E. V. Bibliography: Dutch Painting

updated MAY 12, 2017 (608 entries)

If you have corrections or suggestions for any of the Essential Vermeer Online Bibliographies, please send them to the author and webmaster of this site, jonathanjanson@essentialvermeer.com

  • ACKLEY, Clifford S., et al. Rembrandt’s Journey: Painter, Draughtsman, Etcher. Exhibition catalog. Museum of Fine Arts, Boston; Art Institute of Chicago. Boston, 2003.
  • ADAMS, Ann Jensen. Public Faces and Private Identities in Seventeenth-Century Holland: Portraiture and the Production of Community. New York, 2009.
  • AINSWORTH, Maryan (ed.) Workshop Practice in Early Netherlandish Painting: Case Studies from Van Eyck through Gossart (Me fecit, 10). Turnhout: Brepols, 2016.
  • ALPERS, Svetlana. "Realism as a Comic Mode: Low-Life Painting Seen Through Bredero's Eyes." Simiolus 8 (1975–1976): 15–144.
  • ALPERS, Svetlana. "Art History and its Exclusions: the example of Dutch Art." In N. Broude and M. Garrard, Feminism and Art History: Questioning the Litany (New York: Westview, 1982), 183–199.
  • ALPERS, Svetlana. Rembrandt's Enterprise;\: The Studio and the Market. Chicago: University of Chicago Press, 1988.
  • ALPERS, Svetlana. "Picturing Dutch Culture" In W. Franits, ed., Looking at Seventeenth-century Dutch Art. Realism Reconsidered. Cambridge: Cambridge University Press, 1997, 57–67.
  • AONO, Junko. Imitation and Innovation: Dutch Genre Painting 1680–1750 and its Reception of the Golden Age. Amsterdam: Amsterdam University Press, 2001.
  • AONO, Junko. Confronting the GoldenAge: Imitation and Innovation in Dutch Genre Painting 1680–1750. Amsterdam: Amsterdam University Press, 2015.
  • ATKINS, Christopher D. M. The Signature Style of Frans Hals: Painting, Subjectivity, and the Market in Early Modernity. Amsterdam: Amsterdam University Press, 2012.
  • BACKMANN, Fredo. Die Landschaften des Aert van der Neer. Neustadt, 1966.
  • BAL, Mieke. Reading "Rembrandt": Beyond the Word-Image Opposition. Cambridge: Cambridge University Press, 1991.
  • BAER, Ronnie. The Paintings of Gerrit Dou (1613–1675). Ph.D. diss., Institute of Fine Arts, New York University, 1990.
  • BAER, Ronni, Arthur K. Wheelock Jr., and Annetje Boersma. Gerrit Dou 1613–1675. Zwolle: Waanders, 2000.
  • BADER, A. H. The Bible Through Dutch Art. Exh.cat. Milwaukee WI: Milwaukee Art Center, 1976.
  • BAER, Ronni, and Henk Van Nierop. Class Distinctions: Dutch Painting in the Age of Rembrandt and Vermeer. Boston: MFA Publications, 2015.
  • BAERT, B. Late Medieval Enclosed Gardens in the Low Countries: Contributions to Gender and Artistic Expressions (Studies in Iconology, 2). Leuven: Peeters Publishers, 2016.
  • BAESIER, Claire (ed.), with contributions by Thomas Fusenig, Ulrich Heinen, Ursula Härting et al. Divine Interiors. Experience Churches in the Age of Rubens. Wommelgem: BAI, 2016.
  • BAKKER, Boudewijn. Landscape and Religion from Van Eyck to Rembrandt, Farnham: Ashgate, 2012.
  • BAKKER, Boudewijn. “An Amsterdam Windmill in Washington.” In Rembrandt. edited by Michiel Roscam, 1:74–84. Leiden, 2006.
