updated: APRIL 1, 2023 (539 entries)
If you have corrections or additions for any of the Essential Vermeer online bibliographies, please send them to the author of this site at jonathanjanson@essentialvermeer.com.

- ABELS, Paul. "Church and Religion in the Times of Vermeer." In Dutch Society in the Age of Vermeer. Zwolle: Waanders Publishers, 1996.
- ADHEMAR, Hélène. "La Vision de Vermeer par Proust à travers Vaudoyer." Gazette des Beaux-Arts 108th year (1966): 281–294.
- AKASEGAWA Genpei. Ferumēru no me. Tokyo: Kodansha, 1998.
- AILLAUD, Gilles, BLANKERT, Albert, and MONTIAS John Michael. Vermeer. Paris: Hazan, 1986
- AINSWORTH, Maryn Wynn, Egbert Haverkamp-Begemann, John Brealey, and Pieter Meyers, with contributions by Karin Groen, Maurice J. Cotter, Lambertus van Zelst, and Edward V. Sayre. Art and Autoradiography: Insights into the Genesis of the Paintings of Rembrandt, Van Dyck and Vermeer. New York, Metropolitan Museum of Art, 1993.
- ALPERS, Svetlana. The Art of Describing in the Seventeenth Century. Chicago: University Of Chicago Press, 1984.
- ALPERS, Svetlana. "The Strangeness of Vermeer." Art in America 84, (1996): 62–69.
- ALTENA, J.Q. van Regteren. "A Juvenile Work by Johannes Vermeer." Oud Holland 75, 194–194.
- ARASSE, Daniel. Vermeer, Faith in Painting. Princeton, NJ.: Princeton University Press, 1994.
- ARASSE, Daniel. "Vermeer's Private Allegories." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998. 341–343.
- ASEMISSEN, Hermann. Jan Vermeer Die Malkust: Aspekte eines Berufsbildes. Frankfurt: Fischer, 1993.
- AUWERA, Joost Vander. "Taking Local History Seriously: The Case of the Chandelier in 'Saint Luke Painting the Virgin' by Abraham Janssen van Nuyssen and in 'The Art of Painting' by Johannes Vermeer van Delft." Artium Historia (2001): 317–338.
- BADT, Kurt. Modell und Maler von Jan Vermeer: Probleme der Interpretation. Eine Streitschrift gegen Hans Sedlmay. Cologne: DuMont Schauberg, 1961.
- BAILEY, Anthony. Vermeer: A View of Delft. New York: H. Holt, 2001.
- BAILEY, Martin. Vermeer (Colour Library). London: Phaidon Press, 1995.
- BALK, Hildelies Balk. "Kennerschap en zelfbedrog. Dirk Hannema en Johannes Vermeer." Kunstschrift, no. 2 (2007): 40–45.
- BARNOUW, Adriaan. "Vermeers zoogenaamd 'Novum Testamentum.'" Oud Holland 32 (1914): 50–54.
- BIESBOER, P. Over Johannes Vermeer van Delft, 1632–1675. Delft: VVV Delft. 1900.
- BEGHEYN, Paul. "Johannes Vermeer en de jezuïeten te Delft." Oud Holland 121 (2008): 40–55.
- BERGER, Andrea Ch. Das intermediale Gemäldezitat Zur literarischen Rezeption von Vermeer und Caravaggio. Bielefeld DE, Bielefeld Transcript Verlag, 2014.
- BERGER, Andrea Ch. "Vermeer intermedial! Überlegungen zur Popularität seiner Gemälde in zeitgenössischen Erzähltexten (Discussion Papers)." Kunstgeschichte Open Peer Reviewed Journal (2014).
- BERGER, Harry Jr. "Conspicuous Exclusion in Vermeer: An Essay in Renaissance Pastoral." Yale French Studies 47 (1973): 243–265.
- BERGER, Harry Jr. "Some Vanity of his Art: Conspicuous Exclusion and Pastoral in Vermeer." Salmagundi 44–45 (1979): 89–112.
- BERKEL, Klaas van (ed.), Jørgen Wadum, and K, Zandvliet, K., with contribution from Rudi Ekkart. The Scholarly World of Vermeer. Zwolle: Waanders Publishers, 1996.
- BERKEL, Klaas van., ed. "Vermeer and the Representation of Science." In The Scholarly World of Vermeer, Zwolle: Waanders Publishers, 1996.
- BERKEL, Klaas van. "Johannes Vermeer and Antoni van Leeuwenhoek." In ex. cat. Johannes Vermeer: Der Geograph und Der Astronom nach 200 Jaren wieder vereint, 23–30. Frankfurt: Stadelsches Kunstinstitut. 1997.
- BEGHEYN, Paul. "Johannes Vermeer en de jezuïeten te Delft." Oud Holland 121 (2008): 40–55.
- BIANCONI, Piero. The Complete Paintings of Vermeer (Classics of the World's Great Art). London: Weidenfeld & Nicolson, 1970.
- BINSTOCK, Benjamin. "The Apprenticeship of Maria Vermeer." Artibus et Historiae 57 (2008): 9–47.
- BINSTOCK, Benjamin. Vermeer's Family Secrets: Genius, Discovery and the Unknown Apprentice. New York: Routledge, 2009.
- BLANC, Jan. Vermeer: La Fabrique de la Gloire. Paris: Citadelles & Mazenod, 2014.
- BLANKERT, Albert, with contributions by Rob Ruurs and Willem van de Watering. Vermeer of Delft: Complete Edition of the Paintings. Oxford: Phaidon, 1978.
- BLANKERT, Albert and Louis Grijp,."An Adjustable Leg and a Book: Vermeer's 'Lacemaker' Compared to Others." In Shop Talk: Studies in Honour of Seymour Slive. 1995.
- BLANKERT, Albert. "Vermeer's Modern Themes and Their Tradition." In exh.cat Johannes Vermeer, eds. Arthur K. Wheelock Jr. and Ben Broos. National Gallery of Art, New Haven and London: Yale University Press 1995.
- BLANKERT, Albert. Selected Writings on Dutch Paintings: Rembrandt, Van Beke, Vermeer and Others. Zwolle: Waanders Publishers, 2004.
- BLANKERT, Albert. "Johannes Vermeer's 'Kupplerin'-neu betrachtet." In exh. cat. Johannes Vermeer: Bei Der Kupplerin. Staatliche Kunstssammlungen Dresden. Dresden. 2004.
- BLANKERT, Albert. "Vermeer's 'View of Delft' Restored." In Selected Writings On Dutch Painting. Rembrandt, Van Beke, Vermeer and Others. Zwolle: Waanders Uitgevers. (2004): 267–270.
- BLANKERT, Albert. "The Case of Han van Meegeren's Fake Vermeer's 'Supper at Emmaus' Reconsidered." In In His Milieu. Essays on Netherlandish Art in Memory of John Michael Montias, eds. Amy Golahny et al. Amsterdam: Amsterdam University Press, 2007.
- BLANKERT, Albert. "The Case of Han van Meegeren's Fake Vermeer: 'The Supper at Emmaus' Reconsidered." In In His Milieu. Essays on Netherlandish Art in Memory of John Michael Montias. Amsterdam: Amsterdam Univ. Press. (2007): 359–367.
- BLANKERT, Albert. "A Young Artist Seeks his Purpose." In Der frühe Vermeer. Berlin/München: Deutscher Kunstverlag, 2010.
- BLEYSWEIJCK, Dirck van. Beschrijving van Delft (Description of the City of Delft). Delft, 1667. 854 and 859.
- BLOCH, Vitale. All the Paintings of Vermeer. Translated by M. Kitson, New York: Hawthorn Books, 1963.
- BLOCH, Vitale and Jacqueline Faure. Vermeer: Suivi de l'Éloge de Thoré-Bürger. Paris: Quatre Chemins-Éditart (Impr. Union), 1966.
- BLUM, André. Vermeer et Thoré-Bürger. Genève [etc.]: Les Éditions du Mont-Blanc, 1945.
- BODE, Wilhelm von. "Jan Vermeer und Pieter de Hooch als Konkurrenten." Jahrbuch der Preussischen Kunstsammlungen 32 (1911).
- BODE, Wilhelm von. Die Meister der holländischen und vlämischen Malerschulen. 2nd ed. Leipzig, 1919. 86–89.
- BOMFORD, David. "Perspective, Anamorphosis and Illusion: Seventeenth-Century Dutch Peep Shows." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
- BOONE, Jon. "'Saint Praxedis': Missing the Mark." Essential Vermeer. July 11, 2002. http://www.essentialvermeer.com/saint_praxedis.html
- BOURICIUS, L. G. N. "Vermeeriana." Oud Holland 42 (1925): 271–273.
- BOZAL FERNÁNDEZ, Valeriano. Johannes Vermeer de Delft. Madrid: TF Editores, 2002.
- BRAIDER, Christopher S. "The Denuded Muse: The Unmasking of Point of View in the Cartesian Cogito and Vermeer's 'The Art of Painting.'" Poetics Today, vol. 10, no. 1, Art and Literature I (Spring, 1989): 173–203.
- BRADDOCK, Rowena, and Nicholas Routley. "Productive Disjunction and the Play of Rupture: Rading "the blanks" In "Writing to Vermeer." Musicology Australia. 27 (2004–2005): 73–93.
- BRANDENBARG, Ton and Rudi Ekkart. De We reid der geleerdheid rond Vermeer. Zwolle: Waanders Publishers, 1996.
- BREDIUS, Abraham. "Iets over Johannes Vermeer ('De Delftsche Vermeer')." Oud-Holland 3 (1885): 217.
- BREDIUS, Abraham. "Nieuwe bijdragen over Johannes Vermeer." Oud-Holland 28 (1910): 61.
- BREDIUS, Abraham. "Italiaansche schilderijen in 1672 door Haagsche en Delftsche schilders beoordeeld." Oud-Holland, 34. 1916, 88.
- BREDIUS, Abraham. "Schilderijen uit de nalatenschap van den Delltschen Vermeer." Oud-Holland 34 (1916): 160 sgg.
- BREDIUS, Abraham. "An Unpublished Vermeer." Burlington Magazine 61 (1932): 144–145.
- BREDIUS, Abraham. "A New Vermeer." Burlington Magazine 71 (1937): 21l.
- BREDIUS, Abraham. "Nog een woord over Vermeer's Emmausganger." Oud Holland 55, (1938): 97–99.
- BRÉE, Germaine. "Proust's Combray Church: Illiers or Vermeer?" Proceedings of the American Philosophical Society, vol. 112, No. 1 (February 15, 1968): 5–7.
- BRENTJENS, Yvonne. "Twee meisjes van Vermeer in Washington. Een kostuumstudie." Tableaux 77 (1985): 54–58.
- BRION, Marcel. Vermeer. New York: Abrams, 1963.
- BROERSMA, Geerte. "Vermeer, Vermeer en nog eens Vermeer." In De jonge Vermeer. Ed. Edwin Buijsen. The Hague (Mauritshuis): Zwolle 2010. 74–75.
- BROOS, Ben. "Vermeer: Malice and Misconception."In Vermeer Studies. E ds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998, 18–31.
- BROOS, Ben. 'Un celbre Peintre nomé Verme[e]r.'" In Johannes Vermeer Eds. Arthur K. Wheelock Jr,. and Ben Broos, National Gallery of Art, New Haven and London: Yale University Press, 1995.
- BRYANT, Julius. Kenwood House: Catalogue of Paintings in the Iveagh Bequest. Swindon: English Heritage, 2003.
- BROWN, Christo Dantzig, H. van. "Johannes Vermeer; de Emmausgangers en de critici" (Amsterdam: Sijthoff, 1947). pher. "Review of Wheelock et aI., Johannes Vermeer." Burlington Magazine 88 (1996): 282–283.
- BUIJSEN, Edwin (ed.). The Young Vermeer. The Hague: WBooks. 2010.
- BUIJSEN, Edwin. "Music and the Age of Vermeer." In Dutch Society in the Age of Vermeer. Zwolle: Waanders Publishers. 1996.
- BUIJSEN, Edwin."De sprekende handen van de jonge Vermeer/ The Expressive Hands of the Young Vermeer." Mauritshuis in Focus 31 (2010): 6–12.
- BUIJSEN, Edwin. "The Young Vermeer: Education, Development and Sources of Inspiration" In Der frühe Vermeer. Deutscher Kunstverlag Berlin/München, 2010.
- BUIJSEN, Edwin. "The Rediscovery of the 'Young Vermeer'" In Der frühe Vermeer. Deutscher Kunstverlag Berlin/München, 2010.
