Vermeer Bibliography

updated: JULY 2 , 2023 (542 entries) | Latest addition

If you have corrections or additions for any of the Essential Vermeer online bibliographies, please send them to the author of this site at jonathanjanson@essentialvermeer.com.

Abels, Paul. “Church and Religion in the Times of Vermeer.” In Dutch Society in the Age of Vermeer. Zwolle: Waanders Publishers, 1996. http://www.kunstboeken.nl/books.asp?boek=153&rubriek=art&herkomst=subrubriek=02
Adhémar, Hélène. “La Vision de Vermeer par Proust à travers Vaudoyer.” Gazette des Beaux-Arts 108th year (1966): 281–294.
Akasegawa, Genpei. Ferumēru no me. Tokyo: Kodansha, 1998.
Aillaud, Gilles, Albert Blankert, and John Michael Montias. Vermeer. Paris: Hazan, 1986. https://amzn.to/2DvY26U
Ainsworth, Maryn Wynn, Egbert Haverkamp-Begemann, John Brealey, and Pieter Meyers, with contributions by Karin Groen, Maurice J. Cotter, Lambertus van Zelst, and Edward V. Sayre. Art and Autoradiography: Insights into the Genesis of the Paintings of Rembrandt, Van Dyck and Vermeer. New York: Metropolitan Museum of Art, 1993. http://www.amazon.com/exec/obidos/ASIN/0870992864%20/theessnetialv-20
Alpers, Svetlana. The Art of Describing in the Seventeenth Century. Chicago: University Of Chicago Press, 1984. http://www.amazon.com/exec/obidos/ASIN/0226015130/theessnetialv-20

ABELS, Paul. "Church and Religion in the Times of Vermeer." In Dutch Society in the Age of Vermeer. Zwolle: Waanders Publishers, 1996.
ADHEMAR, Hélène. "La Vision de Vermeer par Proust à travers Vaudoyer." Gazette des Beaux-Arts 108th year (1966): 281–294.
AKASEGAWA Genpei. Ferumēru no me. Tokyo: Kodansha, 1998.
AILLAUD, Gilles, BLANKERT, Albert, and MONTIAS John Michael. Vermeer. Paris: Hazan, 1986
AINSWORTH, Maryn Wynn, Egbert Haverkamp-Begemann, John Brealey, and Pieter Meyers, with contributions by Karin Groen, Maurice J. Cotter, Lambertus van Zelst, and Edward V. Sayre. Art and Autoradiography: Insights into the Genesis of the Paintings of Rembrandt, Van Dyck and Vermeer. New York, Metropolitan Museum of Art, 1993.
ALPERS, Svetlana. The Art of Describing in the Seventeenth Century. Chicago: University Of Chicago Press, 1984.