  • BAKKER, Boudewijn. “Nature or Art? Rembrandt’s Aesthetics and the Netherlandish Tradition.” In
    Rembrandt’s Landscapes, edited by Christiaan Vogelaar and Gregor J. M. Weber, 145–171. Exhibition catalog. Staatliche Museen Kassel, Gemäldegalerie Alte Meister; Stedelijk Museum De Lakenhal, Leiden. Zwolle, 2006.
  • BAKKER, Noortje, et al. Masters of Middelburg: Exhibition in the Honour of Laurens
    J. Bol
    . Exhibition catalog. Waterman Gallery. Amsterdam, 1984.
  • BARNES, Donna R., and Linda Stone-Ferrier. People at Work: Seventeenth-Century
    Dutch Ar
    t. Exhibition catalog. Hofstra Museum. Hempstead, 1988.
  • BARNES, Donna R. ., Peter G. Rose, Charles T. Gehring, and Nancy T. Minty. Matters of Taste: Food and Drink in Seventeenth-Century Dutch Art and Life. New York: Albany Institute of History & Art, 2002.
  • BAUCH, Kurt. Der frühe Rembrandt und seine Zeit: Studien zur geschichtlichten Bedeutung seines Frühstils. Berlin, 1960
  • BECK, Hans-Ulrich. Jan van Goyen: 1596–1656: ein Oeuvreverzeichnis. 4 vols. Amsterdam, 1972–1991
  • BEDAUX, J. B., "Fruit and Fertility: Fruit Symbolism in Netherlandish Portraiture of the Sixteenth and Seventeenth Centuries." Simiolus XVII (1987): 150–168.
  • BEER, Gerlinde de. "Seesturm und Schiffbruch im Werk des Ludolf Backhuysen (Emden 1630–1708 Amsterdam): eine motivkundliche Untersuchung mit anschliessendem motivspezifischen und kritischen Werkkatalog." PhD diss., University of Kiel, 1993.
  • BEER, Gerlinde de.Ludolf Backhuysen (1630–1708): Sein Leben und Werk. Zwolle, 2002.
  • BEHERMAN, Thierry. Godfried Schalcken. Paris, 1988.
  • BEHERMAN, Samuel N. Duveen. New York, 1952.
  • BENESCH, Otto. The Drawings of Rembrandt: A Critical and Chronological Catalogue. 6 vols. London, 1954–1957.
  • BENESCH, Otto.. “Worldly and Religious Portraits in Rembrandt’s Late Art.” The Art Quarterly
    19 (Winter 1956): 334–355.
  • BENESCH, Otto. Rembrandt: Werk und Forschung. Vienna, 1935. Reprint, Lucerne, 1970.
  • BENESCH, Otto. Otto Benesch Collected Writings. Edited by Eva Benesch. 2 vols. London and New York, 1970
  • BENESCH, Otto. The Drawings of Rembrandt . Edited by Eva Benesch. 6 vols. Enlarged edition, London, 1970.
  • BENESZ, Hanna, and Maria Kluk. Early Netherlandish, Dutch, Flemish and Belgian Paintings 1494–1983 in the Collections of the National Museum in Warsaw and the Palace at Nieborów. Complete Illustrated Catalogue. dd. Hanna Benesz. 2 vols. Warsaw: Muzeum Narodowe w Warszawie, 2016.
  • BÉNÉZIT, Emmanuel. Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs & graveurs de tous les temps et de tous les pays . 3 vols. Paris, 1911–1924.
  • BERGER, Julie. ""Goede dingen willen tijt hebben": time as a meditation on painting in Dutch still life of the seventeenth century". in Symbols of Time in the History of Art, ed. by Christian Heck and Kristen Lippincott. Alfred Acres; Barbara Winston Blackmun; Sabine Blumenröder. 2002. 117–135.
  • BENGTSSON, Å., Studies on the Rise of Realistic Landcape Painting in Holland 1610–1625. Stockholm, 1952.
  • BERGSTRÖM, Ingvar. Dutch Still-Life Painting in the Seventeenth-Century. London, 1956.
