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Looking Over Vermeer's Shoulder

by Jonathan Janson
January, 2016
Looking Over Vermeer's Shoulder

eBook (ePub)
+ 300 color illus.
January, 2016
$9.99

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Looking Over Vermeer's Shoulder
(second edition)
by Jonathan Janson (painter and author of Essential Vermeer)

Who would have not wanted to look over the shoulders of one of the greatest painting technicians of Western art while he was at work?

The second edition of Looking Over Vermeer's Shoulder is the comprehensive, fully illustrated resource of the materials, techniques and pictorial tactics of the seventeenth-century Dutch master Johannes Vermeer and his most technically advanced colleagues.

In the first section, in-depth investigation sheds full light not only the artist's unique treatment light, color, composition, drawing and perspective but how he painted some of the most defining motifs of his interior, such as marble floor tiles, wall maps, drapery and white-washed walls. Detailed information is given about the artist’s studio environment, how he devised his perfectly balanced scenes and how he was inspired by and made practical use of the camera obscura.

In the second section, each passage of Vermeer’s rigorous, multi-step method is unraveled in the order one might encounter them in the painting process. This allows the reader to follow how the artist built up his images during the months of unremitting attention to every aspect of the painting process,, from the stretching of his fine-woven linen canvas to the final touches and glazes.

While carefully analyzing of all know data regarding Vermeer’s painting procedures—with the aid of hundreds of full color images and diagram —the author combines his life-long study of Vermeer’s art and his qualifications as a trained painter to produce an intimate, three-dimensional view of the painter, which no traditional art historical study can yield.

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Preserving our Heritage: Conservation, Restoration and Technical Research in the Mauritshuis

by Petria Noble, Sabrina Meloni, Carol Pottasch, Peter van der Ploeg. Epco Runia
2009
Preserving our Heritage: Conservation, Restoration and Technical Research in the Mauritshuis

The Mauritshuis in The Hague is one of the few Dutch museums to have its own restoration workshop. Here in recent years a team of experts have restored top works by Rembrandt, Johannes Vermeer, Carel Fabritius, Frans Hals, Hans Holbein, Jan Brueghel de Oude, Peter Paul Rubens, Anthonie van Dyck and others.

This book, with an introductory chapter, describes how a painting is made and the types of technical research that can be used. The concise texts and abundant visual material make the book accessible for a wide public.

208 pages
133 colour photographs
30 b&w photographs

http://www.kunstboeken.nl/books.asp?boek=1784&rubriek=
&herkomst=zoekterm%3Dj

Spike Bucklow sets out to unravel the myths behind pigments like dragonsblood said to be a mixture of elephants and dragons blood. Examining both the medieval palette and the often cloak-and-dagger science that created it, he uncovers the secret recipes behind the luxurious colours we are familiar with today. Driven by an overriding passion for art his aim is to restore value to colour and sever the links forged between corporations and the colours they have hijacked.

Looking Over Vermeer's Shoulder

(second edition)
by Jonathan Janson
2016
Looking Over Vermeer's Shoulder, by Jonathan Janson

LOOKING OVER VERMEER'S SHOULDER is the comprehensive , fully illustrated e Ebook of 17th-century Dutch fine painting techniques and studio practices, with particular focus on the work of Johannes Vermeer

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Greek and Roman art methods, medieval techniques, tempera painting, van Eyck’s revolutionary use of oil paints, Flemish methods of preparing colors, methods of 18th-century British artists, technical secrets of Italian schools, including such masters as Leonardo, Raphael, Correggio, Andrea del Sarto, and more.

Students of art hailed Classical Drawing Atelier, Juliette Aristides’s first book, as a dynamic return to the atelier educational model. Ateliers, popular in the nineteenth century, teach emerging artists by pairing them with a master artist over a period of years. The educational process begins as students copy masterworks, then gradually progress to painting as their skills develop. The many artists at every level who learned from Classical Drawing Atelier have been clamoring for more of this sophisticated approach to teaching and learning. In Classical Painting Atelier, Aristides, a leader in the atelier movement, takes students step-by-step through the finest works of Old Masters and today’s most respected realist artists to reveal the principles of creating full-color realist still lifes, portraits, and figure paintings. Rich in tradition, yet practical for today’s artists, Classical Painting Atelier is ideal for serious art students seeking a timeless visual education.