ALPERS, Svetlana. "The Strangeness of Vermeer." Art in America 84, (1996): 62–69.
ALTENA, J.Q. van Regteren. "A Juvenile Work by Johannes Vermeer." Oud Holland 75, 194–194.
AN, Christina and FITSKI, Menno. "Vermeer’s Jar," The Rijksmuseum Bulletin Vol. 71 No. 2 (2023)
ARASSE, Daniel. Vermeer, Faith in Painting. Princeton, NJ.: Princeton University Press, 1994.
ARASSE, Daniel. "Vermeer's Private Allegories." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. 341–343.
ASEMISSEN, Hermann. Jan Vermeer Die Malkust: Aspekte eines Berufsbildes. Frankfurt: Fischer, 1993.
AUWERA, Joost Vander. "Taking Local History Seriously: The Case of the Chandelier in 'Saint Luke Painting the Virgin' by Abraham Janssen van Nuyssen and in 'The Art of Painting' by Johannes Vermeer van Delft." Artium Historia (2001): 317–338.
BADT, Kurt. Modell und Maler von Jan Vermeer: Probleme der Interpretation. Eine Streitschrift gegen Hans Sedlmay. Cologne: DuMont Schauberg, 1961.
BAILEY, Anthony. Vermeer: A View of Delft. New York: H. Holt, 2001.
BAILEY, Martin. Vermeer (Colour Library). London: Phaidon Press, 1995.
BALK, Hildelies Balk. "Kennerschap en zelfbedrog. Dirk Hannema en Johannes Vermeer." Kunstschrift, no. 2 (2007): 40–45.
BARNOUW, Adriaan. "Vermeers zoogenaamd 'Novum Testamentum.'" Oud Holland 32 (1914): 50–54.
BIESBOER, P. Over Johannes Vermeer van Delft, 1632–1675. Delft: VVV Delft. 1900.
BEGHEYN, Paul. "Johannes Vermeer en de jezuïeten te Delft." Oud Holland 121 (2008): 40–55.
BERGER, Andrea Ch. Das intermediale Gemäldezitat Zur literarischen Rezeption von Vermeer und Caravaggio. Bielefeld DE, Bielefeld Transcript Verlag, 2014.
BERGER, Andrea Ch. "Vermeer intermedial! Überlegungen zur Popularität seiner Gemälde in zeitgenössischen Erzähltexten (Discussion Papers)." Kunstgeschichte Open Peer Reviewed Journal (2014).
BERGER, Harry Jr. "Conspicuous Exclusion in Vermeer: An Essay in Renaissance Pastoral." Yale French Studies 47 (1973): 243–265.
BERGER, Harry Jr. "Some Vanity of his Art: Conspicuous Exclusion and Pastoral in Vermeer." Salmagundi 44–45 (1979): 89–112.
BERKEL, Klaas van (ed.), Jørgen Wadum, and K, Zandvliet, K., with contribution from Rudi Ekkart. The Scholarly World of Vermeer. Zwolle: Waanders Publishers, 1996.
BERKEL, Klaas van., ed. "Vermeer and the Representation of Science." In The Scholarly World of Vermeer, Zwolle: Waanders Publishers, 1996.
BERKEL, Klaas van. "Johannes Vermeer and Antoni van Leeuwenhoek." In ex. cat. Johannes Vermeer: Der Geograph und Der Astronom nach 200 Jaren wieder vereint, 23–30. Frankfurt: Stadelsches Kunstinstitut. 1997.
BEGHEYN, Paul. "Johannes Vermeer en de jezuïeten te Delft." Oud Holland 121 (2008): 40–55.
BIANCONI, Piero. The Complete Paintings of Vermeer (Classics of the World's Great Art). London: Weidenfeld & Nicolson, 1970.
BINSTOCK, Benjamin. "The Apprenticeship of Maria Vermeer." Artibus et Historiae 57 (2008): 9–47.
BINSTOCK, Benjamin. Vermeer's Family Secrets: Genius, Discovery and the Unknown Apprentice. New York: Routledge, 2009.
BLANC, Jan. Vermeer: La Fabrique de la Gloire. Paris: Citadelles & Mazenod, 2014.
BLANKERT, Albert, with contributions by Rob Ruurs and Willem van de Watering. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978.
BLANKERT, Albert and Louis Grijp,."An Adjustable Leg and a Book: Vermeer's 'Lacemaker' Compared to Others." In Shop Talk: Studies in Honour of Seymour Slive. 1995.
BLANKERT, Albert. "Vermeer's Modern Themes and Their Tradition." In exh.cat Johannes Vermeer, eds. Arthur K. Wheelock Jr. and Ben Broos. National Gallery of Art, New Haven and London: Yale University Press 1995.