  • BERGVELT, Ellinoor, J. P. Filedt Kok, and Norbert Middelkoop. De Hollandse meesters van een Amsterdamse bankier: de verzameling van Adriaan van der Hoop (1778–1854). Exhibition catalog. Amsterdams Historisch Museum; Rijksmuseum, Amsterdam. Zwolle, 2004.
  • BERNT, Walther. The Netherlandish Painters of the Seventeenth Century. Translated by P. S. Falla. 3 vols. London, 1970.
  • BERNT, Walther. Die niederländischen Maler und Zeichner des 17. Jahrhunderts. 5 vols. 4th ed. München, 1979.
  • BEVERS, Holm, Peter Schatborn, and Barbara Welzel. Rembrandt: The Master and His Workshop. Vol. 2, Drawings and Etchings. Exhibition catalog. Gemäldegalerie Staatliche Museen Preussischer Kulturbesitz, Berlin; Rijksmuseum, Amsterdam; National Gallery, London. New Haven and London, 1991.
  • BIE, Cornelis de. Het gulden cabinet van de edel vry schilderconst. The Hague, 1662. Reprint edited by Gerard Lemmens. Soest, 1971.
  • BIESBOER, Pieter, et al. Pieter Claesz: Master of Haarlem Still Life. Exhibition catalog. Frans Hals Museum, Haarlem; Kunsthaus Zürich; National Gallery of Art, Washington. Zwolle, 2004.
  • BIESBOER, Pieter, and Neeltje Köhler, eds. Painting in Haarlem 1500–1850: The Collection of the Frans Hals Museum. Translated by Jennifer Kilian and Katy Kist. Ghent, 2006.
  • BIESBOER, Pieter, Friso Lammertse, and Fred G. Meijer. Painting Family: The De Brays: Master Painters of 17th Century Holland. Edited by Pieter Biesboer. Exhibition catalog. Frans Hals Museum, Haarlem; Dulwich Picture Gallery, London. Zwolle, 2008.
  • BIÈVRE, Elisabeth de. Dutch Art and Urban Cultures 1200–1700. New Haven and London: Yale University Press, 2016.
  • BIKKER, Jonathan. Marten and Oopjen. Two Monumental Portraits by Rembrandt. Amsterdam: Rijksmuseum, 2016.
  • BIKKER, Jonathan. Willem Drost (1633–1659): A Rembrandt Pupil in Amsterdam and Venice. New Haven: Yale University Press, 2005.
  • BIKKER, Jonathan, Gregor J.M. Weber, and Erik Hinterding. Rembrandt: The Late Works. London: National Gallery London, 2014.
  • BILLE, Clara. De Tempel der Kunst of Het Kabinet van den Heer Braamcamp. 2 vols. Amsterdam, 1961.
  • BINSTOCK, Benjamin. Vermeer’s Family Secrets: Genius, Discovery, and the Unknown Apprentice. New York, 2009.
  • BLANC, Charles. L’Oeuvre Complet de Rembrandt. 2 vols. Paris, 1859–1861.
  • BLANKERT, Albert. L’Oeuvre de Rembrandt. 2 vols. Paris, 1873.
  • BLANKERT, Albert. Johannes Vermeer van Delft, 1632–1675: Complete Edition of the Paintings. Utrecht and Antwerp, 1975. Reprint, Oxford, 1978.
  • BLANKERT, Albert. Nederlandse zeventiende eeuwse Italianiserende landschapschilders. Exhibition catalog.Centraal Museum, Utrecht. 1965. Revised and enlarged. edition, Soest, 1978.
  • BLANKERT, Albert. Rembrandt: A Genius and His Impact. Exhibition catalog. National Gallery of Victoria, Melbourne; National Gallery of Australia, Canberra. Zwolle, 1997.
  • BLANDERT, Albert, Gilles Aillaud, and John Michael Montias. Vermeer. New York, 1988.
  • BLANKERT, Albert. "What is Dutch Seventeenth-Century Gener Painting? A Definition and its Limits." Hollandische Genremalerei im 17 Kahrhundert, Symposium Berlin 1984 (Jahrbuch Preußischer Kulturbesitz Sonderbd. 4), Berlin, 1987, 9–32.