About the Author

Juliette Aristides, whose beautiful art is featured throughout this book, is the instructor of the Aristides Classical Atelier at the Gage Academy of Art in Seattle, Washington, where she lives. Her work is exhibited at the John Pence Gallery in San Francisco.

Ateliers have produced the greatest artists of all time—and now that educational model is experiencing a renaissance. These studios, a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Classical Drawing Atelier is an atelier in a book—and the master is Juliette Aristides, a classically trained artist. On every page, Aristides uses the works of works of Old Masters and today’s most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, Classical Drawing Atelier is a serious art course for serious art students.

About the Author

Juliette Aristides, whose beautiful art is featured throughout this book, is the instructor of the Aristides Classical Atelier at the Gage Academy of Art in Seattle, Washington, where she lives. Her work is exhibited at the John Pence Gallery in San Francisco.

The great masters painted with great speed and used "illusions" that were made possible through the use of various mediums and varnishes that they developed and often kept secret. These very same mediums and varnishes and their methods of manufacture are described in detail in "recipe" format by Mr Fels. This compilation of lost studio practices and mediums used by Renaissance and Baroque craftsmen and painters is the result of Mr. Fels' 10 years of research as master musical instrument maker, artist, and maker of historical paint mediums. Conceived from an artist and craftsman's point of view, this work is a must read for those interested in methods and materials prior to 1700.

Rembrandt: A Painter at Work

by Ernst Van De Wetering
2000
Rembrandt: A Painter at Work

Rembrandt's intriguing painting technique has stirred the imagination of art lovers during his lifetime and ever since. In this book, Rembrandt's pictorial intentions and the variety of materials and techniques he applied to create his fascinating effects are unraveled in depth. At the same time, this "archaeology"of Rembrandt's paintings yields information on many other levels.

In art-historical research, the work of art as a material object is used increasingly as an important source of information about the painting itself, as well as about historic studio practice in general. The range from practical workshop devices to aesthetic and art-theoretical matters combined in this book offers a view of Rembrandt's daily practice and artistic considerations, while simultaneously providing a more three-dimensional image of the historical artist.

Outstanding

This beautiful book is an intensive and visually enchanting examination of nineteen flower and still life masterpieces from museums around the world. This book was written in conjunction with the show presented at the Rijksmuseum, June through September of l999. Art lovers, artists, scholars, conservators and laymen will enjoy this journey back to the 17th and eighteen-century workshops of such artistic giants as Jan Brueghel, Jan Davidsz de Heem, Rachel Ruysch, Jan Van Huysum and more. Historical backgrounds of fifteen painters are featured along with technical information on supports (canvas, wood or copper), imprimaturas, under drawings, mediums, and paints. Beautiful color plates, artistic techniques, and scientific knowledge are share.

A survey of all the oil painting materials that currently exist, beginning with the leading professional paints and lesser known brands, and including such recent innovations as oil sticks, alkyds and water-miscible oils. Also includes solvents, mediums, varnishes and supports followed by step-by-step demonstrations of painting techniques and beautiful finished works.

Preeminent among rare reference books, this 1849 work reprints (with the original-language version and its English translation on facing pages) manuscript collections on painting and related arts from the 12th through 17th centuries. The treatises describe European oil painting practices, methods of mixing pigments, much more. Preliminary commentary on each treatise, plus excellent introduction discussing social history, artistic practices.

