A Sortable Vermeer Bibliography
last update: May 1, 2024
last update: May 1, 2024
The bibliography below compiles key historical and contemporary publications, as well as websites, that focus on the life, art, and cultural milieu of Johannes Vermeer. The table is sortable by the first author's name, publication date, exhibition catalogs, monographs and websites. Note that the exhibition catalogs, monographs and websites are sorted in ascending chronological order.
I warmly welcome your suggestions for additions or corrections. Please send them to the author and founder of this site, Jonathan Janson, at jonathanjanson@essentialvermeer.com.
ABELS, Paul. "Church and Religion in the Times of Vermeer." In Haks Donald Marie Christine van der Sman Johannes Vermeer and Haags Historisch Museum. 1996. In Dutch Society in the Age of Vermeer, exhibition catalog edited by Haks Donald, Marie Christine van der Sman, Johannes Vermeer, and Haags Historisch Museum, 1996, The Hague: Hague Historical Museum; Zwolle: Waanders. | 1996 | |||
ADHEMAR, Hélène. "La Vision de Vermeer par Proust à travers Vaudoyer." Gazette des Beaux-Arts 108th year (1966): 281–294. | 1966 | |||
AKASEGAWA Genpei. Ferumēru no me. Tokyo: Kodansha, 1998. | 1998 | |||
AILLAUD, Gilles, BLANKERT, Albert, and MONTIAS, John Michael. Vermeer. Paris: Hazan, 1986. | 1986 | monogrfs | ||
AINSWORTH, Maryn Wynn, Egbert Haverkamp-Begemann, John Brealey, and Pieter Meyers, with contributions by Karin Groen, Maurice J. Cotter, Lambertus van Zelst, and Edward V. Sayre. Art and Autoradiography: Insights into the Genesis of the Paintings of Rembrandt, Van Dyck and Vermeer. New York: Metropolitan Museum of Art, 1993. | 1993 | |||
ALEXANDRE, A. "Van der Meer de Delft." L’art et les artistes 2 (1906): 1–5. | 1906 | monogrfs | ||
ALEXANDRE, A. "Vermeer et l'école de Delft. Nouveaux aperçus sur Vermeer." L’art et les artistes N.S. 25 (1933): 145–173. | 1933 | |||
ALFASSA, P. "Les Vermeers de la Galerie Nationale de Londres." La Revue de l'art ancien et moderne 20 (1911): 401–408. | 1911 | |||
ALINK, R. De zeggingskracht van Vermeer. 17 beschouwingen bij de 35 schilderijen van Vermeer. Amstelveen, 2020. | 2020 | |||
ALPERS, Svetlana. The Art of Describing in the Seventeenth Century. Chicago: University Of Chicago Press, 1984. | 1984 | |||
ALPERS, Svetlana. "The Strangeness of Vermeer." Art in America 84, (1996): 62–69. | 1996 | |||
ALPERS, Svetlana. "In Detail. Vermeer and the Art of Painting." Portfolio 4 (1982): 88–93. | 1982 | |||
ALTENA, J.Q. van Regteren. "A Juvenile Work by Johannes Vermeer." Oud Holland 75 (1960), 194–194. | 1960 | |||
AN, Christina and FITSKI, Menno. "Vermeer’s Jar," The Rijksmuseum Bulletin Vol. 71 No. 2 (2023) | 2023 | |||
ANTONINI, A. Johannes Vermeer. Het complete geschilderde werk. Noordwijkerhout, 2019. | 2019 | monogrfs | ||
ARASSE, Daniel. Vermeer, Faith in Painting. Princeton, NJ.: Princeton University Press, 1994. | 1994 | mongrfs | ||
ARASSE, Daniel. "Vermeer's Private Allegories."In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998: 341–343. | 1998 | |||
ASEMISSEN, Hermann. Jan Vermeer Die Malkust: Aspekte eines Berufsbildes. Frankfurt: Fischer, 1993. | 1993 | |||