  • BLANKERT, Albert et al. The Impact of a Genius: Rembrandt, His Pupils and Followers in the Seventeenth Century. Paintings from Museums and Private Collections. Amsterdam: Amsterdam University Press, 1983).
  • BLANKERT, Albert, et al. Frozen Silence: Hendrick Avercamp (1585–1634), Barent Avercamp (1612–1679); Paintings from Museums and Private Collections. Translated by Ina Rike. Exhibition catalog. Waterman Gallery, Amsterdam; Provinciehuis Overijssel, Zwolle. Amsterdam, 1982.
  • BLANKERT, Abert, et.al. God, Saint and Heroes: Dutch Painting in the Age of Rembrandt, exh. cat., Washington / Detroit /Amsterdam, 1980–1981.
  • BLANKERT, Albert, Koen Ottenheym, and Arie Jan Gelderblom. Dutch Classicism in Seventeenth-Century Painting. Exhibition catalog. Museum Boijmans Van Beuningen; Städelsches Kunstinstitut, Frankfurt am Main. Rotterdam, 1999.
  • BLANKERT, Albert, and Leonard J. Slatkes. Nieuw licht op de Gouden Eeuw: Hendrick ter Brugghen en Tijdgenoten. Exhibition catalog. Centraal Museum, Utrecht; Herzog Anton Ulrich-Museum, Braunschweig. Utrecht, 1986.
  • BODE, Wilhelm von. Great Masters of Dutch and Flemish Painting. Translated by Margaret L. Clarke. London, 1909.
  • BODE, Wilhelm von, et al. “Rembrandts Mühle.” Kunst und Künstler 10 (October
    1912): 21–27.
  • BODE, Wilhelm von, and Cornelis Hofstede de Groot. The Complete Work of Rembrandt. Translated by Florence Simmonds. 8 vols. Paris, 1897–1906.
  • BLOM, A van de,E, Kupershoe, and C. Thniiissen. Nederlandse Schilderkunst tussen detail en grandeur, Alpen aan de Rijn. Amsterdam, 1997.
  • BÖHMER, Sylvia, and Fred G. Meijer. Gemaltes Licht: die Stilleben von Willem Kalf 1619–1693. Exhibition catalog. Suermondt-Ludwig-Museum, Aachen; Museum Boijmans Van Beuningen, Rotterdam. München, 2007.
  • BOL, Laurens J. The Bosschaert Dynasty: Painters of Flowers and Fruit. Translated by A. M. de Bruin-Cousins. Leigh-on-Sea, 1960.
  • BOL, Laurens J. Holländische Maler des 17. Jahrhunderts nahe den grossen Meistern Landschaften und Stilleben. Braunschweig, 1969.
  • BOL, Laurens J. Die holländische Marinemalerei des 17. Jahrhunderts. Braunschweig, 1973..
  • BOL, Laurens J. Adriaen Coorte: A Unique late 17th-Century Dutch Still-Life Painter. Assen, 1977.
  • BOL, Laurens J. ‘Goede onbekenden’: hedendaagse herkenning en waardering van verscholen, voorbijgezien en onderschat talent. Utrecht, 1982.
  • BOMFORD, David, Christopher Brown, and Ashok Roy. Art in the Making: Rembrandt. London, 1988
  • BOMFORD, David, Rembrandt, Christopher Brown, and Ashok Roy. Art in the Making: Rembrandt. London: National Gallery Publications, 1991.
  • BORENIUS, Tancred. Dutch indoor subjects. New York: Pitman Pub. Corp. 1949.
  • BRADLE, Christopher. Dutch Landscape: The Early Years, Haarlem and Amsterdam 1590–1660. London: National Gallery, 1986.
  • BRAUN, Karel. Alle tot nu toe bekende schilderijen van Jan Steen. Rotterdam, 1980.