BLANKERT, Albert. Selected Writings on Dutch Paintings: Rembrandt, Van Beke, Vermeer and Others. Zwolle: Waanders Publishers, 2004.
BLANKERT, Albert. "Johannes Vermeer's 'Kupplerin'-neu betrachtet." In exh. cat. Johannes Vermeer: Bei Der Kupplerin. Staatliche Kunstssammlungen Dresden. Dresden. 2004.
BLANKERT, Albert. "Vermeer's 'View of Delft' Restored." In Selected Writings On Dutch Painting. Rembrandt, Van Beke, Vermeer and Others. Zwolle: Waanders Uitgevers. (2004): 267–270.
BLANKERT, Albert. "The Case of Han van Meegeren's Fake Vermeer's 'Supper at Emmaus' Reconsidered." In In His Milieu. Essays on Netherlandish Art in Memory of John Michael Montias, eds. Amy Golahny et al. Amsterdam: Amsterdam University Press, 2007.
BLANKERT, Albert. "The Case of Han van Meegeren's Fake Vermeer: 'The Supper at Emmaus' Reconsidered." In In His Milieu. Essays on Netherlandish Art in Memory of John Michael Montias. Amsterdam: Amsterdam Univ. Press. (2007): 359–367.
BLANKERT, Albert. "A Young Artist Seeks his Purpose." In Der frühe Vermeer. Berlin/München: Deutscher Kunstverlag, 2010.
BLEYSWEIJCK, Dirck van. Beschrijving van Delft (Description of the City of Delft). Delft, 1667. 854 and 859.
BLOCH, Vitale. All the Paintings of Vermeer. Translated by M. Kitson, New York: Hawthorn Books, 1963.
BLOCH, Vitale and Jacqueline Faure. Vermeer: Suivi de l'Éloge de Thoré-Bürger. Paris: Quatre Chemins-Éditart (Impr. Union), 1966.
BLUM, André. Vermeer et Thoré-Bürger. Genève [etc.]: Les Éditions du Mont-Blanc, 1945.
BODE, Wilhelm von. "Jan Vermeer und Pieter de Hooch als Konkurrenten." Jahrbuch der Preussischen Kunstsammlungen 32 (1911).
BODE, Wilhelm von. Die Meister der holländischen und vlämischen Malerschulen. 2nd ed. Leipzig, 1919. 86–89.
BOMFORD, David. "Perspective, Anamorphosis and Illusion: Seventeenth-Century Dutch Peep Shows." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
BOONE, Jon. "'Saint Praxedis': Missing the Mark." Essential Vermeer. July 11, 2002. http://www.essentialvermeer.com/saint_praxedis.html
BOURICIUS, L. G. N. "Vermeeriana." Oud Holland 42 (1925): 271–273.
BOZAL FERNÁNDEZ, Valeriano. Johannes Vermeer de Delft. Madrid: TF Editores, 2002.
BRAIDER, Christopher S. "The Denuded Muse: The Unmasking of Point of View in the Cartesian Cogito and Vermeer's 'The Art of Painting.'" Poetics Today, vol. 10, no. 1, Art and Literature I (Spring, 1989): 173–203.
BRADDOCK, Rowena, and Nicholas Routley. "Productive Disjunction and the Play of Rupture: Rading "the blanks" In "Writing to Vermeer." Musicology Australia. 27 (2004–2005): 73–93.
BRANDENBARG, Ton and Rudi Ekkart. De We reid der geleerdheid rond Vermeer. Zwolle: Waanders Publishers, 1996.
BREDIUS, Abraham. "Iets over Johannes Vermeer ('De Delftsche Vermeer')." Oud-Holland 3 (1885): 217.
BREDIUS, Abraham. "Nieuwe bijdragen over Johannes Vermeer." Oud-Holland 28 (1910): 61.
BREDIUS, Abraham. "Italiaansche schilderijen in 1672 door Haagsche en Delftsche schilders beoordeeld." Oud-Holland, 34. 1916, 88.
BREDIUS, Abraham. "Schilderijen uit de nalatenschap van den Delltschen Vermeer." Oud-Holland 34 (1916): 160 sgg.
BREDIUS, Abraham. "An Unpublished Vermeer." Burlington Magazine 61 (1932): 144–145.
BREDIUS, Abraham. "A New Vermeer." Burlington Magazine 71 (1937): 21l.
BREDIUS, Abraham. "Nog een woord over Vermeer's Emmausganger." Oud Holland 55, (1938): 97–99.
BRÉE, Germaine. "Proust's Combray Church: Illiers or Vermeer?" Proceedings of the American Philosophical Society, vol. 112, No. 1 (February 15, 1968): 5–7.
BRENTJENS, Yvonne. "Twee meisjes van Vermeer in Washington. Een kostuumstudie." Tableaux 77 (1985): 54–58.
BRION, Marcel. Vermeer. New York: Abrams, 1963.
