Ongoing and Upcoming Vermeer-Related Events

last update: January 17, 2019

On this page are listed exhibitions, conferences, multimedia events and publications of the recent past which are related to the life and/or work of Johannes Vermeer.

Click here to see Vermeer-related events of the past.

Click here to view a sortable table of all past, ongoing and future Vermeer exhibitions.

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CODART provides a list of current, upcoming and past Flemish and Dutch related exhibitions, a newsletter and much more. logo

EUROMUSE.NET is a public access portal giving accurate information on major exhibitions in European museums. Each museum's information is available in the native language and in English.


Abbie Vandivere lectures in Stockholm and London new logo

The Girl in the Spotlight: A Technical Examination of Vermeer’s Girl with a Pearl Earring
Stockholm University, Department of Culture and Aesthetics, Stockholm, Sweden
January 28, 2019 (4.00 p.m.–5.00 p.m.)
The Auditorium, Manne Siegbahn Building, Frescativägen 24E
by Dr. Abbie Vandivere (Mauritshuis)

Dr. Abbie Vandivere will give a lecture about the recent technical examination of Johannes Vermeer’s Girl with a Pearl Earring, the most beloved painting in the collection of the Mauritshuis.

The painting was last examined in 1994, during a conservation treatment. Although further restoration was not required, major advances in non-invasive technical analysis have been made over the last 25 years making it possible to to learn more about how Vermeer painted his most iconic work, as well as the materials that he used.

Earlier this year, the painting was the subject of an in-depth scientific examination project: The Girl in the Spotlight. The technical examination was conducted over a two-week period in front of the museum public. An international team of experts used the latest scientific technology to examine the Girl, including: macro x-ray fluorescence scanning, near-infrared imaging, optical coherence tomography, 3D digital microscopy, macro-x-ray powder diffraction, colour/gloss/topography scanning, and the re-examination of paint samples taken 1994. For more information see Vandiver's informative blog dedicated to the project; Girl with a Blog.

Click here for lecture website page.

second venue:
The Courtauld Institute of Art, Vernon Square, London
Monday, February 25, 2019 (6:00 p.m.–7:00 p.m.)

The lecture is free, but booking is required:

Dr. Abbie Vandivere is a Paintings Conservator at the Mauritshuis, and the Head Researcher for the project The Girl in the Spotlight. She also coordinates the Technical Art History MA programme at the University of Amsterdam. She received her PhD in 2013: "From the Ground Up: Surface and Sub-surface effects in Early Netherlandish Paintings." Before this, she received her postgraduate diploma in Paintings Conservation from the Courtauld Institute in London, and BA from Princeton University.

Essential Vermeer website addition new logo

Vermeer and Perspective
Jonathan Janson

The MilkmaidThe Milkmaid
(perspective diagram showing octagonal gatleg table)
Johannes Vermeer
c. 1657–1661
Oil on canvas, 45.5 x 41 cm.
Rijksmuseum, Amsterdam

Soon after Pieter Teding van Berkhout, a young scion of a landed gentry family from The Hague, made a visit to Vermeer's studio in June 1669, he wrote in his diary, "I went to see a celebrated painter named Vermeer." But Van Berkhout understood Vermeer's paintings differently than we do today. He described them not as "allegories" or "scenes of daily life," much less "masterpieces of light" or "suspended moments in time" that "exude silence." Van Berkhout wrote that the most "extraordinary and curious aspect" of Vermeer's art consists in "perspective."

This new and richly-illustrated two-part study is the most comprehensive examination thus far undertaken into Vermeer and linear perspective. The first part considers how Vermeer and his contemporaries could have acquired knowledge of linear perspective needed to create the sensation of foreshortening and spatial recession in their paintings. The methods considered include geometric construction, the drawing frame, the pin-and-string method and the camera obscura. Each of these four methods is first examined in its functionality and practicality, and then weighed against correlating evidence exhibited in Vermeer's paintings.

The second part examines the perspective armature of each of his paintings, reveling their strengths, weakness and anomalies.

Also included are perspective diagrams of each painting, a list of period perspective manuals—many of which can be downloaded integrally in PDF format—a glossary of perspective terms as well as a list of writings focused on questions of Vermeer and perspective.

Vermeer's Mistress and Maid, Iacono

A new publication on Vermeer's Mistress and Maid new logo

Vermeer's Mistress and Maid (Frick Diptych)
by James Ivory and Margaret Iacono
Hardcover, 64 pages, London (D. Giles ltd.)

This slim but richly illustrated publication is the second volume in the Frick Diptych Series, which pairs an essay by Margaret Iacono, the Frick’s Associate Research Curator, with a literary piece by Academy Award-winning film director, producer and screenwriter James Ivory.