  • BREDIUS, Abraham. Künstler-Inventare: Urkunden zur Geschichte der holländischen Kunst des XVIten, XVIIten und XVIIIten Jahrhunderts. 8 vols. The Hague, 1915–1922.
  • BREDIUS, Abraham. The Paintings of Rembrandt. New York, 1936.
  • BREDIUS, Abraham. Rembrandt: The Complete Edition of the Paintings. 3rd edition revised by Horst Gerson. London, 1969.Broos, Ben P. J. Index to the Formal Sources of Rembrandt’s Art. Maarssen, 1977.
  • BREDIUS, Abraham. Great Dutch Paintings from America. Exhibition catalog. Royal Picture Gallery, Mauritshuis, The Hague; Fine Arts Museums of San Francisco. Zwolle, 1990.
  • BROULHIET, Georges. Meindert Hobbema (1638–1709). Paris, 1938.
  • BRENER, C., Tummers, J. C., Riddell, and J., & Moore, B. Painting in the Dutch Golden Age: A Profile of the Seventeenth Century. Washington: National Gallery of Art, 2007.
  • BROOS, Ben. Intimacies and Intrigues. History Painting in the Mauritshuis. The Hague: Mauritshuis; Ghent : Snoeck-Ducaju, 1993.
  • BROWN, Christopher. Carel Fabritius, complete edition with a catalogue raisonné. Ithaca, N.Y.: Cornell University Press, 1981.
  • BROWN Christopher. Scenes of Everyday Life. Dutch Genre Painting of the Seventeenth Century, London: Faber, 1984.
  • BROWN Christopher. Images of a Golden Past; Dutch Genre Painting of the 17th Century, New York: Abbeville Press, 1984.
  • BROWN, Christopher. Dutch Genre Painting, London: National Gallery, 1976.
  • BROWN, Christopher. Utrecht Painters of the Dutch Golden Age. London: National Gallery Publications, 1997.
  • BROWN, Christopher, Jan Kelch, and P. J. J. van Thiel. Rembrandt: The Master and His Workshop. Vol. 2,
    Paintings. Exhibition catalog. Gemäldegalerie Staatliche Museen Preussischer Kulturbesitz, Berlin; Rijksmuseum, Amsterdam; National Gallery, London. New Haven and London, 1991.
  • BRUYN, Josua. “Rembrandt’s Workshop: Its Function and Production.” In Rembrandt: The Master and His Workshop, edited by Christopher Brown, Jan Kelch, and P. J. J. van Thiel, 2: 68–89. Exhibition catalog. Gemäldegalerie Staatliche Museen Preussischer Kulturbesitz, Berlin; Rijksmuseum, Amsterdam;
    National Gallery, London. New Haven and London, 19991.
  • BRUSATI, Celeste. "Stilled Lives: Self Portraiture and Self-Reflection in Seventeenth-Century Netherlandish Still-Life Painting." Simiolus 20 (1990–1991): 168–182.
  • BRUYN, Jean-Pierre de. Erasmus II Quellinus (1607–1678) De schilderijen met catalogus raisonne. Freren: Luca Verlag, 1988.
  • BUCHANAN, William. Memoirs of Painting. 2 vols. London, 1824.
  • BUCK, Stephanie. ‘Copying and Beyond: the Multiple Functions of Early Netherlandish Drawings." In Albert J. Elen and Friso Lammertse (eds.), An Eyckian Crucifixion Explored: Ten Essays on a Drawing, Rotterdam, 2016: 80–93.
  • BUIJSEN, Edwin, and Bob Haak. Between Fantasy and Reality: 17th Century Dutch Landscape Painting. The Hague: Netherlands Office of Fine Arts, 1992.
  • BUIJSEN, Edwin, Charles Dumas, and Kunsthandel Hoogsteder & Hoogsteder. Haagse schilders in de Gouden Eeuw: het Hoogsteder Lexicon van alle schilders werkzaam in Den Haag 1600–1700. Exhibition catalog. Haags Historisch Museum. Zwolle, 1998.
