Complete Vermeer Catalogue: 1653-1675
SAINT PRAXEDIS
1655oil on canvas
40 x 32 1/2 in. (101.6 x 82.6 cm.)
Barbara Piasecka The Johnson Collection Foundation
temporary exhibition:
12 May - 22 August 2010, Mauritshuis, The Hague
The Young Vermeer
DIANA AND HER COMPANIONS
c. 1653-1656oil on canvas
38 1/4 x 41 3/8 in. (98.5 x 105 cm.)
Koninklijk Kabinet van
Schilderijen Mauritshuis, The Hague
museum contact
temporary exhibition:
12 May - 22 August 20100, Mauritshuis, The Hague
The Young Vermeer
CHRIST IN THE HOUSE OF
MARTHA AND MARY
c. 1654-1655oil on canvas
63 x 53 7/8 in. (160 x 142 cm.)
National Gallery of Scotland, Edinburgh
museum contact
temporary exhibition:
12 May - 22 August 2010, Mauritshuis, The Hague
The Young Vermeer
THE PROCURESS
1656oil in canvas
56 1/2 x 51 1/8 in. (143 x 130 cm.)
Gemäldegalerie Alte Meister (Old Masters Picture Gallery), Dresden
museum contact
A MAID ASLEEP
c. 1657oil on canvas
34 1/2 x 30 1/8 in. (87.6 x 76.5 cm)
Metropolitan Museum of Art, New York
museum contact
A GIRL READING A LETTER
BY AN OPEN WINDOW
c. 1657-1659oil on canvas
32 1/4 x 25 3/8 in. (83 x 64.5 cm.)
Gemäldegalerie Alte Meister
(Old Masters Picture Gallery), Dresden
museum contact
THE LITTLE STREET
c. 1657-1661oil on canvas
21 1/16 x 17 1/8 in. (53.5 c 43.5 cm.)
Rijksmuseum, Amsterdam
museum contact
OFFICER AND LAUGHING GIRL
c. 1655-1660oil on canvas
19 7/8 x 18 1/8 in. (50.5 x 46 cm.)
Frick Collection, New York
museum contact
THE MILKMAID
c. 1658-1661oil on canvas
17 7/8 x 16 in. (45.45 x 40.6 cm.)
Rijksmuseum, Amsterdam
museum contact
THE GLASS OF WINE
c. 1658-1660oil on canvas
25 1/8 x 30 1/4 in. (65 x 77 cm.)
Staatliche Museen Preußischer Kulturbesitz,
Gemäldegalerie, Berlin
museum contact
THE GIRL WITH A GLASS OF WINE
c.1659-1660oil on canvas
30 3/4 x 26 1/8 in. (78 x 67 cm.)
Herzog Anton Ulrich-Museum, Brunswick
museum contact
GIRL INTERRUPTED IN HER MUSIC
c. 1658-1661oil on canvas
28 7/8 x 25 3/8 in. (73.3 x 44.4 cm.)
Frick Collection, New York
museum contact
VIEW OF DELFT
c.1660-1661oil on canvas
38 1/4 x 46 1/4 in. (98.5 x 117.5 cm.)
Koninklijk Kabinet van
Schilderijen Mauritshuis, The Hague
museum contact
THE MUSIC LESSON
c. 1662-1664oil on canvas
28 7/8 x 25 3/8 in. (73.3 x 64.5 cm.)
The Royal Collecion, The Windsor Castle
museum contact
WOMAN IN BLUE READING A LETTER
c. 1662-1665oil on canvas
18 1/4 x 15 7/8 in. (46.5 x 38 cm.)
Rijksmuseum, Amsterdam
museum contact
WOMAN HOLDING A BALANCE
c. 1622-1665oil on canvas
stretcher size: 16 3/4 x 15 in. (42.5 x 38 cm.)
National Gallery of Art, Washington D.C.
museum contact
YOUNG WOMAN WITH
A WATER PITCHER
c. 1662-1665oil on canvas
18 x 16 in. (45.7 x 40.6 cm)
Metropolitan Museum of Art, New York
museum contact
WOMAN WITH A LUTE
c. 1662-1664oil on canvas
20 1/4 x 18 in. (51.4 x 45.7 cm)
Metropolitan Museum of Art, New York
museum contact
WOMAN WITH A PEARL NECKLACE
c.1662-1665oil on canvas
21 1/8 x 17 1/4 in. (55 x 45 cm.)
Staatliche Museen Preußischer Kulturbesitz,
Gemäldegalerie, Berlin
museum contact
A LADY WRITING
c. 1665-1666oil on canvas
17 3/4 x 15 3/4 in. (45 x 39.9 cm.)
National Gallery of Art, Washington D.C.
museum contact
GIRL WITH A RED HAT
c. 1665-1667oil on panel
support: 9 1/2 x 7 1/8 in. (23.2 x 18.1 cm.)
painted surface: 9 x 7 1/16 in. (22.8 x 18 cm.)
National Gallery of Art, Washington D.C.
museum contact
GIRL WITH A FLUTE
c. 1665-1670oil on panel
7 7/8 x 7 in. (20 x 17.8 cm.)
National Gallery of Art, Washington D.C.
museum contact
THE GIRL WITH
A PEARL EARRING
c. 1665- 1667oil on canvas
18 1/4 x 15 1/4 in. (46.5 x 40 cm.)
Koninklijk Kabinet van
Schilderijen Mauritshuis, The Hague
museum contact
Vermeer's Concert was stolen in March 18, 1990 and has not been recovered.
THE CONCERT
c. 1663-1666oil on canvas
28 1/2 x x25 2 in. (72.5 x 64.7 cm.)
Isabella Stewart Gardner Museum, Boston
museum contact
THE ART OF PAINTING
c. 1662- 1668oil on canvas
47 1/4 x 39 3/8 in. (120 X 100 cm.)
Kunsthistorisches Museum, Vienna
museum contact
STUDY OF A YOUNG WOMAN
c. 1665–1674oil on canvas
17 1/2 x 15 3/4 in. (44.5 x 40 cm)
Metropolitan Museum of Art, New York
Gift of Mr. and Mrs. Charles Wrightsman,
in memory of Theodore Rousseau Jr
museum contact
MISTRESS AND MAID
c. 1666-1667oil on canvas
35 1/2 x 31 in. (90.2 x 78.7 cm.)
Frick Collection, New York
museum contact
THE ASTRONOMER
1668oil on canvas
19 3/8 x 17 3/4 in. (50 x 45 cm.)
Musée du Louvre, Paris
museum contact
THE GEOGRAPHER
c.1668-1669oil on canvas
20 7/8 x 18 1/4 in. (53 x 46.6 cm.)
Städelsches Kunstinstitut,
Frankfurt am Main, Germany
museum contact
THE LACEMAKER
c.1669-1671
oil on canvas
9 5/8 x 8 1/4 in. (24.5 x 21 cm.)
Musée du Louvre, Paris
museum contact
temporary exhibition:
October 7, 2009 – February 7, 2010
Pinacothèque de Paris , Paris, France: The Dutch Golden Age: From Rembrandt to Vermeer
THE LOVE LETTER
c. 1667-1670oil on canvas
17 3/8 x 15 1/8 in. (44 x 38.5.cm)
Rijksmuseum, Amsterdam
museum contact
THE GUITAR PLAYER
c. 1670-1672oil on canvas
20 1/4 x 18 1/4 in. (53 x 46.3 cm.)
Kenwood House English Heritage
as Trustees of the Iveagh Bequest, England
LADY WRITING A LETTER
WITH HER MAID
c. 1670-1671oil on canvas
28 x 23 in. (71.1 x 58.4 cm.)
National Gallery of Ireland, Dublin
museum contact
ALLEGORY OF FAITH
c. 1670- 1674oil on canvas
54 x 35 in. (114.3 x 88.9 cm.)
Metropolitan Museum of Art, New York
Bequest of Michael Friedsam
museum contact
A LADY STANDING AT A VIRGINAL
c. 1670-1673oil on canvas
20 3/8 x 17 1/4 in. (51.7 x 45.2 cm.)
National Gallery, London
museum contact
A LADY SEATED AT A VIRGINAL
c. 1670-1675oil on canvas
20 3/4 x 17 7/8 in. (51.5 x 45.5 cm.)
National Gallery, London
museum contact
A YOUNG WOMAN
SEATED AT THE VIRGINALS
c.16709 7/8 x 7 7/8 in. (25.2 x 20 cm.)
Private Collection, New York
AUTHENTICITY: There are thirty-four paintings which modern scholars overwhelmingly agree should be attributed to Johannes Vermeer of Delft.
Three works are included in this catalogue which have not received unanimous acceptance: the Saint Praxedis, the Young Lady Seated at the Virginals and the Girl with a Flute. However, all three have been accepted by at least one authoritative Vermeer expert.
The inclusion of these three pictures does not represent approval or disapproval but, rather, the belief that their inclusion benefits research and open discussion in merit.
TITLES: Over the years, scholars and museums have given a number of titles to each of Vermeer's paintings. For the sake of uniformity, the titles used in this catalogue are those found in Arthur K. Wheelock's catalogue in Vermeer and the Art of Painting (pp. 169 -186).
DATING: Since very few of Vermeer's paintings were dated by his own hand, the dates proposed in this catalogue are a distillation of those estimated by two contemporary Vermeer scholars: Walter Liedtke and Arthur Wheelock. To resolve discrepancies among them, a range of their dates for each painting has been indicated.





