Particularity fascinating for Vermeer devotees is Iacono's 36-page essay, which examines the picture from its inception to the complicated financial transactions which brought the Maid and Mistress— the third and last Vermeer—to the collection of the New York magnate Henry Clay Frick, who assembled one of the finest private art collections in the world. While the painting's authorship has rarely been questioned, its oversized figures, dark background and anomalous execution have been a source of considerable debate. Iacono weighs the various sides and, after analyzing the work's theme and composition, provides the most insightful “picture” yet proposed of this luxurious but enigmatic canvas. She also discusses the recent technical examination of the picture performed by the Metropolitan Museum of Art conservation department which provides provisional—a full report is forthcoming—but exciting new evidence concerning work's compositional iter as well as its present condition, allowing us to gaze deeper into the artist's intentions and the picture-making process. Included is a revised provenance.

Margaret Iacono is associate research curator at The Frick Collection. Her areas of interest include northern European painting of the fifteenth to seventeenth centuries and the history of collecting. Most recently she organized Vermeer, Rembrandt and Hals: Masterpieces of Dutch Painting from the Mauritshuis (2014), and also served as the Frick coordinator for The Frick Collection: Art Treasures in New York, held at the Mauritshuis, The Hague (2015).

James Ivory is an American film director, producer and screenwriter. Films produced by his company Merchant Ivory Productions (producer Ismail Merchant and script writer Ruth Prawer Jhabvalar) won six Academy Awards. For his work onCall Me by Your Name (2017), which he wrote and produced, Ivory won awards for Best Adapted Screenplay from the Academy Awards, British Academy of Film and Television Arts, Writers Guild of America, the Critics' Choice Awards, and the Scripter Awards, among others.

The Lacemaker, by Johanns Vermeer

Vermeer goes to Abu Dhabi new logo

Rembrandt, Vermeer and the Dutch Golden Age Masterpieces from the Leiden Collection and the Musee du Louvre
Louvre Abu Dhabi (Saadiyat Cultural District Abu Dhabi, United Arab Emirates)
February 14–May 18, 2019

This exhibition presents ninety-five objects, drawn largely from The Leiden Collection, with works from the Musée du Louvre, the Louvre Abu Dhabi, the Bibliothèque Nationale de France and the Rijksmuseum. It highlights the artistic cross referencing that occurred in the Netherlands during the seventeenth century. Among the works on display are Rembrandt's Self-Portrait with Shaded Eyes and Minerva in Her Study and Vermeer's The Lacemaker. Also exhibited in the Young Woman Seated at a Virginal, from the Leiden Collection. Other artworks from The Leiden Collection include those of Rembrandt's teacher Pieter Lastman, his friend and rival Jan Lievens, and his pupils Ferdinand Bol, Carel Fabritius and Arent de Gelder.

Saturday, Sunday, Tuesday, Wednesday: 10:00 a.m.–8:00 p.m.
Thursday, Friday: 10:00 a.m.–10:00 p.m., closed: Monday

63 AED; 31.5 AED for ages 13-22

Meet Vermeer

Google's new A Google Art Project addition new logo

Meet Vermeer

In cooperation with 18 art institutions that house paintings by Vermeer, Google has launched a new monographic website called Meet Vermeer as a part of its Google Art Project website. The new project features a ample series of videos and richly illustrated introductory essays that address various aspects Vermeer's life and artistic afterlife, including the artist's technique, defining themes and critical reception. The project also vaunts a smartphone app called Pocket Gallery. Pocket Gallery transforms an iOS- or Android-based smartphone into an ultra-high resolution exhibition that brings the complete works of Vermeer into a single Augmented Reality museum, designed specifically for the project by Google and curated by art historians.

For the pleasure of the more discerning art lover a or savvy art scholar, the California-based technical Goliath has turned its Art Camera—designed specifically for photographing works of art—on eight canvases by Vermeer creating the highest-ever resolution image ever made. In various works (e.g., The View of Delft, Girl with a Pear Earring or The Geographer) the level of magnification is so astounding that we can question if greater magnification is any longer necessary, outside for purely conservational needs. The remaining works were photographed by the museums and collectors themselves and vary in resolution and color quality. The best high-resolution images include: Diana and her Companions, Christ in the House of Martha and Mary, The Milkmaid, The Little Street, The Glass of Wine, Girl with a Wineglass, The View of Delft, Woman in Blue Reading a Letter, Woman with a Pearl Necklace, A Lady Writing, The Geographer, The Girl with a Pearl Earring, The Love Letter, A Lady Standing at a Virginal and A Lady Seated at a Virginal. Both the newly photographed and museum images can been zoomed online, but they cannot be downloaded.