  • BUIJSEN, Edwin, Charles Dumas, and Volker Manuth, eds. Face Book: Studies on Dutch and Flemish Portraiture of the 16th–18th Centuries: Liber amicorum presented to Rudolf E.O. Ekkart on the Occasion of His 65th Birthday. Leiden, 2012.
  • BUIJSEN, Edwin, and Louis Peter Grijp. The Hoogsteder Exhibition of Music and Painting in the Golden Age. Exhibition catalog. Hoogsteder & Hoogsteder Gallery, The Hague; Hessenhuis Museum, Antwerp. Zwolle, 1994.
  • BURKE, James Donald. Jan Both: Paintings, Drawings, and Prints. Outstanding Dissertations in the Fine Arts. New York, 1976.
  • BURNET, John. A Treatise on Painting: In Four Parts. London, 1827. Reprint, London, 1880.
  • BUVELOT, Quentin, Otto Naumann, E. de Jongh, Peter van der Ploeg, Bieke van der Mark, and Carol Pottasch. Frans van Mieris, 1635–1681. Zwolle: Waanders, 2005.
  • BUVELOT, Quentin, Edwin Buijsen and Ariane van Suchtelen. Genre Paintings in the Mauritshuis. Zwolle: Uitgeverij de Kunst, 2016.
  • BUVELOT, Quentin. The Still Lfes of Adriaen Coorte (active c.1683–1707). Zwolle: Waanders Publishers. 2008.
  • CAIRNS, Huntington, and John Walker. Masterpieces of Painting from the National Gallery of Art. New York, 1944.
  • CAIRNS, Huntington, and John Walker, eds. Great Paintings from the National Gallery of Art. New York, 1952.
  • CAIRNS, Huntington. Treasures from The National Gallery of Art. New York, 1962.
  • CAIRNS, Huntington. A Pageant of Painting from the National Gallery of Art. 2 vols. New York, 1966.
  • CAVALLI-BJÖRKMAN, Görel. Rembrandt and His pupils: Papers Given at a Symposium in Nationalmuseum Stockholm, 2–3 October 1992. Nationalmusei skriftserie 13. Stockholm, 1993.
  • CAPPELLETT, Francesca. (ed.) Caravaggio and the Painters of the North. Madrid: Thyssen-Bornemisza Collection. Madrid: Museo Thyssen-Bornemisza, 2016.
  • CARPREAU, Peter. Auctioning 17th-Century Dutch and Flemish Painting: An Inquiry into the Evolution of Taste for Baroque Paintings from the Low Countries (17th–21st century) (Collectors and Dealers, 2). London: Harvey Miller / Turnhout: Brepols, 2016.
  • CHAPMAN, H. Perry. Rembrandt’s Self-Portraits: A Study in Seventeenth-Century Identity. Princeton, 1990.
  • CHAPMAN, H. Perry, Wouter Th. Kloek, and Arthur K. Wheelock Jr. Jan Steen: Painter and Storyteller. Edited by Guido Jansen. Exhibition catalog. National Gallery of Art, Washington; Rijksmuseum, Amsterdam. Washington, 1996.
  • CHEPP, Mark,, Verna Curtis, and Marilyn Giaimo. Low-Life in the Lowlands: 17th-Century Dutch and Flemish Genre Painting. [Milwaukee]: Art History Galleries, Dept. of Art History, College of Letters and Science, University of Wisconsin-Milwaukee. 1974.
  • CHONG, Alan. Aelbert Cuyp and the Meanings of Landscape. PhD diss, New York University, 1992.
  • CHONG, Alan, and Wouter Th. Kloek. Still-Life Paintings from the Netherlands, 1550–1720. Exhibition catalog. Rijksmuseum, Amsterdam; Cleveland Museum of Art. Zwolle, 1999.
  • CHONG, Alan, et al. Rembrandt Creates Rembrandt: Art and Ambition in Leiden, 1629–1631. Edited by Alan Chong and Michael Zell. Exhibition catalog. Isabella Gardner Stewart Museum, Boston. Zwolle, 2000.