BROERSMA, Geerte. "Vermeer, Vermeer en nog eens Vermeer." In De jonge Vermeer. Ed. Edwin Buijsen. The Hague (Mauritshuis): Zwolle 2010. 74–75.
BROOS, Ben. "Vermeer: Malice and Misconception."In Vermeer Studies. E ds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998, 18–31.
BROOS, Ben. 'Un celbre Peintre nomé Verme[e]r.'" In Johannes Vermeer Eds. Arthur K. Wheelock Jr,. and Ben Broos, National Gallery of Art, New Haven and London: Yale University Press, 1995.
BRYANT, Julius. Kenwood House: Catalogue of Paintings in the Iveagh Bequest. Swindon: English Heritage, 2003.
BROWN, Christo Dantzig, H. van. "Johannes Vermeer; de Emmausgangers en de critici" (Amsterdam: Sijthoff, 1947). pher. "Review of Wheelock et aI., Johannes Vermeer." Burlington Magazine 88 (1996): 282–283.
BUIJSEN, Edwin (ed.). The Young Vermeer. The Hague: WBooks. 2010.
BUIJSEN, Edwin. "Music and the Age of Vermeer." In Dutch Society in the Age of Vermeer. Zwolle: Waanders Publishers. 1996.
BUIJSEN, Edwin."De sprekende handen van de jonge Vermeer/ The Expressive Hands of the Young Vermeer." Mauritshuis in Focus 31 (2010): 6–12.
BUIJSEN, Edwin. "The Young Vermeer: Education, Development and Sources of Inspiration" In Der frühe Vermeer. Deutscher Kunstverlag Berlin/München, 2010.
BUIJSEN, Edwin. "The Rediscovery of the 'Young Vermeer'" In Der frühe Vermeer. Deutscher Kunstverlag Berlin/München, 2010.
BUVELOT, Quentin. "Vermeer and Dutch Painting: Rome." The Burlington Magazine. (2012): 872–873.
BUVELOT, Quentin. "Scenes of Everyday Life? Some Reflections on Dutch Genre Painting in the Seventeenth Century." In exh. cat. Masters of the Everyday. Dutch Artists in the Age of Vermeer. Chicago: University of Chicago, 2015.
CABANNE, Pierre. Vermeer. Translated by John Tittensor. Paris: Maxi-livres. 2004.
CARSTENSEN, Richard, and Marielene Putscher. "Ein Bild von Vermeer in medizinhistorischen Sicht." Deutsches Ärzteblatt-Ärtzliche Mitteilungen 68 (December, 1971).
CHANTAVOINE, Jean. 1926. Ver Meer de Delft; Biographie Critique. Paris: Laurens. 1926.
CHAPMAN, Perry H. "Women in Vermeer's home-Mimesis and Ideation." Nederlands Kunsthistorisch Jaarboek 51 (2000): 241–244.
CHAPMAN, H. Perry, "Women in Vermeer's Home." In Wooncultuur in de Nederlanden 1500–1800/The Art of Home in the Netherlands 1500–1800. eds. Märiet Westermann, Nederlands Kunsthistorisch Jaarboek 51 (2001): 237–271.
CHAPMAN, Perry H. "Inside Vermeer's Women." In Vermeer's Women: Secrets and Silence. exh. cat.
Fitzwilliam Museum, Cambridge. New Haven: Yale University Press, 2001, 164–123.
CHAPMAN, H. Perry. "Reading Dutch art: science and fiction in Vermeer." The Art Historian. (2003): 110–127.
CHAPMAN, H. Perry. Michael Cole, and Mary Pardo. "The Imagined Studios of Rembrandt and Vermeer." In Inventiones of the Studio, Renaissance to Romanticism, eds. Michael Cole. Chapel Hill, NC: Chapel Hill Press, 2005. 108–146.
CHARREIRE, Magal. "Vermeer à l'Arsenal: the bibliothèque-musée de Paul Lacroix." Littératures , 75 (2016): 45–56.
CHONG, Alan. Johannes Vermeer, Gezicht op Delft. Bloemendaal: Gottmer and Becht, 1992.
CLEEMPOEL, K. van. "Representations of Astrolabes in Western Art." In K. Van Cleempoel (ed.), Astrolabes at Greenwich. A Catalogue of the Astrolabes in the National Maritime Museum. Greenwich. Oxford: Oxford University Press. 2005. 99–111.
COREMANS, P.B. Van Meegeren's Faked Vermeers and de Hoochs. London: Cassell; Amsterdam: Meulenhoff, 1949.
CORNELIS, Bart. "Musical Appeal." In exh. cat. Vermeer, eds. Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 224–229.
COSTARAS, Nicola. "A Study of the Materials and Techniques of Johannes Vermeer." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
