Ongoing and Upcoming Vermeer-Related Events

last update: May 22, 2017

On this page are listed exhibitions, conferences, multimedia events and publications of the recent past which are closely related to the life and/or work of Johannes Vermeer.

Click here to see Vermeer-related events of the past.

Click here to view a sortable table of all past, ongoing and future Vermeer exhibitions.

Be there when it happens, keep track of all Vermeer things with these online resources.


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EUROMUSE.NET is a public access portal giving accurate information on major exhibitions in European museums. Each museum's information is available in the native language and in English.


CODART provides a list of current, upcoming and past Flemish and Dutch related exhibitions, a newsletter and much more.


Girl Reading a Letter at an Open Window, Johannes Vermeer

Vermeer's Girl Reading a Letter at an Open Window begins resoration new logo

In March, 2017, the Gemäldegalerie Alte Meiste of Dresden removed Vermeer's Girl Reading a Letter at an Open Window from the permanent exhibition in order to begin the restoration of the picture. The procedure will accompanied by an expert commission of five restorers and scientists from Dresden, Amsterdam, Copenhagen and Vienna. It is assumed that the restoration will last approximately one year.

Gary Schwartz, Vermeer in Detail

New in-detail Vermeer monograph by Gary Schwartz new logo

Vermeer in Detail
by Gary Schwartz
March, 2017

An excellent introduction to the art of Johannes Vermeer based on 120 large and lavish details from his work. Each is provided withrefreshing commentary, covering subject matter, technique and modes of picture-making, the origins of the objects he paints, comparisons of motifs, scholarly discussion concerning his work and more.

Concise entries and illustrations of the 37 paintings currently given to Vermeer, including the disputed attributions. Preceded by a capsule biography.

Purchase of the volume provides the buyer with exclusive access to a website with high-resolution images of the complete paintings.


Dutch (Ludion, Antwerp), French (Hazan, Paris) and English (UK: Thames & Hudson, London - US: Abrams, New York)

Vermeer-related documentary new logo

Vermeer-Beyond Time
directors: Jean-Pierre Cottet & Guillaume Cottet
opening in Dublin on June 17, 2017 and runs through to September 17.

A new feature documentary, VERMEER, BEYOND TIME will be released in cinemas this month ahead of the major Vermeer exhibition at the National Gallery of Ireland entitled Vermeer and the Masters of Genre Painting: Inspiration and Rivalry which opens on June 17.

French filmmaker Jean-Pierre Cottet adopts an imaginative and sensitive approach to his subject focusing on the work itself but also choosing to explore Vermeer’s family life including his conversion to Catholicism, his artistic contemporaries and the wider world of the short-lived Dutch Golden Age of the 17th Century.

RTÉ will screen the documentary in early June. After this, the DVD will be available for purchase. More details about the screenings and sales points for the DVD to follow.

Vermeer and the Masters of Genre Painting: Inspiration and Rivalry

Major Vermeer exhibition at Paris, Dublin and Washington ongoing vermeer event

Vermeer and the Masters of Genre Painting: Inspiration and Rivalry
22 February–22 May, 2017
Musée du Louvre, Paris

Click here for the Essential Vermeer review of this exhibition. new logo

women gazing at Vermeer exhibition Early visitors gazing at Vermeer's Geographer and Astronomer
tickets for Vermeer esxhibitionFirst-day timed reservation for Vermeer exhibition (top) and all-day ticket for Louvre (bottom)

The Musée du Louvre, Paris, the National Gallery of Ireland, Dublin, and the National Gallery of Art, Washington, are staging a landmark exhibition that explores the network of relationships among Dutch genre painters of the period 1650–1670.

Vermeer and the Masters of Genre Painting: Inspiration and Rivalry will afford visitors and scholars insights into how Vermeer and contemporary painters of scenes of everyday life admired, inspired and rivaled each other.

Affluent Dutch citizens, who styled themselves as liefhebbers (lovers of art), were expected to be able to compare paintings, recognize artists’ hands and point out stylistic and thematic borrowings from other artists. This exhibition invites visitors to take on the role of seventeenth-century art lovers and compare small groups of paintings that reflect the cross-currents of inspiration. Exhibition visitors will also be able to observe how each artist had a particular ways of inserting and disguising his borrowings, trying to surpass the others in verisimilitude, technical prowess and aesthetic appeal. This vibrant artistic rivalry contributed to the exceptionally high quality of their combined oeuvre.

The exhibition and accompanying catalogue benefits from an extensive research program, which will include a website that is currently being developed in collaboration with the Netherlands Institute for Art History (RKD), The Hague.

Twelve (?) Vermeer paintings will be exhibited.

  1. The Milkmaid
  2. Woman with a Balance
  3. A Lady Writing
  4. Woman with a Lute
  5. Woman with a Pearl Necklace
  6. The Astronomer
  7. The Geographer.
  8. The Lacemaker
  9. Woman Writing a Letter with Her Maid
  10. Allegory of Faith
  11. A Lady Seated at a Virginal
  12. A Young Woman Seated at the Virginals (?)
Louvre banners of special Vermeer exhibition

The exhibition’s curatorial team is comprised of Adriaan E. Waiboer, Curator of Northern European Art, National Gallery of Ireland, Dublin; Arthur K. Wheelock Jr., Curator of Northern Baroque Painting, National Gallery of Art, Washington; and Blaise Ducos, Curator of seventeenth- and eighteenth-century Dutch and Flemish paintings, Musée du Louvre, Paris.