Vermeer Studies

edited by Ivan Gaskell
1998
Vermeer Studies

Scholars, conservators, and scientists investigate various aspects of Vermeer's work. Iconography, technique and artistic interpretation are all addressed in depth, many recent findings are included. While this volume does not address exclusively the painting technique of Johannes Vermeer, there are nonetheless various essays which contain extremely valuable information for understanding the Delft master's methods and materials including:

"Where Did Vermeer Buy His Painting Materials? Theory and Practice"
by Koos Levy-van Halm

"A Study of the Materials and Techniques of Johannes Vermeer"
by Nocolas Costara

Scientific Examination of Vermeer's 'Girl with a Pearl Earring'"
by Karin M. Goen, Inez D. Van der Werf, Klaas Jan van den Berg, and Jaap J. Boon

"Painting Light: Recent Observations on Vermeer's Technique"
by E. Melanie Gifford

"Contours in Vermeer's Paintings"
by Jørgen Wadum

Velazquez: The Technique of Genius

by Jonathan Brown
1998
Velazquez: The Technique of Genius

In this beautiful and engaging book, an art historian and a conservation scientist discuss the techniques Velazquez created in order to realize his artistic vision. Examining thirty works by Velazquez that span his entire career, the authors show how his technical achievement developed over time.

"Velazquez: The Technique of Genius is an illuminating introduction to what can be learnt from the surface of the pictures. . . . It is built round illustrations of details, nearly all from paintings in the Prado."
—Peter Campbell, London Review of Books

"A ravishingly beautiful, highly informative book. Brown and Garrido work well together, interweaving the artistic/historical background with the messy forensic facts effortlessly; the detail is stunning."
—George Crisp, Art Review

Artists' Pigments: A Handbook of Their History & Characteristics

edited by Robert L. Feller
(National Gallery of Art, Washington)
1997
Artists' Pigments: A Handbook of Their History & Characteristics

For the practicing artist to learn a pigment's color, hiding power, lightfastness, toxicity, compatibility.

For the art historian to know how an artist worked, what pigments were used, whether they were pure or mixed, opaque of transparent, layered or not. For the conservator to devise techniques necessary for care and conservation of works of art; to determine what is original, to repair damages, to compensate for missing portions of a painted surface.

For the curator/connoisseur to know the history of the manufacture, use, and availability of pigments in order to authenticate and assign probable dates to works of art.

For the conversation scientist to learn identification methods used, including optical microscopy, microchemical tests, x-ray diffraction, infrared and reflectance spectrohotometry, and electron microscopy.

The third volume is this magisterial series contains articles on Egyptian Blue, Orpiment and Realgar, Indigo and Woad, Madder and Alizarin, Gamboge, Vandyke Brown, Prussian Blue, Emerald Green and Scheele's Green, Chromium Oxide Greens, and Titanium Dioxide Whites.

Techniques of the Great Masters

by Waldemar Januszczak
1996
Techniques of the Great Masters

Richly illustrated and covering a wide range of artists, this book does not merely give a biography of the artist and an example of his works. Its attraction lies in the fact that one painting of each artist is analyzed in detail including sequence of painting, materials and techniques used from the start to finish with some good close-ups and analysis.

Samuel van Hoogstraten is familiar to scholars of Dutch art as a talented pupil and early critic of Rembrandt, and as the author of a major Dutch painting treatise. In this book, Celeste Brusati looks at the art, writing, and career of this multi-faceted artist.

Analyzing van Hoogstraten's painting treatise, illusionistic pictures, ingenious perspective boxes, and witty trompe-l'oeil images, Brusati reveals the crucial role these endeavors played in the forging of van Hoogstraten's professional and social identity. Brusati looks at the historical circumstances of van Hoogstraten's career, which he fashioned from a convergence of Dutch cultural practices, family genealogy, and his considerable entrepreneurial acumen. She shows how Van Hoogstraten exploited the court patronage system to secure the worth of his work in the newer market culture of the Dutch Republic.

Brusati explores Van Hoogstraten's use of illusionistic artifice in his art and writing to shed new light on the much-disputed nature of Dutch "realism", and she discusses how a notion of "experimental artistry", which linked representational craft to the production of knowledge, informed Van Hoogstraten's many projects and framed the terms within which he and his colleagues understood artistic achievement during this period.