ASHWIN, Clive. "The Age of Vermeer and De Hooch: Exhibition at the Royal Academy, London, 7 September to 18 November 1984." Studio International 197, no. 48. | 1984 | |||
ATHENAEUM. 1901. "The Newly Discovered Vermeer." The Athenaeum, 3 March 1901, 40. | 1901 | |||
AUWERA, Joost Vander. "Taking Local History Seriously: The Case of the Chandelier in 'Saint Luke Painting the Virgin' by Abraham Janssen van Nuyssen and in 'The Art of Painting' by Johannes Vermeer van Delft." Artium Historia (2001): 317–338. | 2001 | |||
BADT, Kurt. Modell und Maler von Jan Vermeer: Probleme der Interpretation. Eine Streitschrift gegen Hans Sedlmay. Cologne: DuMont Schauberg, 1961. | 1961 | |||
BAILEY, Anthony. Vermeer: A View of Delft. New York: H. Holt, 2001. | 2001 | BAILEY, Martin. Vermeer (Colour Library). London: Phaidon Press, 1995. | 1995 | monogrfs |
BAKKER, P. "Johannes Vermeer" (2017). In A.K. Wheelock Jr. and L. Yeager-Crasselt (eds.), The Leiden Collection Catalogue, 3rd online edition, 2020. Accessed December 18, 2023. URL: https://www.theleidencollection.com/artwork/young-woman-seated-at-a-virginal/ | 2022 | web | BALK, Hildelies. "Kennerschap en zelfbedrog. Dirk Hannema en Johannes Vermeer." Kunstschrift, no. 2 (2007): 40–45. | 2007 | BARNOUW, Adriaan. "Vermeers zoogenaamd 'Novum Testamentum'." Oud Holland 32 (1914): 50–54. | 1914 |
BATAVUS [=M.D. Henkel]. "Vom holländischem Kunstmarkt. 'Die Strasse' von Vermeer für 680.000 Gulden versteigert." Kunstwanderer (1921), 34. | 1921 | BIESBOER, P. Over Johannes Vermeer van Delft, 1632–1675. Delft: VVV Delft. 1900. | 1900 | monogrfs | BEGHEYN, Paul. "Johannes Vermeer en de jezuïeten te Delft." Oud Holland 121 (2008): 40–55. | 2008 |
BENVENUTI, M.D. "Les derniers mois de la vie de Vermeer de Delft, d'après le récit de Thomas van Haag." La Nouvelle Revue Française May 1993, 51–56. | 1993 | BERGER, Andrea Ch. Das intermediale Gemäldezitat Zur literarischen Rezeption von Vermeer und Caravaggio. Bielefeld DE, Bielefeld Transcript Verlag, 2014. | 2014 | BERGER, Andrea Ch. "Vermeer intermedial! Überlegungen zur Popularität seiner Gemälde in zeitgenössischen Erzähltexten (Discussion Papers)." Kunstgeschichte Open Peer Reviewed Journal (2014). | 2014 | BERGER, Harry Jr. "Conspicuous Exclusion in Vermeer: An Essay in Renaissance Pastoral." Yale French Studies 47 (1973): 243–265. | 1973 | BERGER, Harry Jr. "Some Vanity of his Art: Conspicuous Exclusion and Pastoral in Vermeer." Salmagundi 44–45 (1979): 89–112. | 1979 | BERKEL, Klaas van (ed.), Jørgen Wadum, and K. Zandvliet, with contribution from Rudi Ekkart. The Scholarly World of Vermeer. Exhibition Catalog. Zwolle: Waanders Publishers, 1996. | 1996 | BERKEL, Klaas van, Jørgen Wadum, and K. Zandvliet. "The Scholarly World of Vermeer." In ex. cat. Scholarly World of Vermeer, edited by Klaas van Berkel, Ton Brandenbarg, and Rijksmuseum Meermanno-Westreenianum, 1-10. Zwolle/The Hague: Waanders Publishers; Museum van het Boek/Museum Meermanno-Westreenianum, 1996. | 1996 | BERKEL, Klaas van. "Johannes Vermeer and Antoni van Leeuwenhoek." In ex. cat. Johannes Vermeer: Der Geograph und Der Astronom nach 200 Jaren wieder vereint, 23–30. Frankfurt: Stadelsches Kunstinstitut. 1997. | 1997 | exhcats |