The exhibition and accompanying catalogue benefits from an extensive research program, which will include a website currently under development in collaboration with the RKD. This website will chart and illustrate painters’ responses to each other’s stylistic and thematic innovations. Currently, already over 1250 paintings are represented in the database RKDImages, which will be linked to each other on the basis of artistic relations, visualizing the exchange of artistic motives between the several artists. A technical research project, led by Melanie Gifford, Conservation Scientist at the National Gallery of Art, presently examines the exchanges of painting techniques and materials among Dutch genre painters of the period 1650–1675.

The Connect Vermeer research project website for the National Gallery of Ireland

The exhibition partners, in collaboration with the Netherlands Institute for Art History (RKD) have undertaken a research project addressing the interconnectivity between the seventeen principal genre painters and their works of art. Lead by the National Gallery of Ireland, the aim of the project is to share the research results with the public on a website, which will be launched to coincide with the opening of the exhibition in the Musée du Louvre in February 2017.

This website will chart and illustrate painters’ responses to each other’s stylistic and thematic innovations. A technical research project, led by Dr Melanie Gifford, Conservation Scientist at the National Gallery of Art presently examines the exchanges of painting techniques and materials among Dutch genre painters of the period 1650–1675.

A documentary film, entitled, Vermeer - The Man His Time His World, is currently in production, to be released in 2017 as one of the events associated with the National Gallery of Ireland’s exhibition Vermeer and the Masters of Genre Painting: Inspiration and Rivalry. The film is directed by Jean-Pierre Cottet and produced by James Mitchell, as a co-production between iO Production (Paris) and Soho Moon Pictures (Dublin), with the support of Arté in France, PBS in USA, and RTÉ, Ireland's public service broadcaster. It will be broadcast on RTÉ One Television next summer to coincide with the exhibition during its run here.


exhibition album:
Co-published by Musée du Louvre Éditions and Somogy Éditions d’Art. 48 pages, 50 illustrations, €8

Vermeer’s Revenge
Directed by: Jean-Pierre Cottet and Guillaume Cottet
Jointly produced by: ARTE France, Martange Production, Soho Moon Pictures, Musée du Louvre

February 23, 2017 at 12:30 p.m. and 6:30 p.m.
Presentation of the exhibition (in French)
Blaise Ducos, Musée du Louvre

March 2, 9, 16, and 30, 2017 at 6:30 p.m.
"Understanding Vermeer—“The Sphinx of Delft”"

"From “Drolleries” to Interior Scenes: the Birth and Beginnings of Dutch Genre Painting"
Sabine van Sprang, Royal Museums of Fine Arts of Belgium, Brussels (March 2)

"The Fabric of Society: Fashion in the Republic (1650–1680)"
Bianca du Mortier, Rijksmuseum, Amsterdam (March 9)

"Johannes Vermeer’s Milkmaid"
Blaise Ducos, Musée du Louvre (March 16)

"Vermeer Forgeries"
Jonathan Lopez, art historian and writer, New York (March 30)

Information: +33 (0)1 40 20 55 55, Monday to Friday, 9 a.m. to 7 p.m., or online :
Tickets: In person: Auditorium ticket windows; Telephone: +33 (0)1 40 20 55 00;

other venues:
National Gallery of Ireland, Dublin
17 June–17 September 2017

National Gallery of Art, Washington D.C.
22 October 2017–21 January 2018

In the News

February 21, 2017 - The Guardian (Jonathan Jones)
Vermeer and the Masters of Genre Painting review – the birth of the cool

March 8, 2017 - Hyperallergic
Louvre Security Staff Threaten To Strike as Blockbuster Vermeer Show Causes Disarray

March 9, 2017- New York Times
Louvre Attendants Strike After Vermeer Bottleneck

March 4, 2017 - Essential Vermeer
Vermeer and the Masters of Genre Painting review

Girl reading asmart-phone at Vermeer exhibition

The Frick Collection

Vermeer-related lecture at the Frick Collection in New York

Using Computed Weave Maps to Gain Art-Historical Insight from Vermeer's Canvases
by Dr. C. Richard Johnson, Jr. (Cornell University)
Tuesday, May 2, 2017, 4–6 p.m.
The Music Room, The Frick Collection, 1 East 70th Street, New York

from the Frick Collection website:
The Thread Count Automation Project (TCAP) (link is external) launched by Professor Johnson in 2007 discovered striped patterns in color-coded images of local thread densities obtained from digital image processing of x-radiographs of Old Master paintings on canvas. These striped patterns provide a "fingerprint" for pieces of canvas cut from the same roll. This spurred a four-year effort assisted bythe late Walter Liedtke, one of the world's leading scholars of Dutch and Flemish paintings, to gather x-radiographs of all thirty-four paintings on canvas by Vermeer. Six matching pairs of roll-mates have been identified thus far that provide evidence regarding authentication, dating, and—potentially—artistic intent. In addition to weave density maps, images were created of thread angle from their nominal horizontal and vertical directions. These angle maps provide forensic information regarding warp/weft thread designation and cusping, which offers insight into Vermeer's studio practice and the possible re-sizing of his paintings since their creation. The insights generated by computed weave maps arising from the application of digital image processing are pioneering contributions from engineering to the emerging field of computational art history.