- BUVELOT, Quentin. "Vermeer and Dutch Painting: Rome." The Burlington Magazine. (2012): 872–873.
- BUVELOT, Quentin. "Scenes of Everyday Life? Some Reflections on Dutch Genre Painting in the Seventeenth Century." In exh. cat. Masters of the Everyday. Dutch Artists in the Age of Vermeer. Chicago: University of Chicago, 2015.
- CABANNE, Pierre. Vermeer. Translated by John Tittensor. Paris: Maxi-livres. 2004.
- CARSTENSEN, Richard, and Marielene Putscher. "Ein Bild von Vermeer in medizinhistorischen Sicht." Deutsches Ärzteblatt-Ärtzliche Mitteilungen 68 (December, 1971).
- CHANTAVOINE, Jean. 1926. Ver Meer de Delft; Biographie Critique. Paris: Laurens. 1926.
- CHAPMAN, Perry H. "Women in Vermeer's home-Mimesis and Ideation." Nederlands Kunsthistorisch Jaarboek 51 (2000): 241–244.
- CHAPMAN, H. Perry, "Women in Vermeer's Home." In Wooncultuur in de Nederlanden 1500–1800/The Art of Home in the Netherlands 1500–1800. eds. Märiet Westermann, Nederlands Kunsthistorisch Jaarboek 51 (2001): 237–271.
- CHAPMAN, Perry H. "Inside Vermeer's Women." In Vermeer's Women: Secrets and Silence. exh. cat.
Fitzwilliam Museum, Cambridge. New Haven: Yale University Press, 2001, 164–123.
- CHAPMAN, H. Perry. "Reading Dutch art: science and fiction in Vermeer." The Art Historian. (2003): 110–127.
- CHAPMAN, H. Perry. Michael Cole, and Mary Pardo. "The Imagined Studios of Rembrandt and Vermeer." In Inventiones of the Studio, Renaissance to Romanticism, eds. Michael Cole. Chapel Hill, NC: Chapel Hill Press, 2005. 108–146.
- CHONG, Alan. Johannes Vermeer, Gezicht op Delft. Bloemendaal: Gottmer and Becht, 1992.
- CLEEMPOEL, K. van. "Representations of Astrolabes in Western Art." In K. Van Cleempoel (ed.), Astrolabes at Greenwich. A Catalogue of the Astrolabes in the National Maritime Museum. Greenwich. Oxford: Oxford University Press. 2005. 99–111.
- COREMANS, P.B. Van Meegeren's Faked Vermeers and de Hoochs. London: Cassell; Amsterdam: Meulenhoff, 1949.
- CORNELIS, Bart. "Musical Appeal." In exh. cat. Vermeer, eds. Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 224–229.
- COSTARAS, Nicola. "A Study of the Materials and Techniques of Johannes Vermeer." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
- CUNNAR, Eugene. "The Viewer's Share: Three Sectarian Readings of Vermeer's 'Woman Holding a Balance.'" Exemplaria 2 (1990): 501–536.
- DANDRIEU, Laurent. Les peintres de l'invisible: Le Greco, Rembrandt, Vermeer et autres messagers de l'infini. Paris: Les éditions du Cerf, 2016.
- DANTZIG, H. van. Johannes Vermeer; de Emmausgangers en de critici. Amsterdam: Sijthoff, 1947.
- DEKIERT, Marcus. Vermeer in München: König Max I Joseph von Bayern als Sammler Alter Meister. exh. cat. Bayerisches Staatsgemäldesammlungen, Alte Pinakothek. Munich, 2011
- DELSAUTE, Jean-Luc. "The Camera Obscura and Painting in the Sixteenth and Seventeenth Centuries." In Vermeer Studies, eeds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
- DEMIN, Vitaliy . "Vermeer on Stamps." Essential Vermeer. 2018. http://www.essentialvermeer.com/misc/stamps/stamps-01.html
- DESCARGUES, Pierre. Vermeer, trans. J. Emmons, Geneva: Albert Skira, 1966.
- DESLANDRES, Sandra. Les Stratégies Visuelles chez Vermeer ou Le Paradoxe du
Spectateur. Montréal (Québec, Canada), Université du Québec à Montréal, Maîtrise en histoire de l'art. 2013
- DIODATO, Roberto. Vermeer, Góngora, Spinoza: l'esthétique comme science intuitivetr. Translated by Yamina Oudaï Celso. Éditions Mimésis, 2016.
- DOLNICK, Edward. The Forger's Spell: A True Story of Vermeer, Nazis, and the Greatest Art Hoax of the Twentieth Century. New York: Harper Perennial, 2008.
- DREYFOUS, Georges. L'Oeuvre de Jan Vermeer de Delft. Paris. 1912.
- DÜCHTING, Hajo. Jan Vermeer und seine Zeit. Stuttgart: Belser, 2011.
- DUDAR, Helen. "Time Stands Still in the Harmonious World of Vermeer." Smithsonian 26, no. 8 (November 1995).
- DÜCHTING, Hajo. Jan Vermeer und seine Zeit. Stuttgart: Belser, 2011.
- ECKERSLEY, Dominic. "Vermeer's Ruckers Muselar Virginal: Vermeer's Painting of a Ruckers Muselar Virginal in 'The Music Lesson' c. 1662–65. Harpsichord & Fortepiano (Spring, 2014): 32–43.
- EICHE, Sabine. "'The Artist in his Studio' by Jan Vermeer: About a Chandelier." Gazette des Beaux-Arts .(1982): 203–204.
- van EIJK, Babs. "Johannnes Vermeer: The Man Behind the Paintings." In Vermeer's Delft ed. de Haan, David. Museum Prinsenhof Delft, Wanders Uitgevers, Zwolle (2023): 102.
- ELOVSSON, Per-Olov. "The Geographer's Heart: A Study of Vermeer's Scientists." Konsthistorisk Tidskrift 6 (1991).
- EMILIANI, Andrea. Vermeer (1632–1675). Milan, 1966.
- EYCK, Caroline van. "A New Interpretation of Vermeer's Allegory of Faith: Vividness and Figural Interpretation." In Walter S. Melion, James Clifton and Michel Weemans (eds.), Imago Exegetica. Visual Images as Exegetical Instruments, 1400–1700, Leiden 2014: 157–185.
- FELL, Herbert Granville. Vermeer: Masterpieces in Colour. eds. T.L. Hare. London and Edinburgh, 1934.
- FILIPCZAK, Z .Z. "Vermeer, Elusiveness, and Visual Theory." Simiolus 32 no. 4 (2006): 259–272.
- FINK, Daniel A. "Vermeer's Use of the Camera Obscura: A Comparative Study." The Art Bulletin 53 (1971).
- FLEISCHER. "Ludolf de Jong's The Refused Glass and its Effect on the Art of Vermeer and De Hooch." In Rembrandt, Rubens and the Art of their Tme: Recent Perspectives. Roland E. Flseischer and Susan C. Scott, University Park, Penn, The Pennsylvania State University. 1997.
- FORD, Charles. "Vermeer to Eternity." The Oxford Art Journal. (1997): 86–88.
- FRANSES, Michael. "Oriental Carpets in the Paintings of Vermeer" InDer frühe Vermeer. Deutscher Kunstverlag Berlin/München, 2010.
- FRANKFURT. Johannes Vermeer: "Der Geograph und der Astronom nach 200 Jahren wieder verient." In exh. cat. by Michael Mac-Gerard, with essays by Klass va Berkel, Jørgen Wadum, Peter Waldeis and Arthur K. Wheelock Jr. Frankfurt am Main, Stadelsches Kunstisnstitut und Stadtische Galerie, Frankfurt. 1997.
- FRANITS, Wayne. Looking at Seventeenth-century Dutch Art. Realism Reconsidered. Cambridge: Cambridge University Press, 1997.
- FRANITS, Wayne. The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art). eds. W. Franits, Cambridge UK and New York: Cambridge University Press. 2001.
- FRANITS, Wayne, ed. "Johannes Vermeer: An Overview of His Life and Stylistic Evolution." In The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art). Cambridge UK and New York: Cambridge University Press. 2001.
- FRANITS, Wayne. Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution. New Haven and London: Yale University Press, 2004.
- FRANITS, Wayne. "Living in the Lap of Luxury: Vermeer: His Admirers and his Patrons." In Vermeer's Women: Secrets and Silence
. Hartford. 2011, 124–151.
- FRANITS, Wayne. Vermeer
(Art and Ideas). London: Phaidon Press. 2014
- FRIMMEL, Theodor von. "A Woman Weighing Pearls by Vermeer of Delft." The Burlington Magazine 22 (October, 1912): 48–49.
- FROMENTIN, Eugène. Les maîtres d'autrefois. Paris, 1876; new ed., H. Gerson. London and New York, 1948.
- FRY, Roger. "Diana and Her Nymphs." The Burlington Magazine for Connoisseurs, vol. 19, no. 100 (July, 1911): 206–207–211.
- FUKUOKA, Shin'ichi. Ferumeru hikari no okoku. Tokyo: Kirakusha, 2011.
- FURST, Herbert. "The Sphinx of Delft": The Three-Hundredth Anniversary of Jan Vermeer." Apollo. (1932): 236–239.
- GARDNER, Elizabeth E. "Thoré's Sphinx." The Metropolitan Museum of Art Bulletin, New Series, vol. 7, no. 3 (Nov, 1948): 73–78.
- GASKELL, Ivan. "Valuing Vermeer." In Vermeer Studies. eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998, 9–17.
- GASKELL, Ivan. "Vermeer, Judgment and Truth." The Burlington Magazine 126 (September 1984): 557–561.
- GASKELL, Ivan and Michea Jonker, eds. Vermeer Studies
. National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
- GASKELL, Ivan. "Vermeer and the Limits of Interpretation." In Vermeer Studies.eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
- GASKELL, Ivan. Vermeer's Wager (Essays in Art and Culture)
. London: Reaktion Books. 2000.
- GASKELL, Ivan. "New York and London: Vermeer and the Delft School." The Burlington Magazine. (2001): 452–455.
- GATOMSKI, Juliane.- "Of Doubt and Amazement: The Dutch Natural Sciences in the 17th Century" In Der frühe Vermeer. Deutscher Kunstverlag Berlin/München, 2010.
- GELDER, J.G. van. "Jan Vermeer's Clio." Oud Holland 66 (1951): 44–45.
- GELDER, J.G. van."Diana door Vermeer en C. de Vos." Oud Holland, 71 (1956): 245.
- GELDER, J.G. van. con commento di J. A. Emmens. De Schilderkunst van Jan Vermeer. Utrecht. 1958.
- GEORGIEVSKA-SHINE, Aneta, "'A counterfeit of what has to decay': Vermeer and the Mapping of Absence in A Woman with a Lute." JHNA 9:1 (Winter 2017),: DOI: 10.5092/jhna.2017.9.1.15
- GEORGIEVSKA-SHINE. "Vermeer: The Art of Meditation, and 'The Allegory of Faith.'" Personification (2016): 461–488.
- GERSON, H. "Johannes Vermeer." In Encyclopedia of World Art, New York-Toronto-London, XIV, 1967, col. 739 sgg.
- GIFFORD, E. Melanie. "Painting Light: Recent Observations on Vermeer's Technique." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
- GIFFORD, E. Melanie Gifford, Dina Anchin, Alexandra Libby, Marjorie E. Wieseman, Kathryn A. Dooley, Lisha Deming Glinsman, John K. Delaney. "First Steps in Vermeer’s Creative Process: New Findings from the National Gallery of Art," Journal of Historians of Netherlandish Art 14:2 (Summer 2022)
- GIFFORD, E. Melanie, Kathryn A. Dooley, John K. Delaney, "Methodology & Resources: New Findings from the National Gallery of Art," Journal of Historians of Netherlandish Art 14:2 (Summer 2022) DOI: 10.5092/jhna.2022.14.2.4
- GLASS, Marguerite. "The Appreciation of Vermeer in Twentieth-Century America." In The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art). eds. W. Franits, Cambridge UK and New York: Cambridge University Press. 2001.
- GODLEY, John. The Master Forger: The Story of Han van Meegeren. New York: Wilfred Funk. 1952.
- GOLDIN, Marco, Quentin Buvelot and Lea van der Vinde. La ragazza con l'orecchino di perla: il mito della Golden Age; da Vermeer a Rembrandt; capolavori dal Mauritshuis. Conegliano Treviso: Linea dombra. 2014.