  • CLARK, Kenneth. Rembrandt and the Italian Renaissance. New York, 1966.CUNNAR, Eugene R. “The Viewer’s Share: Three Sectarian Readings of Vermeer’s
    Woman with a Balance.” Exemplaria2 (1990): 501–536.
  • COELEN, Peter van der, et al., Everyday life in Holland's Golden Age: The Complete Etchings of Adriaen van Ostade, Amsterdam: Museum Het Rembrandthuis, 1998.
  • DE LAIRESSE , Gérard. Groot Schilderboek. Haarlem, 1740. Reprint, Soest, 1969.
  • DESCAMPS, J. B. Voyage pittoresque de la Flandre et du Brabant: avec des réflexions relativement aux arts & quelques gravures. Rouen, 1769.
  • DESCHAMPS, J. B., and A. J. Dézallier d’Argenville. Vie des peintres flamands et hollandais. Marseille, 1842.
  • DEKKERS, Ger., New Dutch Landscapes, Zwolle: Waanders, 1986.
  • DIFURIA, Arthur J. (ed.) Genre Imagery in Early Modern Northern Europe: New Perspectives. London: Ashgate / Routledge, 2016.
  • DIXON, Laurinda S. Perilous chastity: women and illness in pre-enlightenment art and medicine. Ithaca: Cornell Univiversity Press. 1995.
  • DOEL, Marieke van den, et al., eds. The Learned Eye: Regarding Art, Theory, and the Artist’s Reputation: Essays for Ernst van de Wetering. Amsterdam, 2005.
  • DOLNICK, Edward. The Forger’s Spell: A True Story of Vermeer, Nazis, and the Greatest Art Hoax of the Twentieth Century. New York, 2008.
  • DOTY, Mark. Still Life with Oysters and Lemon. Boston: Beacon Press. 2001.
  • DUMAS, Charles, and Leo Endedijk. Meesters en molens: van Rembrandt tot Mondriaan. Exhibition catalog. Noordbrabants Museum; Museum Bredius; Provinciaal Museum van Drenthe. Zwolle, 2007.
  • DUMAS, Frederik J., and Linda L. Graif. Italian Recollections: Dutch Painters of the Golden Age. Exhibition catalog. Montreal Museum of Fine Arts. Montreal, 1990.
  • DUPARC, C. J. Landscape in Perspective, Drawings by Rembrandt and His Contemporaries, exh. cat., Cambridge, Massachusetts and Montreal, 1988.
  • DUPARC Frederik, J. Gero Seelig, and Ariane Van Suchtelen. Carel Fabritius 1622–1654.The Hague: Royal Cabinet of Paintings, Mauritshuis, 2004.
  • EKKART, Rudolf E. O., Johannes Cornelisz. Verspronck: leven en werken van een Haarlems portretschilder uit de 17de eeuw. Exhibition catalog. Frans Hals Museum. Haarlem, 1979.
  • EKKART, Rudolf E. O. and Quentin Buvelot. Dutch Portraits: The Age of Rembrandt and Frans Hals. Translated by Beverly Jackson. Exhibition catalog. National Gallery, London; Royal Picture Gallery, Mauritshuis, The Hague. London, 2007.
  • ELBERT-SCHIFFERER, Sybille, et al. Deceptions and Illusions: Five Centuries of Trompe l’Oeil Painting. Exhibition catalog. National Gallery of Art, Washington. Washington, DC, 2002.
  • EMMENS, Jan Ameling. Rembrandt en de Regels van de Kunst. Utrecht, 1968.
  • EMBER; Ildikó. Delights for the Senses: Dutch and Flemish Still-Life Paintings from Budapest, Budapest, 1989
  • EMMENS, J. A. " 'Eins aber ist nötig,': Zu Inhalt und Bedeutung von Markt- und Küchenstücken des 16. Jahrhunderts." Kunsthistorische Opstellen, vol.2, Amsterdam(1981): 189–222.