After the presentation The Frick Collection's Associate Research Curator Margaret Iacono will hold a conversation with Dr. Johnson about his discoveries regarding some of Vermeer's masterpieces, including The Collection's iconic Mistress and Maid.

entrance: free, but registration is required
lecture sign up page:


Essential Vermeer website addition new logo

Vermeer-related Artworks
November 29, 2016
click here to access

Click on the thumbnails or the titles of the paintings to access the relative works page for that work.

Click on the thumbnail images to access a higher resolution image.

Vermeer-related Artworks'

Rather than attempting to establish direct links between Vermeer and specific artworks of his time, the goal of this web article is to trace the evolution of both the themes and compositions which can be associated with each painting by Vermeer, before and after it was presumably executed. Therefore not only works traditionally linked to Vermeer's paintings are listed but a broad range of artworks which a range from Classical times to the 20th century.

Hopefully, this approach will provide useful information not only for the seasoned art historian but for a wider readership. Some of the pictures, like Vermeer's Woman with a Lute, unravel  like a film, exhibiting relatively few compositional inventions but many symbolic variations.


Mauritshuis app for Vermeer's Girl with a Pearl Earring

New App Reveals Secrets of Girl with the Pearl Earring

from Mauritshuis press release:
The Mauritshuis and Madpixel show Seventeenth Century Masterpieces as Never Before
THE HAGUE, 10 November, 2016

As of today a brand new app, Second Canvas Mauritshuis, renders Vermeers Girl with the Pearl Earring and The Garden of Eden by Brueghel and Bosch to zoom in on the brushstrokes of the paintings in Gigapixel. This is the first app in the world to offer Gigapixel integrated infrared images, which take users below the surface a painting revealing to layers and millimeter-sized details that are not normally visible to the naked eye. The Mauritshuis has joined forces with an innovative digitisation company, Madpixel, to bring part of the collection to a broader audience in an entirely new way.

Second Canvas Mauritshuis takes users on a voyage of digital discovery through a selection of the museum's masterpieces and introduces the artworks in an interactive way. It harnesses high resolution technology to zoom in on the brushstrokes, thereby revealing a level of detail in famous paintings that are otherwise invisible. It features an audio tour, which directs the eye to important aspects of the work, and can also be used to share the details directly via social media. Next to the Girl with the Pearl Earring by Vermeer and The Garden of Eden by Brueghel and Bosch, the app presents eight other works of the Mauritshuis collection by Rembrandt, Rubens, Brueghel, Avercamp, Steen and others in high-resolution.

Practical Information The Second Canvas Mauritshuis app is downloadable from the App store and Google Play at a cost of €1.99. It is available in English and Dutch, for iPad, iPhone, Android and AppleTV.

Download the app in AppStore

Download the app in GooglePlay

Madpixel The Mad Pixel Factory is a Spanish company specialized in digital solutions for museums and institutions managing artistic and cultural heritage. Founded in 1999 and headquartered in Madrid, it has taken part in scores of innovative projects with other leading national and international companies providing creativity, design and technology as part of its work. More information:

Vermeer's Woman in Blue Reading a Letter travels down under to Sydney

Rembrandt and the Dutch Golden Age: Masterpieces from the Rijksmuseum
Art Gallery of New South Wales, Sydney
Nov. 11, 2017 Feb. 18, 2018

from the gallery website:
The Rembrandt and the Dutch Golden Age exhibition at the Gallery is devoted to the greatest Dutch painters of the seventeenth century and the flourishing artistic culture of the time.

This is a rare opportunity for Sydney audiences to experience 77 outstanding works of art by Rembrandt, Vermeer, Ruisdael, Hals, Steen, Dou, Lievens and Leyster— each masters of their respective genres—drawn from the Rijksmuseum, Amsterdam, the great national collection of the Netherlands.

Rembrandt and the Dutch golden age presents a richly unfolding panorama of Dutch society in an era of unparalleled wealth, maritime power and cultural confidence. Vivid and compelling, the paintings encompass the tranquil Dutch landscape, the colorful life of the cities, Dutch society and morality, ships on the high seas and the characterful people who made the Dutch Republic such a success.

Vermeer's Girl with a Wineglass returns to Herzog Anton Ulrich-Museum in Brunswick

Johannes Vermeer's Girl with the Wine Glass at theHerzog Anton Ulrich-Museum in Brunswick will back to its place in the museum, which will reopen on 23 October 2016, after seven years renovation.

Due to renovation was the Herzo- Anton Ulrich Museum closed for years in Brunswick, Lower Saxony. Some of the masterpieces from the collection, including Vermeer's Girl withg a WIneglass were housed in a gallery of the Danwarderode castle in the same city.