- GOLDSCHEIDER. L. Jan Vermeer. London: Phaidon Press. 1958; revised second edition, 1967; revised third edition by FRANITS, Wayne, 2016
- GOODMAN, Elise. "The Landscape on the Wall in Vermeer." Konthistorisk Tidskrift 58 (1989): 76–88.
- GOODMAN, Elise. "The Landscape on the Wall in Vermeer." In The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art). eds. W. Franits, Cambridge UK and New York: Cambridge University Press. 2001.
- GOWING, Lawrence. Vermeer
. London. 1952 and 1970.
- GOWING, Lawrence. "Light on Baburen and Vermeer." The Burlington Magazine, vol. 93, no. 578 (May, 1951): 169–170.
- GRABSKI, Józef. Jan Vermeer van Delft: (1632–1675): "St. Praxedis": An Exhibition of a Painting from the Collection of Barbara Piasecka Johnson, May–September 1991, International Cultural Centre, Cracow, Wawel Royal Castle, Cracow. Vienna: Irsa. 1991.
- GREGORY, Quint [Henry D. Gregory V]. "Vermeer, tout l'oeuvre peint." Connaissance des Arts 522 (November, 1996).
- GREUB, Thierry, J. "Vermeer van Delft: junge Dame mit Perlenhalsband." In Werk aus der Gemäldegalerie Staatliche Museen zu Berlin Preussischer Kulturbesitz. Berlin-Tiergarten, Kulturforum Matthäikirchplatz. Berlin. 2003.
- GREUB, Thierry. Vermeer, oder, Die Inszenierung der Imagination. Petersberg: M. Imhof, 2004.
- GRIJZENHOUT, Fran. "Een schrijfstertje van Vermeer. Jacob Oortman en de Dissius-veiling van 1696." Oud Holland 123 (2010): 65–75.
- GRIJZENHOUT, Frans. Het straatje van Vermeer: gezicht op de Penspoort in Delft. Rijksmuseum, Stedelijk Museum Het Prinsenhof Amsterdam: Rijksmuseum, 2015.
- GRIJZENHOUT, Frans. "Het straatje van Vermeer: een plaatsbepaling,". Bulletin KNOB, [S.l.], p. 1–13, mrt. 2018. <https://journals.open.tudelft.nl/index.php/knob/article/view/2014/2380>.
in English: "Vermeer's' The Little Street' Revisited." <https://journals.open.tudelft.nl/index.php/knob/article/view/2014/3971>
- GRIMME, Ernst Günther. Jan Vermeer van Delft. Cologne: DuMont Buchverlag, 1974.
- GROEN, Karin M. van der WERF, Inez D., van der BERG, Klaas Jan, BOON, Jaap J., "Scientific Examination of Vermeer's Girl with a Pearl Earring." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
- GROEN, Karin. "Painting Technique in the Seventeenth Century in Holland and the Possible Use of the Camera Obscura by Vermeer."In Inside the Camera Obscura–Optics and Art under the Spell of the Projected Image. Max Planck Institute for the History of Science, reprint 333. 2007. 195–210.
- GROH, Rainer and LORDICK, Daniel. "Reverse Painting: Remarks on the Reconstruction of the Room in Vermeer's 'Girl Reading a Letter at an Open Window'" In Der frühe Vermeer. Deutscher Kunstverlag Berlin/München, 2010.
- DE GROOT, Hofstede C. Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten Holländischer Maler des XVII. Jahrhunderts, nach dem Muster von John Smith's Catalogue raisonné zusammengestellt von Dr. C. Hofstede de Groot, Esslingen a. N./ Paris, Paul Neff Verlag/ Kleinberger, 1907-1928, 10 vols. (Vermeer in vol. 1); Catalogue Raisonné of the works of the Most Eminent Dutch Painters of the Seventeenth Century, 8 vols. (volumes 9 and 10 not published), translated & edited by Edward G. Hawke, London, MacMillan, 1908-1927.
- GROOT, Hofstede C. A. de."A Newly Discovered Picture by Vermeer of Delft." The Burlington Magazine 18 (December, 1910): 133–134.
- GUDLAUGSSON, S. J. "Johannes Vermeer" In Kindlers Malerei Lexicon" V (Zurich: Kindler, 1968): 657–670.
- GUTRUF, Gerhard and Hellmuth Stachel. "The Hidden Geometry in Vermeer's 'The Art of Painting.'" Journal for Geometry and Graphics vol. 14, no. 2 (2010): 187–202.
- HAAG, Sabine, OBERTHALER, Elke Oberthale, PÉNOT, Sabine (eds.) Vermeer. Die
Malkunst. exh. cat. eds. Kunsthistorisches Museum Vienna, 2010.
- HAKS, Donald and Marie Christine van der Sman (eds.) Dutch Society in the Age of Vermeer. Zwolle: Waanders Publishers, 1996.
- HALE, Philip. L. Jan Vermeer of Delft. Boston, Small, Maynard and Co., 1913; revised ed. by F. Coburn and R. Hale. Boston: Hale, Cushman & Flint, 1937.
- de HAAN et al., Vermeer's Delft. Museum Prinsenhof Delft, Wanders Uitgevers, Zwolle. 2023.
- de HAAN et al., "Vermeer's Delft." In Vermeer's Delft ed. de Haan, David. Museum Prinsenhof Delft, Wnders Uitgevers, Zwolle (2023): 88
- HALLORAN, Thomas O. "Reconstructing the Space, in Vermeers 'Officer and Laughing Girl.'" Anistorian: in Situ, vol. 8, September 2004. http://www.anistor.gr/english/enback/p043.htm.
- HAN-PILE, Béatrice. "Describing reality or disclosing worldhood?: Vermeer and Heidegger." Art and Phenomenolog. (2011): 138–161.
- HANNEMA, Dirk. Vermeer: Oorsprong en Invloed: Fabritius, De Hooch, De Witte. exh. cat. Museum Boymans, Rotterdam, 9 July–9 October, 1935. Rotterdam: Museum Boymans. 1935.
- HARMON, Roger. "Musica laetitiae comes" and Vermeer's 'Music Lesson.'" Oud Holland 113 (1999): 161–166.
- HAVARD, Henry. Van der Meer de Delft. Paris: Librairie de l'Art. 1888.
- HAUSENSTEIN, Wilhelm. "Vermeer van Delft." Das Bild Atlanten zur Kunst 10 (1924).
- HEDINGER, Barbel. "Karten in Bildern. Zur politischen Ikonographie der Wandkarte bei Willem Buyteweech und Jan Vermeer" In H. Bock and T. Gaehtgens, eds, Holandische Genremalerei im 17. Jahrhundert Symposium Berlin 1984 (Berlin: Mann, 1984).
- HEDQUIST, Valerie. "The Real Presence of Christ and the Pentinent Mary Magdalen in the 'Allegory of Faith' by Johannes Vermeer." Art History 23 (2000).
- HEDQUIST, Valerie. "Religion in the Art and Life of Vermeer."In The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art). eds. W. Franits, Cambridge UK and New York: Cambridge University Press. 2001. 111–130.
- HEDQUIST, Valerie. "The Real Presence of Christ and the Penitent Mary Magdalen in the Allegory of Faith by Johannes Vermeer." Art History, vol. 23, no. 3. (September, 2000): 333–364.
- HELLESSE, F. S. V. Luc Scaccianoce. Introduction au songe de Johannes Vermeer. Lugny, 1979.
- HENDRSON, Jasper and Victor Schiferli. Vermeer: The Life and Work of a Master. Amsterdam: Rijksmuseum, 2011.
- HENEL, Jennifer, "Striking the Right Chord: Seeing Music in Dutch Genre Painting," National Gallery of Art, https://purl.org/nga/documents/literature/essays/striking-the-right-chord-seeing-music-in-dutch-genre-painting (accessed Jan 17, 2020).
- HENENBERGER, Susanne and Monika. Löscher. Die verkaufte Malkunst: Jan Vermeers Gemälde im 20. Jahrhundert. Vienna: Böhlau, 2013.
- HERTEL, Christiane. Vermeer: Reception and Interpretation. Cambridge and New York: Cambridge University Press, 1999.
- HERTEL, Christiane. "Seven Vermeers: Collection, Reception, Response."In The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art)
. eds. W. Franits, Cambridge UK and New York: Cambridge University Press. 2001.
- HEUER, Christopher. "Perspective as Process in Vermeer." Anthropology and Aesthetics
no. 38 (Autumn, 2000): 82–99.
- HOLLANDER, Martha "Vermeer's Robe: Costume, Commerce, and Fantasy in the Early Modern Netherlands." Dutch Crossing 35 no. 2 (2011): 177–195.
- HONIG, Elizabeth. "The Space of Gender in Seventeenth-Century Dutch Painting." In W. Franits, ed., Looking at Seventeenth-Century Dutch Art: Realism Reconsidered (Cambridge: Cambridge University Press, 1997): 186–201.
- HOWARD, Helen, David Peggie and Rachel Billinge, Helen Howard, David Peggie and Rachel Billinge, "Vermeer and Technique." National Gallery website. https://www.nationalgallery.org.uk/paintings/research/meaning-of-making/vermeer-and-technique
- Methods and Technique (Introduction)
- Support and ground
https://www.nationalgallery.org.uk/paintings/research/meaning-of-making/vermeer-and-technique/support-and-ground
Infrared examinatio
https://www.nationalgallery.org.uk/paintings/research/meaning-of-making/vermeer-and-technique/infrared-examination
Vermeer's palette
https://www.nationalgallery.org.uk/paintings/research/meaning-of-making/vermeer-and-technique/vermeers-palette
Binding mediu
https://www.nationalgallery.org.uk/paintings/research/meaning-of-making/vermeer-and-technique/binding-medium
Paint applicatio
https://www.nationalgallery.org.uk/paintings/research/meaning-of-making/vermeer-and-technique/paint-application
Secrets of the studi
https://www.nationalgallery.org.uk/paintings/research/meaning-of-making/vermeer-and-technique/secrets-of-the-studio
- Time and transformation
- Altered appearance of ultramarine
https://www.nationalgallery.org.uk/paintings/research/meaning-of-making/vermeer-and-technique/altered-appearance-of-ultramarine
Fading of yellow and red lake pigments
https://www.nationalgallery.org.uk/paintings/research/meaning-of-making/vermeer-and-technique/fading-of-yellow-and-red-lake-pigments
Drying and paint defects
https://www.nationalgallery.org.uk/paintings/research/meaning-of-making/vermeer-and-technique/drying-and-paint-defects
Formation of lead and zinc soaps
https://www.nationalgallery.org.uk/paintings/research/meaning-of-making/vermeer-and-technique/formation-of-lead-and-zinc-soaps
Infrared examinatio
ttps://www.nationalgallery.org.uk/paintings/research/meaning-of-making/vermeer-and-technique/infrared-examination
- HUBSCHMITT, William Evan. "'The Art of Painting': An Iconographic Examination of De Schilderconst by Johannis Vermeer of Delft." Dissertation State University of New York at Binghampton. 1986.
- HUERTA, Robert D. Giants of Delft: Johannes Vermeer and the Natural Philosophers: The Parallel Search for Knowledge During the Age of Discovery
. Lewisburg: Bucknell University Press. 2003.
- HUERTA, Robert D. Vermeer And Plato: Painting The Ideal
. Lewisburg: Bucknell University Press. 2005.
- HULTEN, Karl. "Zu Vermeers Atelierbild." Konsthistorisk Tidskrift 18 (1949): 90–98.
- HURLEY, Ann. "Ut Pictura Poesis: Vermeer's Challenge to Some Renaissance Literary Assumptions." The Journal of Aesthetics and Art Criticism, vol. 47, no. 4 (Autumn, 1989): 348–357.
- HYAAT, Mayor A. "The Photographic Eye." Bulletin of the Metropolitan Museum of Art, new series vol. 1. (1946): 15–26.
- IACONO, Margaret. "Vermeer, Rembrandt, and Hals: Masterpieces of Dutch painting from the Mauritshuis." Frick Collection Members' Magazine. 13 (3). 2013.
- IACONO, Margaret and James Ivory. Vermeer's "Mistress and Maid" (Frick Diptych), New York: The Frick Collection; London: in association with D Giles Limited, 2018.
- JANSON, Jonathan, Looking Over Vermeer's Shoulder: Seventeenth-Century Painting Techniques and Studio Practices with Particular Focus on the Work of Johannes Vermeer (2nd edition), USA, 2020.
- JANSON, Jonathan. "How Vermeer Painted." In Hound in the Hunt: Optical Aids in Art. Museum of Old Art and New, Hobart TS, 2016. 90–151.