BERKHOUT, Teding van . "Journal de mes occupations et rencontres ...". 14 May and 21 June 1669. Paper. Royal Library, The Hague. | 1669 | BEGHEYN, Paul. "Johannes Vermeer en de jezuïeten te Delft." Oud Holland 121 (2008): 40–55. | 2008 | BIANCONI, Piero. The Complete Paintings of Vermeer (Classics of the World's Great Art). London: Weidenfeld & Nicolson, 1970. | 1970 | monogrfs | BINSTOCK, Benjamin. "The Apprenticeship of Maria Vermeer." Artibus et Historiae 57 (2008): 9–47. | 2008 | BINSTOCK, Benjamin. Vermeer's Family Secrets: Genius, Discovery and the Unknown Apprentice. New York: Routledge, 2009. | 2009 | BLANC, Jan. Vermeer: La Fabrique de la Gloire. Paris: Citadelles & Mazenod, 2014. | 2014 |
BLANC, C. Histoire des peintres de toutes les écoles. École hollandaise, 2 vols. Paris, 1861. | 1861 | |||
BLANKERT, Albert, with contributions by Rob Ruurs and Willem van de Watering. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978. | 1978 | monogrfs | ||
BLANKERT, Albert and Louis Grijp,."An Adjustable Leg and a Book: Vermeer's 'Lacemaker' Compared to Others." In Shop Talk: Studies in Honour of Seymour Slive. 1995. | 1995 | |||
BLANKERT, Albert. "Vermeer's Modern Themes and Their Tradition." In exh. cat. Johannes Vermeer, eds. Arthur K. Wheelock Jr. and Ben Broos. National Gallery of Art, New Haven and London: Yale University Press 1995. | 1995 | exhcats | ||
BLANKERT, Albert. Selected Writings on Dutch Paintings: Rembrandt, Van Beke, Vermeer and Others. Zwolle: Waanders Publishers, 2004. | 2004 | BLANKERT, Albert. "Johannes Vermeer's 'Kupplerin'-neu betrachtet." In exh. cat. Johannes Vermeer: Bei Der Kupplerin. Staatliche Kunstssammlungen Dresden. Dresden. 2004. | 2004 | exhcats |
BLANKERT, Albert. "Vermeer’s Gezicht op Delft." Kunstschrift 38 (1994), no. 4, 48–49. | 1994 | |||
BLOCH, Vitale. "Vermeer." Maandblad voor Beeldende Kunsten 17 (1940), 4–8. | 1940 | |||
BLOCH, Vitale. All the Paintings of Jan Vermeer. London, 1963. | 1963 | monogrfs | ||
BLUM, André. Vermeer et Thoré-Bürger. Geneva, 1945. | 1945 | |||
BODE, Wilhem "Jan Vermeer und Pieter de Hooch als Konkurrenten." Jahrbuch der Königlich Preuszischen Kunstsammlungen 32 (1911), 1–2. | 1911 | |||
BODE, Wilhem. Die Kunstsammlungen des Herrn Alfred Beit in seinem Stadthause in Park Lane zu London. Berlin, 1904. | 1904 | |||
BODE, Wilhem. Catalogue of the Collection of Pictures and Bronzes in the Possession of Otto Beit. London, 1913. | 1913 | |||
BODE, Wilhem. Die Meister der holländischen und vlämischen Malerschulen. Leipzig, 1917. | 1917 | |||
BODKIN, Thomas The Paintings of Jan Vermeer. New York, 1940. | 1940 | monogrfs | ||
BODMER, F. "Vermeer-Stiftung in Edinburgh/Londoner National Gallery." Der Cicerone 19 (1927), 66–67. | 1927 | |||
BOK, M.J. "Not to Be Confused with the Sphinx of Delft. The Utrecht Painter Johannes van der Meer (Schipluiden 1630–1695/1697 Vreeswijk?)." In Gaskell and Jonker 1998, 66–79. | 1998 | |||
BOON, Ton den. Johannes Vermeer. De Delftse meester van het Licht/The Delft Master of Light. Nijmegen, 2009. | 2009 | BOONE, Jon. "'Saint Praxedis': Missing the Mark." Essential Vermeer. July 11, 2002. | 2002 | |
BORENIUS, Tancred . "Vermeer’s Master." The Burlington Magazine 42 (1923), no. 238, 37–39. | 1923 | |||
BORENIUS, Tancred . "The New Vermeer." Apollo 2 (1925), 125–126. | 1925 | |||
BOSTRÖM, Keil. "Jan Vermeer van Delft en Cornelis van der Meulen." Oud Holland 66 (1951), no. 2, 117–122. | 1951 | BOURICIUS, L. G. N. ""Vermeeriana." Oud Holland 42 (1925): 271–273. | 1925 | BOZAL FERNÁNDEZ, Valeriano. "Johannes Vermeer de Delft. Madrid: TF Editores, 2002. | 2002 | monogrfs |
BRACHES, E. Johannes Vermeer: De Schilderkunst. Overveen, 2021. | 2021 | monogrfs | BRAIDER, Christopher S. ""The Denuded Muse: The Unmasking of Point of View in the Cartesian Cogito and Vermeer's 'The Art of Painting'." Poetics Today, vol. 10, no. 1, Art and Literature I (Spring, 1989): 173–203. | 1989 | BRADDOCK, Rowena, and Nicholas Routley. ""Productive Disjunction and the Play of Rupture: Reading "the blanks" In "Writing to Vermeer." Musicology Australia. 27 (2004–2005): 73–93. | 2004 | BRANDENBARG, Ton and Rudi Ekkart. "De We reid der geleerdheid rond Vermeer. Zwolle: Waanders Publishers, 1996. | 1996 |
BRAUN, K. Alle de tot nu toe bekende schilderijen van Vermeer. Meesters der Schilderkunst. Rotterdam, 1976. | 1976 | BREDIUS, Abraham. ""Iets over Johannes Vermeer ('De Delftsche Vermeer')." Oud-Holland 3 (1885): 217. | 1885 | BREDIUS, Abraham. ""Nieuwe bijdragen over Johannes Vermeer." Oud-Holland 28 (1910): 61. | 1910 | BREDIUS, Abraham. ""Italiaansche schilderijen in 1672 door Haagsche en Delftsche schilders beoordeeld." Oud-Holland, 34. 1916, 88. | 1916 | BREDIUS, Abraham. ""Schilderijen uit de nalatenschap van den Delftschen Vermeer." Oud-Holland 34 (1916): 160 sgg. | 1916 | BREDIUS, Abraham. ""An Unpublished Vermeer." Burlington Magazine 61 (1932): 144–145. | 1932 | BREDIUS, Abraham. ""A New Vermeer." Burlington Magazine 71 (1937): 21l. | 1937 | BREDIUS, Abraham. ""Nog een woord over Vermeer's Emmausganger." Oud Holland 55, (1938): 97–99. | 1938 | BRÉE, Germaine. ""Proust's Combray Church: Illiers or Vermeer?" Proceedings of the American Philosophical Society, vol. 112, No. 1 (February 15, 1968): 5–7. | 1968 |
BRECK, J. "Hollandsche kunst op de Hudson-Fulton tentoonstelling te New York." Onze Kunst 17 (1910), 5–12, 41–47. | 1910 | BRENTJENS, Yvonne. ""Twee meisjes van Vermeer in Washington. Een kostuumstudie." Tableaux 77 (1985): 54–58. | 1985 | BRION, Marcel. Vermeer. New York: Abrams, 1963. | 1963 | monogrfs | BROERSMA, Geerte. ""Vermeer, Vermeer en nog eens Vermeer." In De jonge Vermeer. Ed. Edwin Buijsen. The Hague (Mauritshuis): Zwolle 2010. 74–75. | 2010 | BROOS, Ben. ""Vermeer: Malice and Misconception." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998: 18–31. | 1998 | BROOS, Ben. "'Un célèbre Peintre nomé Verme[e]r'." In Johannes Vermeer. Eds. Arthur K. Wheelock Jr,. and Ben Broos, National Gallery of Art, New Haven and London: Yale University Press, 1995. | 1995 | exhcats |
BROOS, B. "A Most Disagreeable Vermeer." Mauritshuis in focus 8 (December 1995), 21–26. | 1995 | BROWN, Christo Dantzig, H. van. ""Johannes Vermeer; de Emmausgangers en de critici" (Amsterdam: Sijthoff, 1947). pher. "Review of Wheelock et aI., Johannes Vermeer." Burlington Magazine 88 (1996): 282–283. | 1996 | |
BROWN, C. Scenes of Everyday Life. Dutch Genre Painting of the Seventeenth Century. London, 1984. | 1984 | BRYANT, Julius. Kenwood House: Catalogue of Paintings in the Iveagh Bequest. Swindon: English Heritage, 2003. | 2003 | BUIJSEN, Edwin (ed.). The Young Vermeer. The Hague: WBooks. 2010. | 2010 | monogrfs | exhcats | BUIJSEN, Edwin. ""Music and the Age of Vermeer." In Haks Donald Marie Christine van der Sman Johannes Vermeer and Haags Historisch Museum. 1996. Dutch Society in the Age of Vermeer. The Hague Zwolle: Hague Historical Museum; Waanders, 1996. | 1996 | BUIJSEN, Edwin. ""De sprekende handen van de jonge Vermeer/ The Expressive Hands of the Young Vermeer." Mauritshuis in Focus 31 (2010): 6–12. | 2010 |
BUIJSEN, Edwin. "The Expressive Hands of the Young Vermeer." Mauritshuis in focus 23 (2010), no. 1, 6–12. | 2010 | Buijsen, Edwin. "The Young Vermeer: Education, Development and Sources of Inspiration." In exh. cat. Der Frühe Vermeer, edited by Neidhardt Uta, 2010. Dresden: Staatliche Kunstsammlungen. | 2010 | exhcats | BUIJSEN, Edwin. ""The Rediscovery of the 'Young Vermeer'." In exh. cat. Der Frühe Vermeer, edited by Neidhardt Uta, 2010. Dresden: Staatliche Kunstsammlungen. | 2010 | exhcats |
BÜTTNER, N. Vermeer. Munich, 2010. | 2010 | monogrfs | ||
BÜTTNER, N. "Wertschätzung im Wandel." In R. Bier (ed.), Der Vermeer-Sensor. Wertzuschreibungen und Werterhaltung von Ding und Kunst in Zeiten der Überfülle, Stuttgart, 2016, 155–165. | 2016 | |||
BÜTTNER, N. "Jan Vermeer. 'Die Frau mit der Waage'." In K. Marek and M. Schulz (eds.), Kanon Kunstgeschichte. Einführung in Werke, Methoden und Epochen, Paderborn, 2015, 369–381. | 2015 | BUVELOT, Quentin. ""Vermeer and Dutch Painting: Rome." The Burlington Magazine. (2012): 872–873. | 2012 | BUVELOT, Quentin. ""Scenes of Everyday Life? Some Reflections on Dutch Genre Painting in the Seventeenth Century." In exh. cat. Masters of the Everyday. Dutch Artists in the Age of Vermeer. Chicago: University of Chicago, 2015. | 2015 | exhcats |
CABANNE, Pierre. Vermeer. Translated by John Tittensor. Paris: Maxi-livres, 2004. | 2004 | monogrfs | ||
CARSTENSEN, Richard, and Marielene Putscher. "Ein Bild von Vermeer in medizinhistorischen Sicht." Deutsches Ärzteblatt-Ärtzliche Mitteilungen 68 (December 1971). | 1971 | |||
CASTOR, M.A. "Augenblick und Zeitfluss. Bemerkungen zu einigen Konstanten in der Malerei Jan Vermeers." Pantheon 54 (2005), 84–101. | 2005 | |||
CHANTAVOINE, Jean. 1926. Ver Meer de Delft; Biographie Critique. Paris: Laurens. 1926. | 1926 | mongrfs | ||
CHAPMAN, Perry H. "Women in Vermeer's home-Mimesis and Ideation." Nederlands Kunsthistorisch Jaarboek 51 (2000): 241–244. | 2000 | |||
CHAPMAN, H. Perry, "Women in Vermeer's Home." In Wooncultuur in de Nederlanden 1500–1800/The Art of Home in the Netherlands 1500–1800, eds. Märiet Westermann, Nederlands Kunsthistorisch Jaarboek 51 (2001): 237–271. | 2001 | |||
CHAPMAN, H. Perry. "Inside Vermeer's Women." In Vermeer's Women: Secrets and Silence, exh. cat., Fitzwilliam Museum, Cambridge. New Haven: Yale University Press, 2001, 164–123. | 2001 | exhcats | ||
CHAPMAN, H. Perry. "Reading Dutch art: science and fiction in Vermeer." The Art Historian. (2003): 110–127. | 2003 | |||
CHAPMAN, H. Perry. Michael Cole, and Mary Pardo. "The Imagined Studios of Rembrandt and Vermeer." In Inventiones of the Studio, Renaissance to Romanticism, eds. Michael Cole. Chapel Hill, NC: Chapel Hill Press, 2005, 108–146. | 2005 | |||
CHALUMEAU, J. (ed.) Vermeer 1632–1675. Paris, 1996. | 1996 | |||
CHANTAVOINE, J. Ver Meer de Delft. Paris, 1926. | 1926 | |||
CHARREIRE, Magal. "Vermeer à l'Arsenal: the bibliothèque-musée de Paul Lacroix." Littératures, 75 (2016): 45–56. | 2016 | |||
CHONG, Alan. Johannes Vermeer, Gezicht op Delft. Bloemendaal: Gottmer and Becht, 1992. | 1992 | |||
CHRISTIE'S. "Johannes Vermeer: Saint Praxedis." London, 2014. Accessed December 18, 2023. URL: http://www.christies.com/presscenter/pdf/2014/CATALOGUE_NOTE_Johannes_Vermeer_ Delft_1632_1675_Saint_Praxedis_lot_39.pdf |
2014 | web | ||
CLEEMPOEL, K. van. "Representations of Astrolabes in Western Art." In K. Van Cleempoel (ed.), Astrolabes at Greenwich. A Catalogue of the Astrolabes in the National Maritime Museum. Greenwich. Oxford: Oxford University Press, 2005. 99–111. | 2005 | |||
COHEN, W. "De Delftschen Vermeer." Galerien Europas 1 (1905), 5–8. | 1905 | |||
COLOMBIER, J. "Schilderijen uit de nalatenschap van den Delft’schen Vermeer." Oud Holland 34 (1916), 64–81. | 1916 | |||
COREMANS, P.B. Van Meegeren's Faked Vermeers and de Hoochs. London: Cassell; Amsterdam: Meulenhoff, 1949. | 1949 | |||
CORNELIS, Bart. "Musical Appeal." In exh. cat. Vermeer, eds. Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books, 2023. 224–229. | 2023 | exhcats | ||
COSTARAS, Nicola. "A Study of the Materials and Techniques of Johannes Vermeer." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. | 1998 | |||
COUPRIE, L. "Het Melkmeisje als symbool voor de Matigheid." NRC Handelsblad, Cultureel Supplement, 19 December 1975, 2. | 1975 | |||
COUWENBERG, M. De meiden van Vermeer achterna. Een journalistieke pelgrimage langs 21 schilderijen van Johannes Vermeer waarin vrouwen de hoofdrol spelen. [Gouda], 2020. | 2020 | |||
COX, K. "Art in America. Dutch Pictures in the Hudson-Fulton Exhibition." The Burlington Magazine 16 (1909–1910), nos. 82–83, 178–179, 183–184, 245–246, 302–306. | 1909 | |||
CUNNAR, Eugene. "The Viewer's Share: Three Sectarian Readings of Vermeer's 'Woman Holding a Balance'." Exemplaria 2 (1990): 501–536. | 1990 | |||
DACIER, E. "La 'petite rue' de Vermeer de Delft de la collection Six." Revue de l’Art Ancien et Moderne 39 (1921), 275–278. | 1921 | |||
DANDRIEU, Laurent. Les peintres de l'invisible: Le Greco, Rembrandt, Vermeer et autres messagers de l'infini. Paris: Les éditions du Cerf, 2016. | 2016 | |||
DANTZIG, H. van. Johannes Vermeer; de Emmausgangers en de critici. Amsterdam: Sijthoff, 1947. | 1947 | |||
DEKIERT, Marcus. Vermeer in München: König Max I Joseph von Bayern als Sammler Alter Meister. exh. cat. Bayerisches Staatsgemäldesammlungen, Alte Pinakothek. Munich, 2011. | 2011 | exhcats | ||