Vermeer and the Art of Painting

by Aurthur K. Wheelock Jr.
1995
Vermeer and the Art of Painting

Edward Snow's A Study of Vermeer, first published in 1979 and here presented in an expanded and elaborately revised version, starts from a single premise: that we respond so intensely to Vermeer because his paintings reach so deeply into our lives. Our desire for images, the distances that separate us, the validations we seek from the still world, the traces of ghostliness in our own human presence these, the book proposes, are Vermeer's themes, which he pursues with a realism always in touch with the uncanny. As Snow traces the many counterpoised sensations that make up Vermeer's equanimity, he leads us into a world of nuances and surprise. A Study of Vermeer is passionate and visual in its commitments. Snow works from the conviction that viewing pictures is a reciprocal act symbiotic, consequential, real. His discussions of Vermeer's paintings are conducted in a language of patient observation, and they involve the reader in an experience of deepening relation and ongoing visual discovery.

Enlightening

Looking at Paintings: A Guide to Technical Terms

by Dawson W. Carr and Mark Leonard
1992
Looking at Paintings: A Guide to Technical Terms

What is tempera? What is fresco? What is foreshortening? What is a tondo? This book offers definitions of these and other techniques, processes, and materials used by painters for centuries. Numerous illustrations provide a rich and informative history of the medium. Looking At Paintings presents concise and readable information arranged in alphabetical order.

The most important tool for the artist is the brush. Yet despite of the importance and the often staggering prices, most artists know little or nothing about making, handling and care of brushes. This book will tell you: Why the origin of the hairs or bristles is so important; why some brushes ere so expensive; how to choose the right shape or size; how to keep your brush in shape for years; and how to compare the length out, point, belly, ferrule, crimping and handles of brushes.

The Artist's Handbook of Materials and Techniques

by Ralph Mayer, & Steven Sheehan
1991
The Artist's Handbook of Materials and Techniques

Since 1940, when it was originally published, The Artist's Handbook has become indispensable for thousands of practicing artists and art students. The book has remained continually in print through many editions and has sold more than a quarter of a million copies. A detailed index makes a wealth of information readily available. Charts and line drawings throughout.

Examining Velazquez

by Gridley McKim Smith et al, technical photography by Andrew Davidhazy
1988

In this innovative book, an art historian, a conservator, a conservation scientist, and an instrumental photographer join together to analyze scientifically seven of the most important paintings of Diego Velazquez. Using traditional techniques as well as x radiography and infrared photography, they are able to reassess the significance of Velazquez’s paintings and painting techniques within the context of 17th century European art.

"Examining Velazquez breaks new ground, not in the application of technical investigation to art historical problems, but rather in the equal status given the authors of the publication: a scholar, a conservator, and a conservation scientist. The authors bring their own individual perspectives to focus on the issues. They have wisely chosen to use a capable technical photographer in the book. . . . The book comes into its own in the section on Velazquez’s materials and technique. This passage is rich in comparative information on his supports, pigments, and grounds—all prime information for future comparative studies, as is the identification of published occurrences of Velazquez’s pigments. . . . An extensive bibliography . . . is included as a teaching aid. This is a book that hits a very broad audience with something for everyone. . . . The book is enlightening and full of sound, factual information as well as wonderful speculation. . . . [The book] clearly shows the effort is worthwhile and is sure to encourage others to undertake the task of interdisciplinary study."
—Ross Merrill, Museum News

While most curriculums today in art schools will have the words conception underlined, there is a desperate need for the craft of painting to be taught. If you do not want to wait until craftsmanship comes back in style and are a painter, than you must have this book. If you are learning how to better understand the painters of yesterday; you must have this book. If you are curious as to how painters such as Vermeer etc could accomplish want they did, this book is for you. Though the language is sometimes formal the information is so fascinating and inclusive it makes for great and enjoyable reading; Painter or just admirer.