- JANSON, Jonathan. Essential Vermeer. http://www.essentialvermeer.com. (Accessed February 4, 2017)
- JELLEY, Jane. "From Perception to Paint: The Practical Use of the Camera Obscura in the Time of Vermeer," Art and Perception (July, 2013).
- JOHNSON, C. Richard Jr., and W. A. Sethares, "Canvas Weave Match Supports Designation of Vermeer's Geographer and Astronomer as a Pendant Pair," JHNA 9:1 (Winter 2017),
DOI: 10.5092/jhna.2017.9.1.17
- JONG, Eddy de. "On Balance." In Vermeer Studies. Studies in the History of Art, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
- JOWELL, Frances Suzman. Thoré-Bürger and the Art of the Past. New York: Garland Publishers, 1977.
- JOWELL, Frances Suzman. "Thoré-Bürger and Vermeer: Critical and Commercial Fortunes."In Shop Talk: Studies in Horour of Seymour Slive (Cambridge, Mass. 1995): 125–126 n.11.
- JOWELL, Frances Suzman. "Thoré-Bürger- A Critical Role in the Art Market." Burlington Magazine 138 (1996):155–116.
- JOWELL, Frances Suzman. "Vermeer and Thoré-Bürger: Recoveries of Reputation."InVermeer Studies, ds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998,. 35–57.
- JOWELL, Frances Suzman. "Thoré-Bürger's art collection: 'a rather unusual gallery of bric-à-brac.'" Simiolus: Netherlands quarterly for the history of art, vol.30, no. 1/2 (2003), 54–55.
- JUFFINGER, Roswitha and Chrsitoph Brandhuber. "The Unrecognized Masterpiece: Vermeer's 'Art of Painting.'" In Vermeer: Die Malkunst, eds. Sabine Haag, Elke Oberthaler and Sabine Pénot, Kunsthistorisches Museum, Vienna: Residenz, 2010. 41–65.
- KAHR, Madlyn Millner. "Vermeer's 'Girl Asleep,' A Moral Emblem." Metropolitan Museum Journal VI (1972).
- KALDENBACH, Kees. "Ein 3D-Flug über die 'Ansicht von Delft'; Johannes Vermeers Meisterwerk aus 1660 als virtuelle Welt" (A 3D flight over 'View of Delft', text in German) Weltkunst, Munich. February 1999. vol.69, no. 2, 308–310.
- KALDENBACH, Kees. "Trekschuiten, haringbuizen en vrachtschepen op Vermeers Gezicht op Delft" In Tijdschrift voor Zeegeschiedenis, Vol. 19 nr. 1 (April) 2000. in 2001 a reprint has appeared in Historisch Jaarboek voor Delft, the year book of the Historische Vereniging Delfia Batavorum.
- KALDENBACH, Kees, 'Het Straatje van Johannes Vermeer: Nieuwe Langendijk 24–26? Een kunsthistorische visie op een archeologisch en bouwhistorisch onderzoek.'" Bulletin KNOB (Koninklijk Nederlandse Oudheidkundige Bond), Vol. 99 nr. 5–6, November–December 2000 239–249.
- KALDENBACH, Kees. "Die kleine Strasse von Johannes Vermeer: Nieuwe Langendijk Nr. 22–26? Ein kunstgeschichtlicher Blick auf eine archäologische und baugeschichtliche Untersuchung." Die Denkmalpflege. 2002.
- KALDENBACH, Kees. "The Genesis of a Wall Chart on the Cultural Heritage of Seventeenth-Century Delft: Johannes Vermeer and the Delft School: a Chart of Homes of Delft Artists and Patrons in the Seventeenth Century." Visual Resources, vol. XVIII, no. 3 (September, 2002).
- KALDENBACH, Kees. Research, map and text, "Johannes Vermeer and the Delft School: A Full Colour Chart Showing the Homes of Circa 120 Artists and Circa 130 Patrons who Lived in Seventeenth-Century Delft." Amsterdam. 2001.
- KEISER, Herbert Wolfgang. Vermeer van Delft. Berlin: G. Weise. 1938.
- KERNBAUM, Serge. Vermeer (1632–1675): Une douce mélancolie. PaAris: Somogy éditions d'Art, 2017.
- KERSTEN, M.C.C. & D. H. A.C. Lokin. "Delft Masters, Vermeer's Contemporaries. Illusionism through the Conquest of Light and Space." In exh. cat. Stedelijk Museum het Princenhof, Delft. Zwolle: Waanders Publisher, 1996.
- KETTNER, Jasper. "Delft Tracks: The Young Vermeer and the Painting of his Hometown" In Der frühe Vermeer. Deutscher Kunstverlag Berlin/München, 2010.
- KEYSILITZ, Rudolf. "Der 'Clavis interpretandi' in der hollandischen Malerei des 17." Jahrhunderts, Ph.D. diss. Munich.1956.
- KITSON, C. M. "Current and Forthcoming Exhibitions: Florentine Baroque Art in New York." The Burlington Magazine 111 (June, 1969): 410.
- KLOEK, Wouter, et al. .cat. Dutch art in the age of Rembrandt and Vermeer: Masterworks of the Golden Age from the Rijksmuseum Amsterdam. Tokyo: The Tokyo Shimbun, 2000.
- KOBAYASHI, Yoriko. Nazotoki Ferumēru. Tokyo: Shinchōsha, 2003.
- KOLFIN, Elmer, Carol Pottasch and Ruth Hoppe. "The Metamorphosis of Diana: Changing Perceptions of the Young Vermeer's Paintings Techniques." Art Matters, Netherlands Technical Studies in Art, first issue (2002): 90–103.
- KNAFOU, Rémy. Vermeer: mystère du quotidien. Paris, 1994.
- KONINGSBERGER, Hans. The World of Vermeer 1632–1675 (Time-Life Library of Art). New York: Time-Life Books, 1967.
- KORTE, Heribert. Buiten de tijd om. Johannes Vermeer & Marcel Proust. Amsterdam: De Vrije Uitgevers, 2016.
- KRAMER, Maria. "A Study of the Paintings of Vermeer of Delft." The Psychoanalytic Quarterly 39 (1970), 389–426.
- KREMPEL, León. "Bildnisse in Genrebildern."In Studies on Dutch and Flemish Portraiture of the 16th-18th Centuries, Liber Amicorum Presented to Rudolf E.O. Ekkart on the Occasion of his 65th Birthday. Primavera Pers: Ledien. 20012. 351–58.
- KREMPEL, León. "Allegorische Tronie-Paare bei Johannes Vermeer." In Tronien: das Gesicht in der frühen Neuzeit. eds. Dagmar Hirschfelder and León Krempel. Berlin, 2014. 97–112
- KREUGER, Frederik H. Kreuger. Waar schilderde Vermeer zijn Straatje?. Rijswijk: Quantes, 2009.
- KRONIG, J. O. "A still-life by Jan Vermeer of Delft." The Burlington Magazine for Connoisseurs. (1920): 169–170.
- KULTERMANN, Udo. "Vermeer versions modernes." Connaissance Des Arts. (1977): 95–100.
- KÜHN, Hermann. "A Study of the Pigments and Grounds Used by Jan Vermeer." Reports and Studies in the History of Art. (1968): 154–202.
- LAGERLÖF, Margaretha Rossholm. "A painting without Genre: Meaning in Jan Vermeer's 'The Girl with the Wine Glass'.'" Konsthistorisk Tidskrift / Konsthistoriska Sällskapet. (2009): 77–91.
- LAMMERTSE, Friso. De Vermeers Van Meegeren: kennerschap en de techniek van het vervalsen. Rotterdam: Museum Boijmans Van Beuningen, 2011.
- LANDSMAN, Rozemarijn. Vermeer's Maps. DelMonico Books/Frick Collection, 2022.
- LAROCHE, Pierre-Éric. Vermeer ou l'action de voir. Bruxelles: La lettre volée, 2007.
- LARSEN, Erik. Jan Vermeer. Translated by Tania Gargiulo. Florence: Biblioteca d'arte, 1996.
- LAURENZE-LANSABERG, Claudia. "Neutron-Autoradiography of two Paintings by Jan Vermeer in the Gemäldegalerie Berlin."In Inside the Camera Obscura—Optics and Art under the Spell of the Projected Image. Max Planck Institute for the History of Science, reprint 333 (2007): 211–225.
- LAVELLÉE, Pierre. "Un Tableau Inconnu de Vermeer: La Jeune Femme au Chapeau Rouge." La Revue de l'Art 47 (1925).
- LE COZE, Pierre, and Pierre-Éric Laroche. Vermeer, ou L'action de voir. Bruxelles: La lettre volée. 2007.
- LEONHARD, Karin. "Vermeer's Pregnant Women. On Human Generation and Pictorial Representation." Art History 25 (2002): 293–318.
- LEONHARD, Karin. Das gemalte Zimmer: zur Interieurmalerei Jan Vermeers. München: Fink. 2003.
- LEVY-VAN HALM, Koos. "Where di Vermeer Buy His Paining Materials? Theory and Practice."InVermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
- LIBBY, Alexandra, E. Melanie Gifford, Dina Anchin, Marjorie E. Wieseman, Kathryn A. Dooley, Lisha Deming Glinsman, John K. Delaney, "Experimentation and Innovation in Vermeer’s 'Girl with the Red Hat': New Findings from the National Gallery of Art," Journal of Historians of Netherlandish Art 14:2 (Summer 2022)
- LIEDTKE, Walter (ed.), Axel Rüger, Michiel Plomp, Reinier Baarsen, and Bruce Campbell. Vermeer and the Delft School,. New York: The Metropolitan Museum of Art., 2001.
- LIEDTKE, Walter. "Vermeer's Youthful Discretion: Diana and Her Companions was a Predictable Picture for a Young Delft Painter of the Early 1650s, b ut it was also Personal." Art News 100 (2001): 120–127.
- LIEDTKE, Walter. "Vermeer Teaching Himself." In The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art)
, eds. W. Franits, Cambridge UK and New York: Cambridge University Press. 2001.
- LIEDTKE, Walter. Vermeer: The Complete Paintings. Ghent, Belgium: Ludion Press, 2008.
- LIEDTKE, Walter. The Milkmaid by Johannes Vermeer. The Metropolitan Museum of Art, New York, 2009.
- LIEDTKE, Walter."Vermeer's Women: Desire and Restraint." IFAR Journal 11 no. 3 & 4 (2010),: 26–41.
- LIESS, Reinhard. Jan Vermeer van Delft. Pieter Breugel d. A. Rogier van der Weyden. Drei Studien zur niederlandischen Kunst. Gutingen: Reinhard Liess, 2004.
- LINDENBURG, M. A. "Het 'Straatje' van Vermeer." Delfia Batavorum (1992): 83–91.
- LIVEIERATOS, Evangelos Livieratos and Alexandra Koussoulakou. "Vermeer's Maps: A New Digital Look in an Old Master's Mirror." e-Perimetron, vol.1, no. 2 (Spring, 2006): 138–151.
- LOKIN, Danielle H. A. C. "Communicating the Proper Life: Dutch Literary Texts in the Seventeenth Centru." In Human Connections in the Age of Vermeer, London, 2012.
- LOPEZ, Jonathan. The Man Who Made Vermeers, New York: Mariner Books, 2008.
- LOPEZ, Jonathan. "Van Meegeren's Early Vermeers." Apollo (July–August, 2008): 22–29.
- LORDICK, Daniel. "Parametric Reconstruction of the Space in Vermeer's Painting 'Girl Reading a Letter at an Open Window,'" Journal for Geometry and Graphics, vol. 16, no. 1 (2012): 69–79.
- LOTZ, Corinna. "Vermeer and the Dutch Interior." Apollo (2003): 55–56.
- LUCAS, Edward Verrall. Vermeer the Magical, London, 1929.
- LUSK, Daniel. The Vermeer Suite. Shelburne VT: Wind Ridge Books, 2015.
- LLOYD, David. "The Vermeers in America." International Studio 82, (November 1925): 12.
- MAARSEVEEN, M. P. van, Vermeer and Delft: His Life and His Times, Stedelijk Museum het Prinshof, Amersfoort, 1996.
- MAHON, D., Centeno, S.A., IACONO, M. et al. "Johannes Vermeer’s 'Mistress and Maid': New Discoveries Cast Light on Changes to the Composition and the Discoloration of Some Paint Passages." Heritage Science Journal 8, 30 (2020). https://doi.org/10.1186/s40494-020-00375-2.
