E. V. Bibliography:
Dutch Art  

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Delft School

LIEDTKE, Walter A., Architectural Painting in Delft, Doornspijk 1982.

LIEDTKE, Walter, A View of Delft: Vermeer and his Contemporaries, Zwolle, 2000

LIEDTKE, Walter , with PLOMP, Michiel C. and RUGLER, Axel, with contrib. by BAARSEN, Reinier... [et al.], Vermeer and the Delft School, New York, New Haven, Metropolitan Museum of Art, Yale U.P., 2001

Genre

ALPERS, Svetlana, "Realism as a Comic Mode: Low-Life Painting Seen Through Bredero's Eyes," Simiolus 8 (1975-76), pp.115-144.

Response by H. Miedema, "Realism and Comic Mode: The Peasant," Simiolus 9 (1977), pp.205-219, and Response to H. Miedema by S. Alpers, "Taking Pictures Seriously: A Reply to Hessel Miedema," Simiolus 10 (1978-1979), pp.46-50.

BAER, The paintings of Gerrit Dou (1613-1675) , Ph.D. diss., Institute of Fine Arts, New York University, 1990

BLANKERT, Albert, "What is Dutch Seventeenth-Century Gener Painting?A Definition and its Limits,"  in Hollandische Genremalerei im 17 Kahrhundert, Symposium Berlin 1984 (Jahrbuch Preußischer Kulturbesitz Sonderbd. 4), Berlin, 1987, pp. 9-32

BROWN; Christopher, Carl Fabritius, Oxford, 1981

BROWN Christopher, Scenes of Everyday Life. Dutch Genre Painting of the Seventeenth Century, London, 1984.

BROWN Christopher, Images of a Golden Past; Dutch Genre Painting of the 17th Century, New York, 1984.

VAN DER COELEN, Peter... [et al.], Everyday life in Holland's Golden Age : the complete etchings of Adriaen van Ostade, Amsterdam, 1998

FRANITS Wayne, Paragons of Virtue: Women and Domesticity in Seventeenth-Century Dutch Art, New York, 1993.

FRANITS Wayne, Dutch Seventeenth-Century Genre Painting: Its Stylistic and Thematic Evolution, New Haven/London, 2004.

DE JONGH, Eddy et. al, Tot lering en vermaak. Betekenissen van, Hollandse genrevoorstellingen uit de zeventiende eeuw, exh. cat., Rijksmuseum, Amsterdam, 1976.

DE JONGH, Eddy, "Erotica in vogelperspectief. De dubbelzinnigheid van een reeks 17de eeuwse genre-voorstellingen," Simiolus 3 (1968-1969), pp.22-74.

DE JONGH, Eddy, "Pearls of Virtue and Pearls of Vice, Simiolus (1975-1976), pp.69-97.

DE JONGH, Eddy, "Grape Symbolism in Paintings of the 16th and 17th Centuries," Simiolus 7 (1974), pp.166-191.

KURETSKY, S.D., The Paintings of Jacob Ochtervelt (1634-1682) , Oxford 1979.

LAMMERTSE, Friso with contributions by GILTAIJ, Jeroen and JANSSEN, Anouk, Dutch genre paintings of the 17th century : collection of the Museum Boijmans van Beuningen, Rotterdam, 1998

LIETDKE, Walter, "Towards a History of Dutch Genre Painting," De arte et libris, Festschrift Erasmus 1934-1984, Amsterdam, 1984, pp.

NAUMANN, O., Frans van Mieris the Elder (1635-1681), Doornspijk 198

PLIETZSCH, E., "Randbemerkungen zur holländischen Interieurmalerei am Beginn des 17. Jahrhunderts," Wallraf-Richarts-Jahrbuch 18 (1956), pp.174-196.

RAUPP, H.-J. Raupp, "Aufsätze zu einer Theorie der Genremalerei in den Niederländen im 17. Jahrhunderts," Zeitschrift für Kunstgeschichte 26 (1983), pp.401-418.