  • FARR, Dennis, and Wiliam Bradford. The Northern Landscape : Flemish, Dutch and British Drawings from the Courtauld Collections, London: Trefoil, 1986.
  • FÉLIBIEN, André. Entretiens sur les vies et sur les ouvrages des plus excellens peintres anciens et modernes. 5 vols. Paris, 1666–1688.
  • FILEDT KOK, Jan Piet. Netherlandish Art in the Rijksmuseum, 1600–1700: Netherlandish Art in the Rijksmuseum 2. Zwolle, 2000.
  • FLEISCHER, Roland E., and Susan Scott Munshower. The Age of Rembrandt: Studies in Seventeenth-Century Dutch Painting. University Park, PA, 1988.
  • FLEISCHER, Roland E., and Susan C. Scott, eds. Rembrandt, Rubens, and the Art of Their Time: Recent Perspectives. Papers in Art History from the Pennsylvania State University 11. University Park, PA, 1997.
  • FORD, Linda B. The Music Lesson in Seventeenth-Century Dutch Genre Painting. Dissertation, M.A. University of Alabama, 1993.
  • FRANZ, H. G. Niederländische Lanschapftmalerein im Zeitalter des Manierismus, 2.vols, Graz, 1969.
  • FREEDBERG, D. Dutch Landscape Prints of the Seventeenth Century, London, 1980.
  • FRANITS, Wayne. Pieter de Hooch: A Woman Preparing Bread and Butter for a Boy. Los Angeles: Getty Museum Studies on Art, 2006.
  • FRANITS. Wayne. Paragons of Virtue: Women and Domesticity in Seventeenth-Century Dutch Art, Cambridge: Cambridge University Press, 1993.
  • FRANITS, Wayne. (ed.) Looking at Seventeenth-Century Dutch Art. Realism Reconsidered, Cambridge: Cambridge University Press, 1997.
  • FRANITS, Wayne. The Cambridge Companion to Vermeer. Cambridge, 2001.
  • FRANITS, Wayne. Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution. New Haven and London: Yale University Press, 2004.
  • FRANITS, Wayne (ed.) The Ashgate Research Companion to Dutch Art of the Seventeenth Century (Art & Visual Culture). London: Ashgate/Routledge, 2016.
  • FREMANTIE, Katharine. The Baroque Town Hall of Amsterdam. Orbis artium; Utrechtse Kunsthistorische Studiën 4. Utrecht, 1959.
  • FRESIA, Carol Jean. Quacksalvers and Barber-Surgeons: Images of Medical Practitioners in 17th-Century Dutch Genre Painting. Dissertation, Ph. D. Yale University, 1992.
  • FROMENTIN, Eugène. Les Maîtres d’Autrefois. Paris, 1972.
  • GANTNER, Joseph. Rembrandt und die Verwandlung klassischer Formen. Bern, 1964.
  • GASKELL, Ivan. “Vermeer, Judgment and Truth.” The Burlington Magazine126/978 (September 1984): 557–561.
  • GASKELL, Ivan, and Michiel Jonker, eds. Vermeer Studies. Studies in the History of Art 55. Washington, DC, 1998.
  • GERSON, Horst. Rembrandt Paintings. Amsterdam, 1968.
  • GELDER, J.G. "De Schilder van der Oranjezaal." Nederlands Kunsthistorisch Jaarboek 2 (1948–1949): 118–164.
  • GELDER, J.G. van. "Van Blompot en Blomglas." Elsevier's Geïllustreerd Maandschrift 46/91 (1936): .73–82, 155–166.
  • GELLER L.D. Pilgrim Artifacts and Dutch Genre Painting, Kingston MA., 1971.
  • GERHARDT, Robert E and Francis Schwartz Griep-Quint. Michiel van Musscher (1645–1705): The Wealth of theGolden Age. Zwolle: Wbooks,2012.
  • GERSON, H. Hollandse portretschilders van de zeventiende eeuw, Maarssen, 1975.
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