- MALRAUX, André. "Un artiste à jamais inconnu, proposition d'une nouvelle chronologie - et par là d'une nouvelle perspective - de l'oeuvre de Vermeer." Revue des Arts (1951): 195–204
- MALRAUX, André. Vermeer de Delft. Gallimard - Galerie de la Pléiade, Paris, 1952.
- MARTIN, Wilhelm. "La Jeune Fille à la Flute de Vermeer de Delft." L'Art Flamand & Hollandais 8 (July 1907): 20–23, repro.
- MAYER-MIENTSCHEL, Annaliese. "Die Briefleserin von Jan Vermeer van Delft-zum inhalt und zur Geschichte des Bildes." Jahrbuch der Staatlichen Kunstsammlungen Dresden 11 (1978): 91–99.
- MAYER-MIENTSCHEL, Annaliese."Vermeer's Kupplerin.'" Jahrbuch der Staatlichen Kunstsammlungen Dresden 15 (1986), 7–18.
- MCENTYRE, Marilyn Chandler. In quiet light: poems on Vermeer's women. Grand Rapids, Mich: W.B. Eerdmans Pub. Co. 2000.
- MENZEL, Gerhard W. Vermeer. Leipzig, 1977.
- MELTZOFF, Stanley. "The Rediscovery of Vermeer." Marsyas 2 (1942):160–196.
- MIEDEMA, Hessel, "Jan Vermeer's 'Art of Painting.'" In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
- MILLS, A. A. "Vermeer and the camera obscura: some practical considerations." Leonardo 31 (1998): 213–218.
- MIRIMONDE, Albert P. de. "Les Sujets musicaux chez Vermeer de Delft." Gazette des Beaux-Arts 57 (January 1961)
- MISTLER, Jean. Vermeer (Collection Le Peintre et l'Homme). Paris, 1973.
- MOHRMANN, Ivo and SCHEUFLER, Thomas. "From Space to Image and Back: A Room Presentation at the Dresden Academy of Fine Arts" In Der frühe Vermeer. Deutscher Kunstverlag Berlin/München, 2010.
- MOLTENBREY, Karen. "Art Appreciation: Digital Artists Shed New Light on the Masterpieces of Johannes Vermeer." Computer Graphics World 25 (May, 2009): 14–16.
- MONCONYS, Balthasar de. Journal des voyages de Monsieur de Monconys, Conseiller du Roy en ses Conseils d'Estat & Privé, & Lieutenant Criminel au Siège Presidial de Lyon, 2 vols., Lyon, 1665–1666. 148–149.
- MONJI-VOLLMER, Eva. "Rediscovering Vermeer's 'Art of Painting' in the 19th Century. " In Vermeer: Die Malkunst, eds. Sabine Haag, Elke Oberthaler and Sabine Pénot, Kunsthistorisches Museum, Vienna: Residenz, 2010. 103–109.
- MONTIAS, John Michael. "The guild of St. Luke in 17th-century Delft and the Economic Status of Artists and Artisans." Simiolus. (1977): 93–105.
- MONTIAS, John Michael. "New documents on Vermeer and his family." Oud-Holland. (1977): 267–287.
- MONTIAS, John Michael. "Vermeer and his Milieu: Conclusion of an Archival Study." Oud Holland 94 (1980): 44–62.
- MONTIAS, John Michael. Artists and Artisans in Delft. Princeton, 1982.
- MONTIAS, John Michael. Vermeer and His Milieu: A Web of Social History
, Princeton NJ: Princeton University Press, 1989.
- MONTIAS, John Michael. "The Guild of St. Luke in Seventeenth Century Delft and the Economic Status of Artists and Artisans." Simiolus 9 (1977): 93–105.
- MONTIAS, John Michael. "A postscript on Vermeer and his milieu." Hoogsteder-Naumann Mercury. (1991): 42–52.
- MONTIAS, John Michael. "Recent Archival Research on Vermeer" In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998, 93–109.
- MORENO, Ignacio. "Vermeer's The Concert: A Study in Harmony and Contrasts." The Rutgers Art Review 3 (1983), 51–57.
- MULLER, Frederik. The pearl of the Six collection called the "Little street" In Delft painted by Jan Vermeer of Delft will be sold by auction by order of the hon. prof. dr. J. Six on April 12, 1921 by Messrs Frederik Muller & Co (Ant. W.M. Mensing) at their galleries Doelenstraat 16–18 Amsterdam. by Muller en Co [veilinghuis] | Six, Jan (VII) [verzamelaar]
- NASH, J M. Vermeer. London: Phaidon Press, 1991.
- NASH, J. M. "To Find the Mindes construction in the Face."In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
- NEIDHART, Uta et al. Der frühe Vermeer. Deutscher Kunstverlag Berlin/München, 2010.
- NEIDHART, Uta. "Johannes Vermeer's 'The Procuress': An Experiment with an Open Ending?" In Der frühe Vermeer. Deutscher Kunstverlag Berlin/München, 2010.
- NEIDHART, Uta. "Johannes Vermeer's 'Girl Reading a Letter at the Open Window': A Gifted Young Painter Orients Himself." In Der frühe Vermeer. Deutscher Kunstverlag Berlin/München, 2010.
- NEIDHART, Uta and Marlies Giebe. Johannes Vermeer. Bei der Kupplerin (Dresden: Michel Sandstein Verlag, 2004).
- NEIDHART, Uta and SCHÖZEL, Christoph. "The restoration of Vermeer's 'Young woman reading a letter at an open window': an interim report." The Burlington Magaziner, June 2019, no. 1395, vol 161.
- NETTA, Irene. "Jan Vermeer. Die Sphinx von Delft" Weltkunst, Jg. Heft 10, Ausgabe 15. Mai 1996, S. 1148–1150.
- NETTA, Irene. "The Phenomenon of Time in the Art of Vermeer." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
- NETTA, Irene. Vermeer's World: An Artist and His Town. New York and London: Prestel, 2001.
- NETTA, Irene. Zeit als gestalterisches Element bei Jan Vermeer van Delft und Bill Viola, in:
Geschichten des Augenblicks. Projektionen (Film, Dia, Video) zum Thema Erzählung und Langsamkeit / Moments in Time. On Narration and Slowness, Ausst. Kat. Städtische Galerie im Lenbachhaus, München 1999, S. 143–155.(german/english)
- NEURDENBURG, Elisabeth. "Johannes Vermeer. Eeenige opmerkingen naar aanleding van de nieuwste studies over den Delftschen Schilder." Oud Holland 59 (1942): 61–75.
- NEURDENBURG, E. "Nog enige opmerkingenover Johannes Vermeer van Delft." Oud Holland 66 (1951): 33–34.
- NEVITT JR. H. Rodney, "Vermeer and the Question of Love. " In The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art), eds. W. Franits, Cambridge UK and New York: Cambridge University Press. 2001.
- OBERTHALER, ELke, Jaap J. Boon, Sabine Stanek and Martina Greisser. "'The Art of Painting' by Johannes Vermeer: History of Treatments and Observations on the Present Condition." In Vermeer: Die Malkunst, eds. Sabine Haag, Elke Oberthaler and Sabine Pénot, Kunsthistorisches Museum, Vienna: Residenz, 2010. 215–233.
- NICHOLAS, Lynn H., The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War. New York, 1994.
- NICHOLSON, Benedict, Vermeer, A Lady at the Virginals. London, 1946.
- OCTAVIAN, Tudor. Vermeer și criticii săi: un dosar deschis. Bucureșt: Editua Meridiane. 1988.
- PARIS, Jean. "Vermeer et ses personnages prisonniers de leur reves/" Connaissance de arts, no. 176 ()ctober, 1966): 84–88.
- PERL, Jed. "Johannes Vermeer's 'Young Woman with a Water Jug.'" Arts Magazine 53, no. 5 (January, 1979): 118–121.
- PESCIO, CLaudio. Vermeer (L'Art Dossier). Florence: Giunti Editore, 2012.
- PEER, A. J. J. M "Was Jan Vermeer von Delft Katholiek?" Kath. Cu. Tijdschrift, 2, I, 468–470.
- PEER, A. J. J. M. "Drie collecties schilderijen van Jan Vermeer" Oud-Holland 72 (1957): 92.
- PEER, A. J. J. M. van. "Rondom Jan Vermeer van Delft." Oud Holland 74 (1959): 243–234.
- PEER, A. J. J. M. "Jan Vermeer van Delft: drie archiefvondsten." Oud-Holland 83 (1968): 220.
- PEETERS, Harry, "Vermeer and his Work. A View." In Dutch Society in the Age of Vermeer, Zwolle: Waanders Publishers, 1996.
- PÉNOT, Sabine. Johannes Vermeer's 'The Art of Painting': A Picture Marked by Light. Questions on Puictorial Invention,": in Vermeer: Die Malkunst, eds. Sabine Haag, Elke Oberthaler and Sabine Pénot, Kunsthistorisches Museum, Vienna: Residenz, 2010. 41–65.
- PÉNOT, Sabine. "Ambitions of Eternal Renown; The Art of Painting." In exh. cat. Vermeer, eds. Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 266–270.
- PLASSCHAERT, A. Johannes Vermeer en Pieter de Hooch. Amsterdam, 1924.
- PLIETZSCH, E. Vermeer van Delft, Leipzig, 1911.
- PLOEG, Peter van der. "De vierde Vermeer/The Fourth Vermeer" [On Vermeer's 'The Art of Painting'], Mauritshuis in Focus 18, no. 1 (2005): 8–15 .
- POPS, Martin. Vermeer: Consciousness and the Chamber of Being. Ann Arbor: UMI Research Press, 1984.
- PROUST, Marcel. In Search of Lost Time, trans. C. Moncrieff and T. Kilmartin, rev. D. Enright. New York: Modern Library, 1992.
- PRÜGEL, Roland. "Reflexive Appropriation, Critical Transformation: Paraphrases of Vermeer's 'Art of Painting' in the 20th and 21st Centuries." In Vermeer: Die Malkunst, eds. Sabine Haag, Elke Oberthaler and Sabine Pénot, Kunsthistorisches Museum, Vienna: Residenz, 2010. 111–117.
- QUODBACH, Esmée. "America's First Vermeer: 'Young Woman with a Water Pitcher' in the Metropolitan Museum of Art." Collecting for the Public, eds. Bart Cornelis, Ger Luijten, Louis Van Tilborgh Et Tim Zeedijk. (2016): 78–83.
- QUODBACH, Esmée. "The 'Sphinx of Delft': Rediscovering Vermeer at The Frick Collection." Members' Magazine. (Summer 2008).
- QUODBACH, Esmée. "The Life of a Painting: Some New Findings on Vermeer's 'Girl Interrupted at her Music' in the Frick Collection." In Jonathan Bikker, Erik Hinterding, Everhard Korthals and Eddy Schavemaker (eds.), "Gij zult niet feestbundelen". 34 bijdragen voor Peter Hecht, Amersfoort (2016": 160–168
- RAAB, Theodore K. Why is Vermeer so Revered?" The Art Newspaper 208 (1 December, 2009): 39–40.
- RAMBACH, Christiane. Vermeer und die schärfung der sinne. Weimar: VDG. 2007.
- RAND, Harry. "Wat maakte de "Keukenmeid" van Vermeer?" The Rijksmuseum Bulletin (1998): 275–278.
- RECH, Adelheid. "Constantijn Huygens: Lord of Zuilichem (1596–1687)," Essential Vermeer. http://www.essentialvermeer.com/history/huygens.html
- RECH, Adelheid. "Traditional Music and Dances in the Time of Vermeer." Essential Vermeer. http://www.essentialvermeer.com/folk_music/folmusic_start.html
- RECH, Adelheid. "The Carillon." Essential Vermeer. http://www.essentialvermeer.com/music/carillon/carillon_a.html
- RECH, Adelheid. "Music in the Time of Vermeer." Essential Vermeer. October, 2005. http://www.essentialvermeer.com/music/music_start.html
- RECH, Adelheid and Jonathan Janson. "Maps of Delft." Essential Vermeerr. http://www.essentialvermeer.com/maps/delft/maps_of_delft.html
- RECH, Adelheid. "Lace and Lacemaking in the Time of Vermeer." Essential Vermeer. http://www.essentialvermeer.com/lace/lace.html
- RENZI, Lorenzo. Proust e Vermeer: Apologia dell' Imprecisione, Bologna: II Mulino, 1999.
- RICCÒMINI, Eugenio. La luce segreta di Vermeer: La ragazza con l'orecchino di perla e gli altri capolavori della pittura fiamminga e olandese del secolo d'oro. Bologna: Pendragon, 2014.
- RICCI, Seymour de. "Le quarante-et-unième Vermeer." Gazette des Beaux-Arts 69 (1927).
- RIJNEBURG, Danny A.E.D. Hartmann van. Van geloof tot ongeloof, een museum gaat onderuit: ontdekkingen bij dubbelspel, een speurtocht naar het werkelijke leven van Johannes Vermeer en zijn verdwenen schilderijen. Delft: Alevo, 2015.
- RINNOOY KAN, Justine. "The Vermeer exhibition of 1935: A major debut in historical perspective," Oud Holland: Journal for Art of the Low Countries (2021) 134(4), 210-234. doi: <https://doi.org/10.30965/18750176-13404003>
- RITTERS, Volker. Die Malkunst 1665 von Johannes Vermeer van Delft: gedeutet nach der verborgenen Geometrie. Norderstedt: Books on Demand, 2014.
- ROBINSON, James, "Vermeer." Classical Realism Journal 2, (1997).
- ROBINSON, James. "Vermeer." Classical Realism Journal 3, no. 2 (1997).
- ROBINSON, James. "Vermeer, II." Classical Realism Journal 4, no. 1 (1997).
- ROELOFS, Pieter and Gregor J. M. Weber. Vermeer. Rijksmuseum, Amsterdam: Hannibal Books 2023.
- ROELOFS, Pieter. "Johannes Vermeer (Delft 1632-1675) Modestly Masterful." In exh. cat. Vermeer, eds. Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 26–42.
- ROELOFS, Pieter. "Closer to Vermeer: A Look Inside the Family Home of the Delft Painter." In exh. cat. Vermeer, eds. Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 42–94.
- ROELOFS, Pieter. "Venturing into Town." In exh. cat. Vermeer, eds. Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 140–143.
- ROODENBURG, Herman. "Visiting Vermeer: Performing Civilit." In Amy Golahny, Mia M. Mochizuki and Lisa Vergara (eds.), In His Milieu. Essays on Netherlandish Art in Memory of J.M. Montias, Amsterdam 2006: 385–394.
- ROTTERDAM, Museum Boymans. ex. cat. Vermeer, Orsprong en lnvloed, Fabritius, De Hooch, De Witte (Rotterdam: Museum Boymans, 1935).
- RUINA, Epco and vand de PLOEG, Peter, Vermeer in Mauritshuis
, Zwolle: Waanders Publishers, 2006.
- RUGER. Axel, Vermeer and Painting in Delft, London: National Gallery London, 2001.
- RÜSSELER,. Ariana . "Die Entdeckung einer Camera obscura in Jan Vermeer van Delfts Gemälde Die Malkunst." Zeitschrift für Kunstgeschichte 69 (2006): 541–547.
- SALAMON, Nanette. "Vermeer and the Balance of Destiny" In Anne-Marie Logan, ed., Essays in Northern European Art Presented to Egbert Haverkamp-Begemann on his Sixtieth Birthday (Doornspijk: Davaco, 1983), 216–221.
- SALOMON, Nanette, "From Sexuality to Civility: Vermeer's Women." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
- SALOMON, Xavier. Masterpiece a Month: Presiding Genius. London: Dulwich Picture Gallery, 2011.
- SHELDON, Libby. "Johannes Vermeer's 'Young Woman Seated at a Virginal.'" The Burlington Magazine 148 (2006): 89–97.
- SHELDON, Libby. "Blue and Yellow Pigments: The Hidden Colours of Light in Cuyp and Vermeer." Art Matters, Netherlands Technical Studies in Art 4 (2007): 97–102.
- SHELDON, Libby."The Newest Vermeer: How Technical Research Convinced the Doubting Scholars." The Picture Restorer, no. 41 (Autum 2012): 14–18.
- SCHILDER, Gunther. "Visscer's Wall Map pf the Seventeenth Provinces (1636) and Its Counterpart in Vermeer's 'Art of Painting.'" In Vermeer: Die Malkunst, eds. Sabine Haag, Elke Oberthaler and Sabine Pénot, Kunsthistorisches Museum, Vienna: Residenz, 2010. 77–99.
- SCHMIDZ-VON LEDENBUR, Katja. "Remarks on the Textiles in Vermeer's 'The Art of Painting.'" In Vermeer: Die Malkunst, eds. Sabine Haag, Elke Oberthaler and Sabine Pénot, Kunsthistorisches Museum, Vienna: Residenz, 2010. 93–103.
- SCHNEIDER, Norbert, Jan Vermeer 1632.1675: Veiled Emotions, Cologne: Taschen; Trade Paperback Editione, 1994.
- SCHlENKE, Hubertus. Vermeer, mit Spinoza gesehen. Berlin, 1998.
- SCHÖLZEL, Christoph. "On the Creation of the Painting 'Girl Reading a Letter at an Open Window' by Johannes Vermeer" In Der frühe Vermeer. Deutscher Kunstverlag Berlin/München, 2010.
- SCHUTT, Friederike. "The Entire World Inside." In exh. cat. Vermeer, eds. Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 242–246.
- SCHWARTZ, Gary "How Vermeer and his generation stole the thunder of the Golden Age." lecture. Royal Netherlands Academy of Arts and Sciences. Uhlenbeck Lecture 32. Wassenaar, 2014/1
- SCHWARTZ, Gary. "332: Vermeer's Blood-sopping Saint." The Schwartzlist. 30 June, 2014; edited on 11 July, 2014.
- SCHWARTZ, Gary. "348: Today in Delft 340 Years Ago." The Schwartzlist. 30 September, 2016.
- SCHWARTZ, Gary. Vermeer in Detail
. Abrams, 2017.
- SCHWARTZ, Heinrich, "Vermeer and the Camera Obscura." Pantheon XXIV (1966).
- SEDLMAYR, Hans. "Jan Vermeer, 'De Schilderkunst.'" Hefte des Kunsthistorischen Seminars der Universitiit Miinchen 7–8 (Munich: University of Munich (1962).
- SEIFERT, Christain Tico. "Early Visions: Vermeer's Journey from Bible to Brother." In exh. cat. Vermeer, eds. Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 126–135.
- SETH, Lennart. "Vermeer och van Veens 'Amorum Emblemata'." Konsthistorisk tidskrift 49, no. 1 (June 1980): 24.
- SEYMOUR, C. Jr. "Dark Chamber and Light-Filled Room: Vermeer and the Camera Obscura." Art Bulletin 46, 1(964): 323–331.
- SHAWE-TAYLOR, Desmond, and Quentin Buvelot. "'The 'Broad-Bottomed Dutch School.'" Royal Taste and Netherlandish Painting." In exh. cat. Masters of the Everyday. Dutch Artists in the Age of Vermeer. Chicago: University of Chicago, 2015.
- SHAWE-TAYLOR, Desmond. "The Art of Music" [about The Music Lesson by Vermeer], Apollo 173 no. 585 (March 2011): 108–113.
- SIVIL, Valeriel, Joris Dik, Paul Alkemade, Libby Sheldon and Henny Zandbergen. "The Cloak of Young Woman Seated at a Virginal: Vermeer, or a Later Hand?" Art Matters, Netherlands Technical Studies in Art 4 (2007): 91–96.
- SLAGER, H.G. "Johannes Vermeer and his Neighbours.," 2017. Essential Vermeer. http://www.essentialvermeer.com/history/neighbours-slager.pdf
- SLAGER, H.G. "Johannes Vermeer and his Neighbours.," May 2018. Essential Vermeer. http://www.essentialvermeer.com/history/vermeers-house-revisited-slager.pdf
- SLATKES, Leonard. Vermeer and his Contemporaries. New York: Abbeville, 1981.
- SLATKES, Leonard J. "Utrecht and Delft: Vermeer and Caravaggism." In Vermeer Studies. Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
- SLATKES, van Scendel, "The Love Letter Restored." Bulletin van het Rijksmuseum 20 (1993).
- SLIVE, Seymour. "'Een dronke slapende meyd aen een tafe!' by Jan Vermee." In A. Kosegarten and P. Tigler, eds., Festschrift Ulrich Middeldorf (Berlin: Walter Gruyter, 1968), 452–459.
- SLUIJTER, Eric Jan, "Vermeer Fame, and Female Beauty: The Art of Painting." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
- SMITH, David. "Vermeer's 'Allegory of Faith.'" Paper given at the annual College Art Association Conference, New York, 2007
- SMITH, David R. "Vermeer and iconoclasm." Zeitschrift Für Kunstgeschichte. (2011): 193–216.
- SMITH, John. A Catalogue Raisonne of the Works of the Most Eminent Dutch, Flemish, and French Painters (London: Smith, 1829–42).
- SMOLA, Franz. "Exkurs: Der Fall des Bildes von Vermeer aus der Sammlung Czernin." In "Die Fürstlich Liechtenstein'sche Kunstsammlung: Rechtsfragen zur Verbringung der Sammlung von Wien nach Vaduz in den Jahren 1944/45." Rechtshistorische Reihe 197 (1999): 209–220.
- SNOW, Edward A. A Study of Vermeer, 2nd. rev. ed. Berkeley: University of California Press, 1979.
- SOKLOVA, Irina. Johannes Vermeer: The Geographer. State Hermitage Publishing House, 2016.
- SONNENBURG, Hubert von, "Technical Comments." Bulletin of the Metropolitan Museum of Art 31 (Summer 1973).
- Sotheby's, Old Master Paintings, Part 1 (London: Sotheby's, 2004).
- SNYDER, Laura J. Eye of the Beholder: Johannes Vermeer, Antoni van Leeuwenhoek, and the Reinvention of Seeing. New York: W. W. Norton & Company,. 2016.
- STEADMAN, Philip. Vermeer's Camera: Uncovering the Truth behind the Masterpieces. Oxford: Oxford University Press, 2001.
- STEADMAN, Philip. "Allegory, Realism, and Vermeer's Use of the Camera Obscura," Early Science and Medicine, vol. 10, no. 2, "Optics, Insturments and Painting, 1420–1720 Reflections on the Hockney-Falco Thesis" (2005): 287–313
- STEADMAN, Philip."Vermeer and the problem of 'painting' inside the camera obscura." Bildwelten Des Wissens. (2004: 76–86).
- STEADMAN, Philip. "Vermeer's 'The Little Street': A More Credible Detective Story." Essential Vermeer. http://www.essentialvermeer.com/delft/little-street-steadman/little-street-steadman.html (accessed March 8, 2017)
- STEADMAN, Philip. "Reconstructions of Vermeer's Rooms." Essential Vermeer. http://www.essentialvermeer.com/vermeers_rooms.html
- STERCKX, Pierre. Les mondes de Vermeer. Pruis: Presses Universitaires de France, 2009.
- STRINATI, Claudio. Una lettera d'amore dall'Olanda: Vermeer a Palazzo Barberini. [Roma]: Galleria Nazionale d'Arte Antica di Palazzo Barberini. 2006.
- STONE, Harriet, "Bearing Witness to the Light: Descartes and Vermeer," Intersections, Actes du 35th annuel de la North American Society for Seventeenth-Century French Literature, eds. Faith E. Beasley and Kathleen Wine, Dartmouth College, May 8–10, 2003.
- STONE, Harriet, Tables of Knowledge, Descartes in Vermeer's Studio, Oxford: Oxford Universtiy Press, 2006
- STORK, David. "Did Johannes Vermeer use a Telescope while Painting?" IFAR Journal 21(1 & 2): 43–50 2022.
- VAN SÜCHTELEN, Ariane. "Fashionable Intruders." In exh. cat. Vermeer, eds. Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 174–179.
- STRAATEN, Evert van. Johannes Vermeer 1632–1675: een Delfts schilder en de cultuur van zijn tijd. 's-Gravenhage: Staatsuitgeverij. 1977.
- SUTTON, Peter, with contributions by Lisa Vergara and Ann Jensen Adams, Love Letters: Dutch Genre Paintings in the Age of Vermeer, London, 2004.
- SUTTON, Peter, Vermeer and the Delft Style. exh. cat. Tokyo, Hata Stichting Foundation with Random House Kodansha. 2008.
- SWEET, Christopher. The Essential Johannes Vermeer. New York, 1999:
- SWILLENS, P. T. A. Johannes Vermeer, Painter of Delft 1632–1675. Utrecht: Spectrum, 1950.
- TAYLOR, Paul, "Vermeer, Lairesse and Composition." In Hofstede de Groot-lezing, Rijksbureau voor Kunsthistorische Documentatie, Zwolle: Waanders Publishers (2010).
- TAYLOR, Michael. Les mensonges de Vermeer. Paris: Éditeur Biro, 2010.
- TATLOCK, Robert. "Vermeer's 'Girl with a Flute.'" Burlington MagaZine 39 (1921), 28–33.
- TATLOCK, Robert. "Shorter Notices: Vermeer's 'Guitar Player.'" Burlington Magazine 52 (January 1928): 40–42.
- THIEL, Pieter J. J. van. "The Damaging and Restoration of Vermeer's 'Love Letter.'" Bulletin van het Rijksmuseum 20 (1972).
- THIEL, P. J. J. van, and Luitsen Kuiper. Purloined, damaged, recovered, restored: Vermeer's 'The Letter.' Amsterdam: Delta, 1973.
- THEINEN, Frithjof van, Jan Vermeer of Delft, New York, 1949.
- THORÈ-BÜRGER, Théophile J. Bürger (William Burger), "Van der Meer de Delft." Gazette des Beaux-Arts 21 (October–December 1866): 297–330, 458–470, 542–575, no. 26/27.
- THORSTEN SMIDT, Bearb. Johannes Vermeer: der Geograph: die Wissenschaft der Malerei, Kassel, 2003.
- TOLNAY. Charles de. "L'Atelier de Vermeer." Gazette des Beaux-Arts 41 (1953), 265–272.
- TOORIANS, Laurens. "Gabriel Metsu, More Famous than Vermeer Once." The Low Countries. Arts and Society in Flanders and the Netherlands 19 (2011): 306–308.
- TRAUTSCHOLDT, E. "Johannes Vermee." Thieme-Becker XXXIV (1940):, 265.
- TURAIT, Paolo. Luce d'Orange: La Strana Vita di Jan Vermeer. Torino: Ananke, 2007
- VALENTINER, Wilhelm Reinhold. "Newly discovered Vermeer." Art in America . vol. 16 (1928).
- VALENTINER, Wilhelm R. "Zum 300. Geburtstag Jan Vermeers, Oktober 1932: Vermeer und die Meister der Holländischen Genremalerei." Pantheon 5 (October 1932): 305–324.
- VANDERVERE, Abbie and Abbie Vandivere and Annelies van Loon. "Girl with a Blog." https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/
- Who's that Girl? (Introduction to research project)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/1-whos-that-girl/
Preparing for exam ( What will happen in the Golden Room)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/2-preparing-for-the-exam/
Beauty is more than skin deep (Samples / Imaging )
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/3-beauty-is-more-than-skin-deep/
Vermeer illuminated (1994 treatment)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/5-vermeer-illuminated/
Say cheese (Technical photography)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/
A blank canvas (Canvas)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/7-a-blank-canvas/
From the ground up (Ground)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/8-from-the-ground-up/
Watching paint dry (Oil)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/9-watching-paint-dry/
Art supply and demand (Paint, and where materials come from)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/10-art-supply-and-demand/
Seeing red (Vermilion and cochineal )
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/11-seeing-red/
It's all there in black and white (Blacks and lead white )
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/12-its-all-there-in-black-and-white/
Background check (Background )
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/13-background-check/
Up close and personal (Under the microscope)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/14-up-close-and-personal/
Contouring, highlighting and blending (Skin )
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/15-contouring-highlighting-and-blending/
Dressed to impress (Yellow and browns )
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/16-dressed-to-impress/
Out of the blue (Blues)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/17-out-of-the-blue/
Glazed over (Glazes and varnish)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/18-glazed-over/
You’re crackin me up (Cracks)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/19-youre-cracking-me-up/
Wrap-up (Wrap-up)
https://www.mauritshuis.nl/en/explore/restoration-and-research/girl-with-a-blog/20-wrapup
- VANDERVERE, A., WADUM, J. & LEONHART, E. "The Girl in the Spotlight: Vermeer at Work, his Materials and Techniques in 'Girl with a Pearl Earring.'" Herit Sci 8, 20 (2020). https://doi.org/10.1186/s40494-020-0359-6
- VANDIVERE, Abbie Vandivere et al. "Revealing the Painterly Technique Beneath the Surface of Vermeer’s Girl with a Pearl Earring Using Macro- and Microscale Imaging." Herit Sci (2019) 7:64 https://doi.org/10.1186/s40494-019-0308-4
- VANZYPE, Gustave. Jan Vermeer de Delft, Brussels and Paris, 1921.
- VANDVLIET, Kees, "Vermeer and the Significance of Cartography in Science." In The Scholarly World of Vermeer, Zwolle: Waanders Publishers, 1996.
- VEEN, Jaap van der, "The Delft Art Market in the Age of Vermeer." In Dutch Society in the Age of Vermeer, Zwolle: Waanders Publishers, 1996, 124–135.
- VEEN, Jaap Van der. "Review of Montias,Vermeer and His Milieu: A Web of Social History." Oud Holland 106 (1992), 95–101.
- VERGARA, Lisa, "Antiek and Modern in Vermeer's Lady Writing a Letter with Her Maid." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
- VETH, Jan. Premie-uitgave 1908: Schilderijen van Johannes Vermeer in Nederlandsche verzamelingen.1908.
- VERGARA, Lisa, "Perspectives on Women in the Art of Vermeer." In The Cambridge Companion to Vermeer (Cambridge Companions to the History of Art), eds. W. Franits, Cambridge UK and New York: Cambridge University Press. 2001.
- VERGARA, Alejandro, Mariët Westerman, and Laura A.E. Suffield. Vermeer and the Dutch Interior, exh. cat. Madrid (Museo Nacional del Prado) 2003.
- VERGARA, Alejandro ed. Velázquez, Rembrandt, Vermeer: Parallel Visions / Velázquez, Rembrandt, Vermeer: Miradas. e xh. cat. Museo Nacional del Prado, Madrid, June 24–September 29, 2019. Madrid: Museo Nacional del Prado, 2019.
- VERSLYPE, Ige, "The restoration of 'Woman in Blue Reading' a Letter by Johannes Vermeer."
The Rijksmuseum Bulletin vol. 60 (2012): 2–19.
- VINCE, Lea van der. "Het meisje in Japan/The Girl in Japan." Mauritshuis in Focus 25 no. 2 (2012): 6–-13.
- VINDE, Lea van der. "Dalí ontmoet Vermeer—Moderne meesters te gast / Dalí meets Vermeer - Modern Masters Come to Visit." Mauritshuis in Focus 24 no. 2(2011): 6–14.
- VINE, Lea van der, with contributions by Quentin Buvelot, Emilie Gordenker, Petria Noble and Lynn Federle Orr. Girl with a Pearl Earring: Dutch Paintings from the Mauritshuis. Prestel Publishing. 2013.
- de VISSER, Erik. "The Puzzle Solved? Notes on the Early Provenance of Vermeer's 'The Art of Painting.'" Essential Vermeer. http://www.essentialvermeer.com/history/provenance-art-of-painting.html
- van der VLIS, Ingrid with Steven Jongma, Wim Weve and Bas van der Wulp. "In the Footsteps of Vermeer" In Vermeer's Delft ed. de Haan, David. Museum Prinsenhof Delft, Wnders Uitgevers, Zwolle (2023): 116.
- VREIS. Ary Bob de. Jan Vermeer van Delft,. London and New York (2nd.ed.), 1948.
- VREIS, Ary Bob de. "Vermeer's 'Diana.'" The Rijksmuseum Bulletin. Rijksmuseum: Amsterdam. (1954): 40–42.
- WADUM, Jørgen, with contributions by L. Struik van der Loeff and R. Hoppenbrouwers. Vermeer Illuminated. Conservation, Restoration and Research, The Hague, 1994.
- WADUM, Jørgen, Johannes Vermeer (1632–1675) and His Use of Perspective, in Preprints Historical Painting Techniques, Materials, and Studio Practice. University of Leiden, 26–29 June (1995) 148–154. Malibu.
- WADUM, Jørgen & N. Costaras, "Johannes Vermeer's 'Girl with a Pearl Earring' De- & Re-Restored, in Restauration, Dé-Restauration, Re-Restauration." RAAFU (1995): 163–172.
- WADUM, Jørgen, "Vermeer in Perspective." In exh. cat.
Johannes Vermeer, National Gallery of Art, Washington, D.C. Royal Cabinet of Pictures Mauritshuis, The Hague (1995–1996) 67–79.
- WADUM, Jørgen, "Les audaces techniques de Vermeer." Dossiers de l´Art 27 (1996): 30–41.
- WADUM, Jørgen, "Des perspectives curieuses et extraordinaires." Dossiers de l´Art 27, (Paris): 42–49.
- WADUM, Jørgen. "Vermeer and the Spatial Illusion." In The World of Learning in the Time of Vermeer (exhibition cat.), Museum Meermanno-Westreenianum (Museum of the Book), The Hague, 31–49.
- WADUM, Jørgen., "Vermeer's Use of Perspective, in Historic Painting Techniques, Materials, and Studio Practice," Reprints of a Symposium Held at the University of Leiden, The Netherlands, 26–29 June, 1995, Santa Monica, 1995.
- WADUM, Jørgen. "Gemälde mögen einige hundert Jahre bestehen, was genügt." Zwei Gemälde von Johannes Vermeer restauriert, in Restauro 3 (1996). München, 172–177.
- WADUM, Jørgen. "Vermeers zielgerichtete Beobachtungen." In exh. cat. Johannes Vermeer. Der Geograph und der Astronom nach 200 Jahren wieder vereint. Städelsches Kunstinstitut und Städtische Galerie, Franckfurt am Main (1997) 31–38.
- WADUM, Jørgen. "Contours of Vermeer." In Vermeer Studies, 55. Center for Advanced Study in the Visual Arts, Symposium Papers XXXIII, eds. I. Gaskel and M. Jonker. Washington/New Haven (1998): 201–223.
- WADUM, Jørgen. "De tent van Vermeer. Bedacht of niet bedacht," review of Philip SteadmansVermeer's Camera: Uncovering the Truth behind the Masterpieces, in Vrij Nederland (l April, 2001): 68.
- WADUM, Jørgen. review of Vermeer's Camera: Uncovering the Truth behind the Masterpieces, by Philip Steadman. (Oxford University Press, Oxford, 2001) in ArtMatters-Netherlands Technical Studies in Art (1) 2002.
- WADUM, Jørgen. "100 years ago Vermeer visited SMK in Copenhagen." Wadum Art Technological Studies. 2020. <https://jorgenwadum.com/2020/03/23/100-years-ago-vermeer-visited-smk-in-copenhagen/>
- See also:
Carol Pottasch, Ruth Hoppe and Elmer Kolfin, "Diana, Vermeer and technical ambiguity. The metamorphosis of an early painting by Vermeer." ArtMatters-Netherlands Technical Studies in Art 1, 2002.
- WADUM, Jørgen. "Technical Art History: Painters' Supports and Studio practices of Rembrandt, Dou and Vermeer." Dissertation, Amsterdam University, Institute of Art History (2009).
- WADUM, Jørgen. "Vermeer and Faux Marbling," In : Staatliche Kunstsammlungen Dresden, Birgit Dalbajewa, Andreas Dehmer , Konstanze Krüger, Uta Neidhardt and Christoph Schölzel (eds.): The power of painting. Contributions from the workshop and science in honor of Marlies Giebe, Dresden 2020, 42–43.
- WAIBOER, Adriaan E. "A Clean Competition: Some Hypotheses on Vermeer's Lost 'Gentleman Washing His Hands,'" In : A.W.A. Boschloo, S.S. Dickey, N.C. Sluijter-Seijfert, J.N. Coutré (eds), Aemulatio: Essays in Honour of Eric Jan Sluijter (Amsterdam 2011): 407–418.
- WAIBOER, Adriaan E. "Vermeer's Impact on His Contemporaries." Oud Holland 123 (2010): 51–64.
- WAIBOER, Adriaan E. "A View beyond Delft: Johannes Vermeer's Woman with a Lute and Its Relationship to Frans van Mieris." JHNA 9:1 (Winter 2017) DOI: 10.5092/jhna.2017.9.1.16
- WAIBOER, Adriaan E. et al. Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. New Haven and London: Yale Universtiy Press, 2017.
- WALD, Robert. "'The Art of Painting': Observations on Approach and Techncique." In Vermeer: Die Malkunst, eds. Sabine Haag, Elke Oberthaler and Sabine Pénot, Kunsthistorisches Museum, Vienna: Residenz, 2010. 193–313.
- WALSH, I. Jr. "Vermeer." The Metropolitan Museum of Art Bulletin 31, no. 4 (Summer 1973).
- WALICKI, Michal, Jan Vermeer van Delft, Dresden, 1970.
- WAALS, Jan van der. "In het Straatje van Montias: Vermeer in historische contekst." Theoretische Geschiedenis 19 (1992): 179–180.
- WAUTERS, A. J. "A Portrait by Vermeer of Delft in the Brussels Museum." The Burlington Magazine for Connoisseurs vol. 8, no. 33 (December. 1905): 205–207 .
-
- WEBER, Gregor J. M. "Antoine Dezallier d’Argenville und fünf Maler namens Jan van der Meer." Oud Holland 107 (1993): 298–304
- WEBER, Gregor J. M. " Johannes Vermeer, Pieter Jansz van Asch und das Problem der Abbildungstreue." Oud Holland 108 (1994): 98–106.
- WEBER, Gregor J. M. "Johannes Vermeer, ormai italiano?" Daidalos 60 (June, 1996): 154–155.
- WEBER, Gregor J. M. "Vermeer's Use of the Picture-within-a-Picture: A New Approach." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998: 295–307.
- WEBER, Gregor J. M. "Caritas Romana. Ein neu entdecktes Bild im Bild von Johannes Vermeer." Weltkunst 70, 2 (February 2000): 225–228.
- WEBER, Gregor J. M. Review of Dieter Beaujean, Bilder in Bildern. Studien zur niederländischen Malerei des 17. Jahrhunderts, Weimar 2001. In Oud Holland 115, 3/4 (2001/2002): 217–223.
- WEBER, Gregor J. M. "Die Empirie des Lichtes. Anmerkungen zur Lichtbehandlung bei Johannes Vermeer." Kritische Berichte 30, 4 (2002): 38–57.
- WEBER, Gregor J. M. "Vermeer and Van Meegeren. The Hague, Dresden and Edinburgh; Rotterdam," review of The Young Vermeer and "The Fake Vermeers of Van Meegeren." In The Burlington Magazine CLII, Nr. 1291 (October, 2010): 697–699.
- WEBER, Gregor J. M. "A Question of Framing: On Vermeer's 'Woman in Blue Reading a Letter.'" The Rijksmuseum Bulletin vol. 60, 1 (2012): 20–27.
- WEBER, Gregor J. M. Woman in Blue Reading a Letter: Johannes Vermeer, Amsterdam 2013, 2nd ed. 2018.
- WEBER, Gregor. Johannes Vermeer: Faith, Light and Reflection. Nai010 Publishers, 2023.
- WEBER, J. M. "Pictorial World." In exh. cat. Vermeer, eds. Pieter Roelofs and Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 100–118.
- WEBER, J. M. "In Search of the Perfect Illusion of Space." In exh. cat. Vermeer, eds. Pieter Roelofs and Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 150–155.
- WEBER, J. M. "Up Close." In exh. cat. Vermeer, eds. Pieter Roelofs and Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 196–200.
- WEBER, J. M. "Paths to Inner Values." In exh. cat. Vermeer, eds. Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 254–260.
- WELLER, Dennis. Small Treasures: Rembrandt, Vermeer, Hals, and their Contemporaries. North Carolina Museum of Art, Birmingham Museum of Art, Raleigh NC: North Carolina Museum of Art, 2014.
- WELU, James A. "Vermeer's 'Astronomer': Observations on an Open Book." Art Bulletin 57 (1975).
- WELU, James A. "The Map in Vermeer's 'The Art of Painting.'" Imago Mundi 30, 2nd series (1978).
- WELU, James A. Vermeer and Cartography, Ph.d. diss, Boston University, 1977.
- WELU, James A. Jan Vermeer, New York, 1981.
- WELU, James A. "Vermeer: His Cartographic Sources." Art Bulletin 57 (1997):, 529–547.
- WESCHLER, Lawrence. Vermeer in Bosnia: A Reader. New York: Pantheon, 2004.
- WESTER, Peter. "A mere pre-discovery or a meaningful 'découverte'?: The early discovery of Johannes Vermeer by Jean-Baptiste Pierre Le Brun." Essential Vermeer, March 2015. http://www.essentialvermeer.com/history/le_brun.html
- WEVE, Wim. Vermeer en de Delftse topografie (Dutch only, with English summary). Zwolle: Uitgeverij Wbooks. 2023.
- WESTERMANN, Mariët. A Worldly Art: The Dutch Republic 1585–1718. New York: Harry Abrams, 1996.
- WESTERMANN, Mariët. Art and Home. Dutch Interiors in the Age of Rembrandt, exh. cat., Denver, Denver Art Museum, and Newark (New Jersey) The Newark Art Museum, 2001–2002.
- WESTERMANN, Mariët. "'Costly and Curious, Full of pleasure and home contentment,' Making Home in the Dutch Republic." In Art and Home. Dutch Interiors in the Age of Rembrandt, 2001–2002, 15–81.
- WESTERMANN, Mariët. "Vermeer and the Interior Imagination." In Vermeer and the Dutch Interior
, ed. Alejandro Vergara, Madrid: Museo Nacional del Prado, 2003.
- WESTERMANN, Mariët. Vermeer's Pictorial Intelligence, Amsterdam, 2003.
- WESTERMANN, Mariët. Johannes Vermeer 1632–1675 (Rijksmuseum Dossiers). Zwolle: Waanders, 2006.
- WHEELOCK, Arthur K. Jr. Jan Vermeer. New York: HNA Books, 1981.
- WHEELOCK, Arthur K. Jr. "Vermeer's painting technique.: The Art Journal / College Art Association of America. (1981): 162–164.
- WHEELOCK, Arthur K. Jr. and, C. J. Kaldenbach. "Vermeer's 'View of Delft' and His Vision of Reality," Artbus et Historiae 3 no. 6, (1982).
- WHEELOCK, Arthur K. Jr. "Pentimenti in Vermeer's Paintings; Changes in Style and Meaning," Holländische Genremalerei im 17. Jahrhundert, Symposium Berlin, Jahrbunch preussischer Kulturbesitz Sonderband 4 (1985): 385–412.
- WHEELOCK, Arthur. K. Jr. "Saint Praxedis: New Light on the Early Career of Vermeer." Artibus et Historiae 14 (1987).
- WHEELOCK, Arthur. K.Jr. "Vermeer and Bramer: A New Look at Old Documents." In Leonaert Bramer 1596–1674: A Painter of the Night, Milwaukee, 1992, 19–22.
- WHEELOCK, Arthur K. Jr. Vermeer and the Art of Painting. New Haven and London: Yale University Press, 1995.
- WHEELOCK, Arthur K. Jr. Johannes Vermeer
, eds. Arthur K. Wheelock Jr. with by Ben Broos, and Jørgen Wadum. National Gallery of Art, New Haven and London: Yale University Press, 1995.
- WHEELOCK, Arthur K. Jr. Vermeer; The Complete Works, New York: Harry N. Abrams, 1997
- WHEELOCK, Arthur K. Jr. author/editor with contrib. by Michiel C. Plomp, Daniëlle H.A.C. Lokin, Quint Gregory, The Public and the Private in the Age of Vermeer, London: Philip Wilson, 2000.
- WHEELOCK, Arthur K. Jr. "The framing of a Vermeer." Collected Opinions, edted by Volker Manuth and Axel Rüger. (2004): 232–1l
- WHEELOCK, Arthur K. Jr. "Johannes Vermeer: The Art of Painting." What Makes a Masterpiece: Artists, Writers and Curators on the World's Greatest Works of Art. eds. Christopher Dell. Thames and Hudson, Cambridge (2010): 234–237.
- WHEELOCK, Arthur K. Jr. "The Art of Painting." In Vermeer: Die Malkunst, eds. Sabine Haag, Elke Oberthaler and Sabine Pénot, Kunsthistorisches Museum, Vienna: Residenz, 2010. 19–39.
- WHEELOCK, Arthur K. Jr. and LOKIN, Danielle H. A. C. Human Connections in the Age of Vermeer, Japanese ed. Exh. cat. Kyoto Municipal Museum of Art; Miyagi Museum of Art, Sendai;
Bunkamura Museum of Art, Tokyo. Tokyo, 2011.
- WHEELOCK, Arthur K., Jr., Walter A. Liedtke, and Sandrina Bandera Bistoletti. Vermeer: Il secolo d'oro dell'arte olandese. exh. cat. Scuderie del Quirinale, Rome. Milan, 2012.
- WHEELOCK, Arthur K. Jr. "Exploring the Physical and Spriritual World." In Vermeer's Delft ed. de Haan, David. Museum Prinsenhof Delft, Wnders Uitgevers, Zwolle (2023): 88.
- WIEL, Kees van der. "Delft in the Golden Age." In Dutch Society in the Age of Vermeer, Zwolle: Waanders Publishers, 1996.
- WILDER, Ken. "Vermeer: interruptions, exclusions, and "imagining seeing." Estetika / Institute of Art History, Academy of Sciences of the Czech Republic. (2015): 38–59.
- WIEGAND, Wilfred. "Jan Vermeer, Kleine Straẞe in Delft‟, um 1658." Weltkunst 83 no. 68 (January 2013): 106–107.
- WIESMAN, Marjorie (ed.), "Vermeer Women: Secrets and Silence." In Vermeer's Women: Secrets and Silence
, Hartford: Yale University Press, 2011 . 2–63.
- WIESEMAN, Mary Bittner, "Vermeer and the Art of Silence,"The Journal of Aesthetics and Art Criticism, vol. 64 no. 3 (Summer 2006): 317–324.
- WIESEMAN, Marjorie E., Alexandra Libby, E. Melanie Gifford, Dina Anchin, "Vermeer’s Studio and the Girl with a Flute: New Findings from the National Gallery of Art," Journal of Historians of Netherlandish Art 14:2 (Summer 2022).
- WIESSEMAN, Marjorie E. "Letters: The World Inside Outside." In exh. cat. Vermeer, eds. Pieter Roelofs and Gregor J. M. Weber. Rijksmuseum, Amsterdam: Hannibal Books 2023. 234–257.
- WILCZEK, Karl. Katalog der Graf Czernin'schen Gemäldegalerie in Wien. Vienna, 1936.
- WILLIAMS, Frederick W. Vermeer's Vision: Interesting Siscovery: Direct Evidence of his Thought: General Outline of his Grand Theme: Relevance to our Time. [S.l.: s.n.], 1999
- WILNAU, C. "Ein Selbstportrat Vermeers?" Zeitschrift fur Kunst 4 (1950): 207–12,
- WINKEL, Marieke de. "The Interpretation of Dress in Vermeer's Painting." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker, National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998, 327–335.
- WONKFIELD, Trevor. "Looking into Vermeer," Art in America. (1996): 70–77.
- WOLF, Brian Jay, Vermeer and the Invention of Seeing, Chicago: University of Chicago Press, 2001.
- WRIGHT, Christopher, Vermeer, London: Oresko Books, 1976.
- WULP, Bas van der. "A View of Delft in the Age of Vermeer." In Dutch Society in the Age of Vermeer, Zwolle: Waanders Publishers, 1996.
- WINKEL, Marieke de. "The Interpretation of Dress in Vermeer's Paintings." In Vermeer Studies, eds. Ivan Gaskell and Michiel Jonker. National Gallery of Art Washington D.C., New Haven and London: Yale University Press, 1998.
- YDEMA, Onno, "Carpets and their Datings in Netherlandish Paintings." Antique Collector's Club (Suffolk, 1991).
- YEAZELL, Ruth Bernard. "Proust's Genre Painting of Memory and the Rediscovery of Vermeer." In The Art of the Everyday: Dutch Painting and the Realist Novel. Princeton NJ: Princeton University Press, 2008.
- YEAZELL, Ruth Bernard, "A Vermeer for the IRA," In The New York Review, March 11, 2021.
YEAZELL, Ruth Bernard, "Vermeer and the Language of Poetry," Raritan 41.3 (Winter 2022): 99-132.
- ZELL, Michael. "'Liefde baart kunst': Vermeer's poetics of painting." Simiolus. 35 (2011): 142–164.
- ZERI, Federico. Marco Dolcetta, and Elena Mazour. Vermeer, The Astronomer. Richmond Hill, Ont: NDE Publishers. 2000.
- ZUFFI, Stefano. Vermeer: The Master of Light and Composition: His Life in Paintings (Artbook Vermeer). Translated by Ann Bennet, London, New York and Sydney: Dorling Kindserly, 1999.
- ZUIDERVAART, Huib J. "A New Theory on the Origin of Two Paintings by Johannes Vermeer (1632–1675) of Delft." English translation of "Een nieuwe theorie over twee schilderijen van Johannes Vermeer (1632–1675)." In Jaarboek Delfia Batavorum 28 (2018), 9–34. [published 23 May, 2019].
Recommended Vermeer Reading