RENGER, K., Lockere Geselschaft--Zur Ikonographie des Verlorenen Sohnes und von Wirtshausszenen in der niederländischen Malerei, Berlin, 1970.

ROBINSON, Franklin W., Gabriel Metsu (1629-1667) : a study of his place in Dutch genre painting of the Golden Age, New York, 1974.

SALOMON, Nanette, Jacob Duck and the gentrification of Dutch genre painting, Doornspijk, 1998

SALOMON, Nanette, Shifting priorities: gender genre in seventeenth-century Dutch painting, Stanford, 2004

SNOEP-RIETSMA, W., Verschuivende betekenissen van zeventinde-eeuwse Nederlandse genrevoorstellingen, Deventer, 1975.

SUTTON, P., Pieter de Hooch, Oxford/New York 1980

SUTTON Peter  et.al., Masters of Seventeenth-Century Dutch Genre Painting, exh.cat., Philadelphia / Berlin / London, 1984.

SUTTON Peter, "Towards an Account of the Dutch Genre Paintings in Stockholm," In: Rembrandt and His Age. Focus on Man (exh.cat., Nationalmuseum, Stockholm, ed. by G. Cavalli-Björkman), Stockhol, 1992-1993.

SUTTON, Peter C., VERGARA, Lisa, ADAMS, Ann Jensen, Love letters : Dutch genre paintings in the age of Vermeer, Greenwich, CT, Dublin, 2003

SUTTON Peter, with contributions by VERGARA, Lisa  and ADAMS, Ann Jensen, Love Letters: Dutch Genre Paintings in the Age of Vermeer, London, 2004.

WEISMAN Marjorie Elizabeth, Caspar Netscher and late seventeenth century Dutch painting, Ann Arbor, 1992

WESTERMANN, Mariët, The Amusements of Jan Steen, Zwolle 1997

WESTERMANN, Mariët, "Adriaen van de Venne, Jan Steen, and the Art of Serious Play", De Zeventiende Eeuw, 15/1, 1999

WESTERMANN, Mariët,"'Costly and Curious, Full of pleasure and home contentment', Making Home in the Dutch Republic." in Art and Home. Dutch Interiors in the Age of Rembrandt, 2001-2002, pp. 15-81.

Landscape

BENGTSSON, Å., Studies on the Rise of Realistich Landcape Painting in Holland 1610-1625,  Stockholm, 1952.

BROWN Christopher, Dutch Landscape. The Early Years, Haarlem and Amsterdam 1590-1660, exh. cat., National Gallery, London, 1986.

BUIJSEN, Edwin, Between fantasy and reality : 17th century Dutch landscape painting, The Hague, 1992

DUPARC C. J., Landscape in Perspective, Drawings by Rembrandt and His Contemporaries, exh. cat., Cambridge, Massachusetts - Montreal, 1988.

FRANZ H. G., Niederländische Lanschapftmalerein im Zeitalter des Manierismus, 2.vols, Graz, 1969.

FREEDBERG D., Dutch Landscape Prints of the Seventeenth Century, London, 1980.

LARSEN E., "The Proof of the Use of Inverted Telescope in Dutch 17th Century Landscape Art," Gazette des Beaux Arts 6th s. 119/89 (1977), pp.172-174.

LEVEQUE C., Journey through Landscape in Seventeenth-Century Holland. The Haarlem Print Series and Dutch Identity, University Park, Pennsilvania, 1994.

RAUPP, H.-J., "Zur Bedeutung von Thema und Symbol für die holländische Landschaftmalerei des 17. Jahrhunderts," Jahrbuch der Staatliche Kunstsammlungen in Baden-Würtemburg 17 (1980), pp.85-110.

STECHOW W., Dutch Landscape Painting of the Seventeenth Century, London, 1966.

SUTTON, Peter et.al., Masters of 17th Century Landscape Painting, exh. cat., Amsterdam / Boston / Philadelphia, 1987.