CUNNAR, Eugene. "The Viewer's Share: Three Sectarian Readings of Vermeer's 'Woman Holding a Balance.'" Exemplaria 2 (1990): 501–536.
DANDRIEU, Laurent. Les peintres de l'invisible: Le Greco, Rembrandt, Vermeer et autres messagers de l'infini. Paris: Les éditions du Cerf, 2016.
DANTZIG, H. van. Johannes Vermeer; de Emmausgangers en de critici. Amsterdam: Sijthoff, 1947.
DEKIERT, Marcus. Vermeer in München: König Max I Joseph von Bayern als Sammler Alter Meister. exh. cat. Bayerisches Staatsgemäldesammlungen, Alte Pinakothek. Munich, 2011
DELSAUTE, Jean-Luc. "The Camera Obscura and Painting in the Sixteenth and Seventeenth Centuries." In Vermeer Studies, eeds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
DEMIN, Vitaliy . "Vermeer on Stamps." Essential Vermeer. 2018. http://www.essentialvermeer.com/misc/stamps/stamps-01.html
DESCARGUES, Pierre. Vermeer, trans. J. Emmons, Geneva: Albert Skira, 1966.
DESLANDRES, Sandra. Les Stratégies Visuelles chez Vermeer ou Le Paradoxe du
Spectateur. Montréal (Québec, Canada), Université du Québec à Montréal, Maîtrise en histoire de l'art. 2013
DIODATO, Roberto. Vermeer, Góngora, Spinoza: l'esthétique comme science intuitivetr. Translated by Yamina Oudaï Celso. Éditions Mimésis, 2016.
DOLNICK, Edward. The Forger's Spell: A True Story of Vermeer, Nazis, and the Greatest Art Hoax of the Twentieth Century. New York: Harper Perennial, 2008.
DREYFOUS, Georges. L'Oeuvre de Jan Vermeer de Delft. Paris. 1912.
DÜCHTING, Hajo. Jan Vermeer und seine Zeit. Stuttgart: Belser, 2011.
DUDAR, Helen. "Time Stands Still in the Harmonious World of Vermeer." Smithsonian 26, no. 8 (November 1995).
DÜCHTING, Hajo. Jan Vermeer und seine Zeit. Stuttgart: Belser, 2011.
van ECK,Caroline. "A New Interpretation of Vermeer’s Allegory of Faith: Vividness and Figural Interpretation." Eck. Imago Exegetica. Visual Images as Exegetical Instruments, 1400-1700 vol. 33. Brill, Leiden. 2013.
ECKERSLEY, Dominic. "Vermeer's Ruckers Muselar Virginal: Vermeer's Painting of a Ruckers Muselar Virginal in 'The Music Lesson' c. 1662–65. Harpsichord & Fortepiano (Spring, 2014): 32–43.
EICHE, Sabine. "'The Artist in his Studio' by Jan Vermeer: About a Chandelier." Gazette des Beaux-Arts .(1982): 203–204.
van EIJK, Babs. "Johannnes Vermeer: The Man Behind the Paintings." In Vermeer's Delft ed. de Haan, David. Museum Prinsenhof Delft, Wanders Uitgevers, Zwolle (2023): 102.
ELOVSSON, Per-Olov. "The Geographer's Heart: A Study of Vermeer's Scientists." Konsthistorisk Tidskrift 6 (1991).
EMILIANI, Andrea. Vermeer (1632–1675). Milan, 1966.
EYCK, Caroline van. "A New Interpretation of Vermeer's Allegory of Faith: Vividness and Figural Interpretation." In Walter S. Melion, James Clifton and Michel Weemans (eds.), Imago Exegetica. Visual Images as Exegetical Instruments, 1400–1700, Leiden 2014: 157–185.
FELL, Herbert Granville. Vermeer: Masterpieces in Colour. eds. T.L. Hare. London and Edinburgh, 1934.
FILIPCZAK, Z .Z. "Vermeer, Elusiveness, and Visual Theory." Simiolus 32 no. 4 (2006): 259–272.
FINK, Daniel A. "Vermeer's Use of the Camera Obscura: A Comparative Study." The Art Bulletin 53 (1971).
FLEISCHER. "Ludolf de Jong's The Refused Glass and its Effect on the Art of Vermeer and De Hooch." In Rembrandt, Rubens and the Art of their Tme: Recent Perspectives. Roland E. Flseischer and Susan C. Scott, University Park, Penn, The Pennsylvania State University. 1997.
FORD, Charles. "Vermeer to Eternity." The Oxford Art Journal. (1997): 86–88.
FRANSES, Michael. "Oriental Carpets in the Paintings of Vermeer" InDer frühe Vermeer. Deutscher Kunstverlag Berlin/München, 2010.
