, 1670 | no.29 | no.23 | ||
| A Lady Seated at a Virginal | 1672-1675 | 1672-1673 | 1670 | no.36, 1673 | late | no.31, after 1670 | no.30 | no.25 |