SUTTON, Peter C., The golden age of Dutch landscape painting, Madrid, 1994

VIGNAU-WILBERG T., Das Land am Meer. Holländische Landschaft in 17. Jahrhunderts, exh. cat., Munich / Bonn, 1993.

WESTCOTT. Franklin and PECK, Robinson , Fresh woods and pastures new: seventeenth-century Dutch landscape drawings from the Peck Collection, exh. cat., Cornell University, 2000

Architectural Painting

GILTAIJ J. and JENSEN, Guido, Perspectives: Saenredam and the architectural painters of the 17th century, exh. cat., Museum Boijmans-van Beuningen, Rotterdam, 1991.

JANTZEN H., Das niederländsche Architekturbild, Leipzig, 1910.

KOSLOW, S., "De wonderlijke Perspectyfkas: an Aspect of Seventeenth Century Dutch Painting," Oud Holland 82 (1967), pp.35-56.

A. K. Wheelock Jr., Perspective, Optics, and Delft Artists Around 1650, New York, 1977 (diss. Harvard University, 1973):

Reviewed by
LIEDTKE, W. A., in Art Bulletin 61 (1979), pp.490-496.
LIEDTKE, W. A., Architectural Painting in Delft, Doornspijk, 1982.

History Painting

BADER, A. H., The Bible Through Dutch Art, exh.cat., Milwaukee Art Center, 1976

BLANKERT, Abert  et.al., God, Saint and Heroes. Dutch Painting in the Age of Rembrandt, exh. cat., Washington / Detroit /Amsterdam, 1980-1981.  (An epochmaking exhibition realizing the significance of17th century Dutch History Painting)

BROOS, Ben, Intimacies and Intrigues. History Painting in the Mauritshuis, The Hague, 1993.

VAN GELDER, J.G., "De Schilder van der Oranjezaal," Nederlands Kunsthistorisch Jaarboek 2 (1948-1949), pp.118-164.

GOLDSMITH, Jane ten Brink... [et al.], Leonaert Bramer 1596-1674 : ingenious painter and draughtsman in Rome and Delft, Zwolle, 1994.

HOFRICHTER, Frima Fox, Leonaert Bramer 1596-1674 : a painter of the night, Milwaukee, 1992

TÜMPEL C. et.al.(ed.), Het Oude Testament in de schilderkunst van de Gouden Eeuw, exh.cat., Joods Historisch Museum, Amsterdam, 1992.

VAN DE WAAL, H. , Drie eeuwen vaderlandsche geschied-uitbeelding, 1500-1800, Een iconologische studie, 2.vols, The Hague, 1952.

Portraiture

BEDAUX, J. B., "Fruit and Fertility: Fruit Symbolism in Netherlandish Portraiture of the Sixteenth and Seventeenth Centuries," Simiolus, XVII, 1987, pp. 150-168

GERSON, H., Hollandse portretschilders van de zeventiende eeuw, Maarssen, 1975.

HAAK, B., Regenten en regentessen, overlieden en chirugijns. Amsterdamse groepsportretten van 1600 tot 1835, Amsterdam,

HINZ, B., "Studien zur Geschichte des Ehepaarbildnisses," Marburger Jahrbuch für Kunstwissenschaft 19 (1974), pp.139-218.

DE JONGH, Eddy, Portretten van echt en trouw. Huwelijk en gezin in de Nederlandse kunst van de zeventiende eeuw, exh. cat., Frans Hals Museum, Haarlem, 1986.

DE JONGH, Eddy  with contrib. by DE BOER,Marjolein , KOBAYASHI-SATO, Yoriko, MIJNLIEFF Ewoud.. [et al.] Faces of the Golden Age : seventeenth century Dutch portraits, The Hague, 1994

RAUPP, H.-J., Untersuchung zu Künstlerbildnis und Künstlerdarstellung in der Niederlanden im 17. Jahrhunderts, Hildesheim / Zürich / New York, 1984.

RIEGL, A., Das holländische Gruppenporträt, Vienna, 2.vols, 1931.

SMITH, D.R., Masks of Wedlock. Seventeenth Century Dutch Marriage Portraiture, Ann Arbor, 1982.