FRANKFURT. Johannes Vermeer: "Der Geograph und der Astronom nach 200 Jahren wieder verient." In exh. cat. by Michael Mac-Gerard, with essays by Klass va Berkel, Jørgen Wadum, Peter Waldeis and Arthur K. Wheelock Jr. Frankfurt am Main, Stadelsches Kunstisnstitut und Stadtische Galerie, Frankfurt. 1997.
FRANITS, Wayne. Looking at Seventeenth-century Dutch Art. Realism Reconsidered. Cambridge: Cambridge University Press, 1997.
FRANITS, Wayne. The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art). eds. W. Franits, Cambridge UK and New York: Cambridge University Press. 2001.
FRANITS, Wayne, ed. "Johannes Vermeer: An Overview of His Life and Stylistic Evolution." In The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art). Cambridge UK and New York: Cambridge University Press. 2001.
FRANITS, Wayne. Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution. New Haven and London: Yale University Press, 2004.
FRANITS, Wayne. "Living in the Lap of Luxury: Vermeer: His Admirers and his Patrons." In Vermeer's Women: Secrets and Silence. Hartford. 2011, 124–151.
FRANITS, Wayne. Vermeer (Art and Ideas). London: Phaidon Press. 2014
FRIMMEL, Theodor von. "A Woman Weighing Pearls by Vermeer of Delft." The Burlington Magazine 22 (October, 1912): 48–49.
FROMENTIN, Eugène. Les maîtres d'autrefois. Paris, 1876; new ed., H. Gerson. London and New York, 1948.
FRY, Roger. "Diana and Her Nymphs." The Burlington Magazine for Connoisseurs, vol. 19, no. 100 (July, 1911): 206–207–211.
FUKUOKA, Shin'ichi. Ferumeru hikari no okoku. Tokyo: Kirakusha, 2011.
FURST, Herbert. "The Sphinx of Delft": The Three-Hundredth Anniversary of Jan Vermeer." Apollo. (1932): 236–239.
GARDNER, Elizabeth E. "Thoré's Sphinx." The Metropolitan Museum of Art Bulletin, New Series, vol. 7, no. 3 (Nov, 1948): 73–78.
GASKELL, Ivan. "Valuing Vermeer." In Vermeer Studies. eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998, 9–17.
GASKELL, Ivan. "Vermeer, Judgment and Truth." The Burlington Magazine 126 (September 1984): 557–561.
GASKELL, Ivan and Michea Jonker, eds. Vermeer Studies. National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
GASKELL, Ivan. "Vermeer and the Limits of Interpretation." In Vermeer Studies.eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
GASKELL, Ivan. Vermeer's Wager (Essays in Art and Culture). London: Reaktion Books. 2000.
GASKELL, Ivan. "New York and London: Vermeer and the Delft School." The Burlington Magazine. (2001): 452–455.
GATOMSKI, Juliane.- "Of Doubt and Amazement: The Dutch Natural Sciences in the 17th Century" In Der frühe Vermeer. Deutscher Kunstverlag Berlin/München, 2010.
GELDER, J.G. van. "Jan Vermeer's Clio." Oud Holland 66 (1951): 44–45.
GELDER, J.G. van."Diana door Vermeer en C. de Vos." Oud Holland, 71 (1956): 245.
GELDER, J.G. van. con commento di J. A. Emmens. De Schilderkunst van Jan Vermeer. Utrecht. 1958.
GEORGIEVSKA-SHINE, Aneta, "'A counterfeit of what has to decay': Vermeer and the Mapping of Absence in A Woman with a Lute." JHNA 9:1 (Winter 2017),: DOI: 10.5092/jhna.2017.9.1.15
GEORGIEVSKA-SHINE. "Vermeer: The Art of Meditation, and 'The Allegory of Faith.'" Personification (2016): 461–488.
GERSON, H. "Johannes Vermeer." In Encyclopedia of World Art, New York-Toronto-London, XIV, 1967, col. 739 sgg.
GIFFORD, E. Melanie. "Painting Light: Recent Observations on Vermeer's Technique." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
GIFFORD, E. Melanie Gifford, Dina Anchin, Alexandra Libby, Marjorie E. Wieseman, Kathryn A. Dooley, Lisha Deming Glinsman, John K. Delaney. "First Steps in Vermeer’s Creative Process: New Findings from the National Gallery of Art," Journal of Historians of Netherlandish Art 14:2 (Summer 2022)