This is not a book for complete beginners, but definitely a must for anyone who considers himself serious as an artist. It provides a very detailed insight into the preparation of materials, the handling of paints and reveals numerous techniques, which were employed by the great masters (not only Renaissance and Baroque, but 18 and 19th century painters and some of the impressionists). There is a separate chapter dedicated entirely to the technique of the old masters.

Vasari on Technique

by Giorgio Vasari (G. Baldwin Brown, Louisa S. MacLehos)
1980
Vasari on Technique

Great craftsman and biographer’s full, readable discussions of architecture—orders, pavements, planning and design, etc.; sculpture—modeling in wax and clay, tools and materials used in marble carving, reliefs, bronze figures, etc.; painting—foreshortening, coloring, fresco, tempera, gilding, stained glass windows, niello work, etc. Written in a very pleasant style. Introduction and notes by G. Baldwin Brown. 29 illustrations.

The Craftsman's Handbook: "Il Libro dell' Arte"

by Cennino d'Andrea Cennini ( Daniel V. Thompson)
1954
The Craftsman's Handbook: "Il Libro dell' Arte"

A hand book for the fine artist. Art, drawing, computers, images of the mind all come together when we understand the skills that go into making a creative work. Hear the voices of Fifteenth Century craftsmen. Try to understand their times and you will understand the how the skills of the Old Masters were acquired. If you are a serious artist, then take the opportunity to experience silverpoint drawing.

Leonardo da Vinci was a prolific writer, recording his thoughts and observations. This book collects all his writings on paintings into one comprehensive volume, grouped together under subjects: General Principles, The Science of Vision in Painting, The Human Body (proportions, anatomy, motion, posture, expression, draperies), The Depiction of Nature (light in the countryside, distances, water, horizons, mountains, trees), The Painter's Practice, and Leonardo's Artistic Career. The headings throughout the text make it easy to dip into, while the comprehensive index enables you to easily find Leonardo's writings a specific subject. It makes one of art's most creative minds accessible to every painter.

On Painting (Penguin Classics)

by Leon Battista Alberti (Cecil Grayson)
1991
On Painting (Penguin Classics)

Alberti is one of the more readable of the 'classic' authors on Art, much less prone to gossip than Vasari and less convoluted than Cennini. That said, some of the text on geometry in book one can be a bit difficult to follow. Alberti also loves to name-drop, continually referring to antique painters, but this was expected at the time—the ancients lending authority and historical context. 'On Painting' gives the reader an insight into the tastes and philosophies that inform the arts.

How to Paint a Vermeer

by George Deem & Robert Rosenblum
1991
How to Paint a Vermeer

Ranging over hundreds of years—and countless styles—with breathtaking virtuosity, George Deem has repainted the history of Western art. Deem's special gift is to paint, with witty sympathy, his own "revisions" of famous works, revisions that look like the originals but transform them in some way.

Now, in the most comprehensive collection of his work ever assembled, the amazing scope of Deem's devotion to his subject, art itself, can be seen. The greatest American and European artists are represented; their work, at first glance, seems uncannily perfect. Here is an exquisite Vermeer, looking so much like the original that it takes a moment to realize there is no woman holding a water pitcher in the corner of the room. And here is Cubist Cache, Deem's tour de force imagining of what Parisians do with their cubist art when they go away on vacation.

This is the perfect gift book for art lovers. On one level it offers a delightful excursion through the famous paintings that everyone loves. On another, we marvel at the virtuoso display of artistic technique, in which no style or era can resist Deem's fond embrace and witty act of quotation. And finally, here is a body of work that, in affirming the richness and variety of its subject, reaffirms the pleasure we take in painting.

Formulas For Painters

by Robert Massey
1979
Formulas For Painters

Over 200 recipes for making sizes, grounds, mediums, glazes, varnishes, fixations and adhesives from raw materials. 42 recipes for paint alone, from encaustic to acrylic. Lists lime-proof pigments, drying characteristics, oil absorption, melting points, drying times of oils and resins.

Looking Over Vermeer's Shoulder
The complete book on the technique and studio practices of Johannes Vermeer
2nd edition
eBook / PDF
+300 color illus.
Jan., 2016


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