DELANEY, Jean-Luc et al. "Mapping the Pigment Distribution of Vermeer’s 'Girl with a Pearl Earring'." Heritage Science 8 (2020), no. 4. | 2020 | |||
DELSAUTE, Jean-Luc. "The Camera Obscura and Painting in the Sixteenth and Seventeenth Centuries."In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. | 1998 | |||
DEMIN, Vitaliy. "Vermeer on Stamps." Essential Vermeer. 2018. Accessed December 18, 2023. URL: http://www.essentialvermeer.com/misc/stamps/stamps-01.html | 2018 | web | ||
DEREGOWSKI, J. and PARKER, D. "On a Changing Perspective Illusion within Vermeer’s The Music Lesson." Perception 17 (1988), 13–21. | 1988 | |||
DESCARGUES, Pierre. Vermeer, trans. J. Emmons. Geneva: Albert Skira, 1966. | 1966 | monogrfs | ||
DESLANDRES, Sandra. Les Stratégies Visuelles chez Vermeer ou Le Paradoxe du Spectateur. Montréal (Québec, Canada), Université du Québec à Montréal, Maîtrise en histoire de l'art, 2013. | 2013 | |||
DIBBITS, Taco. "The Milkmaid." In exh. cat. Tokyo 2007, 4–13. | 2007 | exhcats | ||
DIODATO, Roberto. Vermeer, Góngora, Spinoza: l'esthétique comme science intuitive, trans. Yamina Oudaï Celso. Éditions Mimésis, 2016. | 2016 | |||
DOLLEKAMP, A. "'De Astronoom' van Vermeer in het Louvre." Tableau 6, December–January 1983–1984. | 1983 | |||
DOLNICK, Edward. The Forger's Spell: A True Story of Vermeer, Nazis, and the Greatest Art Hoax of the Twentieth Century. New York: Harper Perennial, 2008. | 2008 | |||
DONHAUSER, P.L. "A Key to Vermeer?" Artibus et Historiae 14 (1993), no. 27, 85–101. | 1993 | |||
DREYFOUS, Georges. L'Oeuvre de Jan Vermeer de Delft. Paris. 1912. | 1912 | monogrfs | ||
DÜCHTING, Hajo. Jan Vermeer und seine Zeit. Stuttgart: Belser, 2011. | 2011 | monogrfs | ||
DUCOS, Blaise "Reaching for the Stars." In exh. cat. In A.E. Waiboer et al. (eds.), Vermeer and the Masters of Genre Painting. Inspiration and Rivalry, Paris (Musée du Louvre)/Dublin (National Gallery of Ireland)/Washington (National Gallery of Art) 2017, 208–213. | 2017 | exhcats | ||
DUDAR, Helen. "Time Stands Still in the Harmonious World of Vermeer." Smithsonian 26, no. 8 (November 1995). | 1995 | EAKER, A. et al. Making the Difference. Vermeer and Dutch Art. Exhibition Catalog. Tokyo: The Ueno Royal Museum; Osaka: Osaka City Museum of Fine Arts, 2018. | 2018 | exhcats |
ECK, Caroline van. "A New Interpretation of Vermeer’s Allegory of Faith: Vividness and Figural Interpretation." Imago Exegetica. Visual Images as Exegetical Instruments, 1400-1700 vol. 33. Brill, Leiden, 2013. | 2013 | |||
ECKERSLEY, Dominic. "Vermeer's Ruckers Muselar Virginal: Vermeer's Painting of a Ruckers Muselar Virginal in 'The Music Lesson' c. 1662–65." Harpsichord & Fortepiano (Spring, 2014): 32–43. | 2014 | |||
EDWARDS, J. "La curieuse histoire de l’Astronome de Vermeer et de son “pendant” aux XVIIIe siècle." La Revue du Louvre et des Musées de France 36 (1986), 197–201. | 1986 | |||
EICHE, Sabine. "'The Artist in his Studio' by Jan Vermeer: About a Chandelier." Gazette des Beaux-Arts .(1982): 203–204. | 1982 | |||
EISLER, M. "Der Raum bei Jan Vermeer." Jahrbuch der Kunsthistorischen Sammlungen des Allerhöchsten Kaiserhauses 33 (1916), 213–291. | 1916 | |||