GIFFORD, E. Melanie, Kathryn A. Dooley, John K. Delaney, "Methodology & Resources: New Findings from the National Gallery of Art," Journal of Historians of Netherlandish Art 14:2 (Summer 2022) DOI: 10.5092/jhna.2022.14.2.4
GLASS, Marguerite. "The Appreciation of Vermeer in Twentieth-Century America." In The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art). eds. W. Franits, Cambridge UK and New York: Cambridge University Press. 2001.
GODLEY, John. The Master Forger: The Story of Han van Meegeren. New York: Wilfred Funk. 1952.
GOLDIN, Marco, Quentin Buvelot and Lea van der Vinde. La ragazza con l'orecchino di perla: il mito della Golden Age; da Vermeer a Rembrandt; capolavori dal Mauritshuis. Conegliano Treviso: Linea dombra. 2014.
GOLDSCHEIDER. L. Jan Vermeer. London: Phaidon Press. 1958; revised second edition, 1967; revised third edition by FRANITS, Wayne, 2016
GOODMAN, Elise. "The Landscape on the Wall in Vermeer." Konthistorisk Tidskrift 58 (1989): 76–88.
GOODMAN, Elise. "The Landscape on the Wall in Vermeer." In The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art). eds. W. Franits, Cambridge UK and New York: Cambridge University Press. 2001.
GOWING, Lawrence. Vermeer. London. 1952 and 1970.
GOWING, Lawrence. "Light on Baburen and Vermeer." The Burlington Magazine, vol. 93, no. 578 (May, 1951): 169–170.
GRABSKI, Józef. Jan Vermeer van Delft: (1632–1675): "St. Praxedis": An Exhibition of a Painting from the Collection of Barbara Piasecka Johnson, May–September 1991, International Cultural Centre, Cracow, Wawel Royal Castle, Cracow. Vienna: Irsa. 1991.
GREGORY, Quint [Henry D. Gregory V]. "Vermeer, tout l'oeuvre peint." Connaissance des Arts 522 (November, 1996).
GREUB, Thierry, J. "Vermeer van Delft: junge Dame mit Perlenhalsband." In Werk aus der Gemäldegalerie Staatliche Museen zu Berlin Preussischer Kulturbesitz. Berlin-Tiergarten, Kulturforum Matthäikirchplatz. Berlin. 2003.
GREUB, Thierry. Vermeer, oder, Die Inszenierung der Imagination. Petersberg: M. Imhof, 2004.
GRIJZENHOUT, Fran. "Een schrijfstertje van Vermeer. Jacob Oortman en de Dissius-veiling van 1696." Oud Holland 123 (2010): 65–75.
GRIJZENHOUT, Frans. Het straatje van Vermeer: gezicht op de Penspoort in Delft. Rijksmuseum, Stedelijk Museum Het Prinsenhof Amsterdam: Rijksmuseum, 2015.
GRIJZENHOUT, Frans. "Het straatje van Vermeer: een plaatsbepaling,". Bulletin KNOB, [S.l.], p. 1–13, mrt. 2018. <https://journals.open.tudelft.nl/index.php/knob/article/view/2014/2380>.
in English: "Vermeer's' The Little Street' Revisited." <https://journals.open.tudelft.nl/index.php/knob/article/view/2014/3971>
GRIMME, Ernst Günther. Jan Vermeer van Delft. Cologne: DuMont Buchverlag, 1974.
GROEN, Karin M. van der WERF, Inez D., van der BERG, Klaas Jan, BOON, Jaap J., "Scientific Examination of Vermeer's Girl with a Pearl Earring." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
GROEN, Karin. "Painting Technique in the Seventeenth Century in Holland and the Possible Use of the Camera Obscura by Vermeer."In Inside the Camera Obscura–Optics and Art under the Spell of the Projected Image. Max Planck Institute for the History of Science, reprint 333. 2007. 195–210.
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HEUER, Christopher. "Perspective as Process in Vermeer." Anthropology and Aesthetics
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HOWARD, Helen, David Peggie and Rachel Billinge, Helen Howard, David Peggie and Rachel Billinge, "Vermeer and Technique." National Gallery website. https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique

Methods and Technique (Introduction)

Support and ground:
https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/support-and-ground
Infrared examination:
https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/infrared-examination
Vermeer's palette
https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/vermeers-palette
Binding medium:
https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/binding-medium
Paint application:
https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/paint-application
Secrets of the studio:
https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/secrets-of-the-studio

Time and transformation

Altered appearance of ultramarine:
https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/altered-appearance-of-ultramarine
Fading of yellow and red lake pigments:
https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/fading-of-yellow-and-red-lake-pigments
Drying and paint defects
https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/drying-and-paint-defects
Formation of lead and zinc soaps
https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/formation-of-lead-and-zinc-soaps
Infrared examination:
https://www.nationalgallery.org.uk/research/about-research/the-meaning-of-making/vermeer-and-technique/infrared-examination

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VANDERVERE, Abbie and Abbie Vandivere and Annelies van Loon. "Girl with a Blog." https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/

Who's that Girl? (Introduction to research project)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/1-whos-that-girl/
Preparing for exam ( What will happen in the Golden Room)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/2-preparing-for-the-exam/
Beauty is more than skin deep (Samples / Imaging )
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/3-beauty-is-more-than-skin-deep/
Vermeer illuminated (1994 treatment)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/5-vermeer-illuminated/
Say cheese (Technical photography)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/
A blank canvas (Canvas)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/7-a-blank-canvas/
From the ground up (Ground)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/8-from-the-ground-up/
Watching paint dry (Oil)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/9-watching-paint-dry/
Art supply and demand (Paint, and where materials come from)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/10-art-supply-and-demand/
Seeing red (Vermilion and cochineal )
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/11-seeing-red/
It's all there in black and white (Blacks and lead white )
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/12-its-all-there-in-black-and-white/
Background check (Background )
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/13-background-check/
Up close and personal (Under the microscope)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/14-up-close-and-personal/
Contouring, highlighting and blending (Skin )
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/15-contouring-highlighting-and-blending/
Dressed to impress (Yellow and browns )
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/16-dressed-to-impress/
Out of the blue (Blues)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/17-out-of-the-blue/
Glazed over (Glazes and varnish)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/18-glazed-over/
You’re crackin me up (Cracks)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/19-youre-cracking-me-up/
Wrap-up (Wrap-up)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/20-wrapup

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WADUM, Jørgen. "Vermeer and the Spatial Illusion." In The World of Learning in the Time of Vermeer (exhibition cat.), Museum Meermanno-Westreenianum (Museum of the Book), The Hague, 31–49.
WADUM, Jørgen., "Vermeer's Use of Perspective, in Historic Painting Techniques, Materials, and Studio Practice," Reprints of a Symposium Held at the University of Leiden, The Netherlands, 26–29 June, 1995, Santa Monica, 1995.
WADUM, Jørgen. "Gemälde mögen einige hundert Jahre bestehen, was genügt." Zwei Gemälde von Johannes Vermeer restauriert, in Restauro 3 (1996). München, 172–177.
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WADUM, Jørgen. review of Vermeer's Camera: Uncovering the Truth behind the Masterpieces, by Philip Steadman. (Oxford University Press, Oxford, 2001) in ArtMatters-Netherlands Technical Studies in Art (1) 2002.
WADUM, Jørgen. "100 years ago Vermeer visited SMK in Copenhagen." Wadum Art Technological Studies. 2020. <https://jorgenwadum.com/2020/03/23/100-years-ago-vermeer-visited-smk-in-copenhagen/>
See also:
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WADUM, Jørgen. "Technical Art History: Painters' Supports and Studio practices of Rembrandt, Dou and Vermeer." Dissertation, Amsterdam University, Institute of Art History (2009).
WADUM, Jørgen. "Vermeer and Faux Marbling," In : Staatliche Kunstsammlungen Dresden, Birgit Dalbajewa, Andreas Dehmer , Konstanze Krüger, Uta Neidhardt and Christoph Schölzel (eds.): The power of painting. Contributions from the workshop and science in honor of Marlies Giebe, Dresden 2020, 42–43.
WAIBOER, Adriaan E. "A Clean Competition: Some Hypotheses on Vermeer's Lost 'Gentleman Washing His Hands,'" In : A.W.A. Boschloo, S.S. Dickey, N.C. Sluijter-Seijfert, J.N. Coutré (eds), Aemulatio: Essays in Honour of Eric Jan Sluijter (Amsterdam 2011): 407–418.
WAIBOER, Adriaan E. "Vermeer's Impact on His Contemporaries." Oud Holland 123 (2010): 51–64.
WAIBOER, Adriaan E. "A View beyond Delft: Johannes Vermeer's Woman with a Lute and Its Relationship to Frans van Mieris." JHNA 9:1 (Winter 2017) DOI: 10.5092/jhna.2017.9.1.16
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WALD, Robert. "'The Art of Painting': Observations on Approach and Techncique." In Vermeer: Die Malkunst, eds. Sabine Haag, Elke Oberthaler and Sabine Pénot, Kunsthistorisches Museum, Vienna: Residenz, 2010. 193–313.
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YEAZELL, Ruth Bernard, "Vermeer and the Language of Poetry," Raritan 41.3 (Winter 2022): 99-132.

ZELL, Michael. "'Liefde baart kunst': Vermeer's poetics of painting." Simiolus. 35 (2011): 142–164.
ZERI, Federico. Marco Dolcetta, and Elena Mazour. Vermeer, The Astronomer. Richmond Hill, Ont: NDE Publishers. 2000.
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ZUIDERVAART, Huib J. "A New Theory on the Origin of Two Paintings by Johannes Vermeer (1632–1675) of Delft." English translation of "Een nieuwe theorie over twee schilderijen van Johannes Vermeer (1632–1675)." In Jaarboek Delfia Batavorum 28 (2018), 9–34. [published 23 May, 2019].

E.V. Bibliography: The Life and Work of Johannes Vermeer

Recommended Vermeer Reading

E.V. Bibliography: The Life and Work of Johannes Vermeer

Recommended Vermeer Reading

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