DE VRIES, A. B. Het Noord-Nederlandsch portret in de tweede helft van de 16de eeuw, Amstredam, 1934.

WALSH, John, Dutch Couples : pair portraits by Rembrandt and his contemporaries, exh. cat., new York, 1973.

WISHNEVSKY, R., Studien zum 'portrait hisotiré's in den Niederlanden (diss.), Munich, 1967.

Still-Life

VAN DER BLOM, A., KUPERSHOEK, E. ,  THNIIISSEN, C., Nederlandse Schilderkunst tussen detail en grandeur, Alpen aan de Rijn, Amsterdam, 1997.

BERGSTRÖM,  Ingvar., Dutch Still-Life Painting in the Seventeenth Century, London, 1956.

BOL, Laurens J., Adriaen Coorte: a unique late 17th century Dutch still-life painter, Assen, 1977

BRUSATI, Celeste, "Stilled Lives: Self Portraiture and Self-Reflection in Seventeenth- Century Netherlandish Still-Life Painting," Simiolus 20 (1990-1991), pp. 1682-182

EMBER; Ildikó, Delights for the senses : Dutch and Flemish still-life paintings from Budapest, Budapest, 1989

EMMENS, J. A., " 'Eins aber ist nötig,': Zu Inhalt und Bedeutung von Markt- und Küchenstücken des 16. Jahrhunderts," in: Kunsthistorische Opstellen, vol.2, Amsterdam, 1981, pp.189-222.

FRANITS, Wayne, (ed.), Looking at Seventeenth-Century Dutch Art. Realism Reconsidered, Cambridge, 1997.

VAN GELDER, J.G., "Van Blompot en Blomglas," Elsevier's Geïllustreerd Maandschrift 46/91 (1936), pp.73-82, 155-166.

GRIJZENHOUT, F. and VAN VEEN (eds.),  H., De Gouden Eeuw in perspectief. Het beeld van de Nederlandse zeventiende eeuwse schilderkunst in later tijd, Nijmegen, 1993 (Eng. ed., Princeton, 1999).

DE JONGH Eddy,  et.al., Still-Life in the Age of Rembrandt, exh. cat., Auckland, 1982.

TER KUILE, O., Seventeenth-Century North Netherlandish Still Lifes, The Hague, 1985.

KURETSKY, S. D, "Het schilderen van bloemen in de 17de eeuw," Flora & Pictura. Kunstschrift Openbaar Kunstbezit, 1987, no.3.

LUIJTEN, G. et.al., Dawn of the Golden Age: 1580-1620, exh. cat., Rijksmuseum, Amsterdam, 1993.

introduction of the catalogue by MITCHEL, Peter, preface by BERGSTRÖM, Ingvar, The inspiration of nature : paintings of still life, flowers, birds and insects by Dutch and Flemish artists of the 17th century, London, 1976

SEGAL, S.l, Flower and Nature. Netherlandish Flower Painting of Four Centuries, exh. cat., Osaka / Tokyo / Sydney, 1990.

SONNEMA, Roy Brian, The early Dutch vanitas still-life, Ann Arbor, 1991

SLIVE, Seymour, Dutch Painting 1600-1800, New Haven and London, 1995.

VROOM, N.R.A., De schilders van het monochrome banketje, Amsterdam, 1945.

VROOM, N.R.A., A Modest Message as Intimated by the Painters of the "Monochrome Banketje," Amsterdam, 1945 (rev. and enl. Ed., 2.vols, Schiedam, 1980).

WARNER, R., Dutch and Flemish Flower and Fruits Painters of the XVIIth and XVIIIth Centuries, Amsterdam, 1928 (2nd ed. 1975).

WHEELOCK, Arthur K.., From botany to bouquets: flowers in Northern art, Washington, 1999

VAN DER WILLIGEN, Adriaan and MEIJER,  Fred G., A dictionary of Dutch and Flemish still-life painters working in oils, 1525-1725, Leiden, 2003