EIJK, Babs van. "Johannnes Vermeer: The Man Behind the Paintings." In exh.cat. Vermeer's Delft ed. de Haan, David. Museum Prinsenhof Delft, Wanders Uitgevers, Zwolle (2023): 102. | 2023 | |||
ETIENNE, V. Vermeer’s Secret World: Adventures in Art. Munich, 2008. | 2008 | |||
EKKART, R.E.O. "In het licht van Vermeer. Cornelis Daemen Rietwijck." Antiek 30 (1996) 8, 362–366. | 1996 | |||
ELKHUIZEN, W.S. et al. "Comparison of Three 3D Scanning Techniques for Paintings, as Applied to Vermeer’s 'Girl with a Pearl Earring'." Heritage Science 7 (2019), no. 89. | 2019 | |||
ELOVSSON, Per-Olov. "The Geographer's Heart: A Study of Vermeer's Scientists." Konsthistorisk Tidskrift 6 (1991). | 1991 | |||
EMILIANI, Andrea. Vermeer (1632–1675). Milan, 1966. | 1966 | monogrfs | ||
EYCK, Caroline van. "A New Interpretation of Vermeer's Allegory of Faith: Vividness and Figural Interpretation." In Imago Exegetica. Visual Images as Exegetical Instruments, 1400–1700, eds. Walter S. Melion, James Clifton, and Michel Weemans, Leiden 2014: 157–185. | 2014 | |||
FEGERS, H. "Jan Vermeer. Ruhm der Malkunst." Der Kunsthandel 1952, 8–10. | 1952 | |||
FIERENS, P. Jan Vermeer de Delft, 1632–1675. Paris, 1952. | 1952 | monogrfs | ||
FELL, Herbert Granville. Vermeer: Masterpieces in Colour, eds. T.L. Hare. London and Edinburgh, 1934. | 1934 | |||
FELL, Herbert Granville. Vermeer. London/Edinburgh, 1934. | 1934 | |||
FINGER, B. Jan Vermeer. Munich/London/New York, 2008. | 2008 | monogrfs | ||
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GIFFORD, E. Melanie Gifford, Dina Anchin, Alexandra Libby, Marjorie E. Wieseman, Kathryn A. Dooley, Lisha Deming Glinsman, John K. Delaney. "First Steps in Vermeer’s Creative Process: New Findings from the National Gallery of Art," Journal of Historians of Netherlandish Art 14:2 (Summer 2022) | 2022 | |||
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GROH, Rainer and Lordick, Daniel. "Reverse Painting: Remarks on the Reconstruction of the Room in Vermeer's 'Girl Reading a Letter at an Open Window'" In exh. cat. Der Frühe Vermeer, edited by Neidhardt Uta, 2010. Dresden: Staatliche Kunstsammlungen. | 2010 | |||
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VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. Contouring, highlighting and blending (Skin ). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/15-contouring-highlighting-and-blending/ | 2020 | web | ||
VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. Dressed to impress (Yellow and browns ). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/16-dressed-to-impress/ | 2020 | web | ||
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VANDIVERE, Abbie and Annelies van Loon. "Girl with a Blog." Mauritshuis website. Glazed over (Glazes and varnish). Accessed December 18, 2023. URL:https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/18-glazed-over/ | 2020 | web | ||
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The complete study of Vermeer’s materials, artistry and painting techniques
Jonathan Janson
(painter & founder of Essential Vermeer.com)