Meet Vermeer website:

Meet Vermeer | 63 stories

High-resolution images can be accessed from:

or go directly to the painting which interests you most:

Diana and her Companions

Christ in the House of Martha and Mary

The Milkmaid

Officer and Laughing Girl

The Little Street

The Glass of Wine

Girl with a Wineglass

The View of Delft

Woman in Blue Reading a Letter

Woman with a Pearl Necklace

Woman Holding a Balance

The Geographer

The Girl with a Pearl Earring

The Guitar Player

The Lacemaker

The Love Letter

A Lady Standing at a Virginal

A Lady Seated at a Virginal


Vermeer in Japan

Nine Vermeer paintings in a major Dutch art exhibition in Japan new logo

Making the Difference: Vermeer and The Dutch Art
Ueno Royal Museum, Tokyo
October 5, 2018–February 3, 2019

Following a consolidated trend by organizers to tout the number of Vermeer paintings in their exhibitions, the Ueno Royal Museum boasts 9 out of 36 Vermeers have been brought to Japan, making it the largest showing of his work in the country. One of the exhibit's highlights is The Wine Glass, loaned from the Gemäldegalerie in Berlin, one of a handful of paintings by Vermeer that rarely travels. Other paintings from museums in Europe and the U.S. include Christ in the House of Martha and Maria, The Procuress, The Milkmaid, Woman with a Lute, A Lady Writing, Girl with a Red Hat, Woman with a Pearl Necklace and Woman Writing a Letter with her Maid.

An illustrated catalogue featuring all 49 works including the 10 Vermeer exhibited between the Tokyo and Osaka exhibitions will be available for purchase.

Each day, tickets are designated into six entry windows. After entrance visitors may remain in the exhibition for an unlimited time.

dedicated website:

special exhibition features:

the second venue will be held at Osaka :

Making the Difference: Vermeer and The Dutch Art 
Museum of Fine Arts of Osaka
February 16, 2019–May 12, 2019

The exhibit will differ from the Tokyo venue and will feature six paintings by Vermeer: Christ in the House of Martha and Mary, The Procuress, A Lady Writing, Woman with a Lute, The Love Letter and A Lady Writing a Letter with her Maid.

dedicated website:

Tomaso Montanari

New four-part Vermeer TV series new logo

Silenzi di Vermeer (The Silences of Vermeer), in four episodes

author: Tomaso Montanari
director: Luca Criscenti
director of photography: Francesco Lo Gullo
editor: Emanuele Redondi and Anjan Di Leonardo
music: Giorgio Giampà
language: Italian
produced by: Land Comunicazioni

On January 11, (9:15 P.M), Rai5, the Italian public cultural TV channel, will broadcast the fourth and final episode of the four-part series, I Silenzi di Vermeer (Vermeer's Silences).

The series' author, the Italian art historian, academic and newspaper columnist Tomaso Montanari, is well known to the Italian public for his brilliant multi-episode TV series on Caravaggio and Bernini (see information below).

Guided along voyages throughout America and Europe to rediscover Vermeer and his surviving 36 canvases, the spectator is awarded a number of surprisingly fresh insights into the artist's seemingly faceless art by means of an exacting but intuitive reading of the thematic content and composition of each work, while simultaneously fleshing out the circumstances in which the artist lived and painted. To enrich the viewer's parallel voyage, the narrative is peppered with lesser-known but evocative experiences of the collectors, art historians, writers and painters who, like Montanari himself, have endeavored to sound the silent depths of Vermeer's art.

I Silenzi di Vermeer confirms Montanari's aptitude as a narrator as well as his commitment to divulging the works of the great artists of the past. Drawing force from an unmediated participation and complete command of historical material, he is able to arouse intellectual inquiry and transmit the essential poetry of a work of art even to the neophyte, in effect, transporting him back in time to the moment of its creation. Perhaps the only shortcoming of the series, at least for the moment, is that it is accessible only to those familiar with Italian.

All four episodes will be accessible online at a date to be announced.

broadcasting schedule:
December 21, 2018 | La poesia di ogni giorno (The Poetry of Everday Life)
December 28, 18 | Il dentro e il fuori (The Inside and the Outside)
January 4, 2019 | Cartografia d’amore (The Cartography of Love)
January 11, 2019 | Con altri sensi (With Other Senses)

Highly recommended for those who speak Italian, are Montanri's:

La Vera Natura di Carvaggio (The True Nature of Caravaggio; 12 episodes; Land Comunicazioni)
accessible at:

La Liberta' di Bernini (The Freedom of Bernini; 8 episodes; Land Comunicazioni)
accessible at: