Vermilion

(Zinnober, cinnabar, cinnabar)

Origin, History and Characteristics

Vermilion is the standard name given to the red pigment based on artificially-made mercuric sulfide. The common red crystalline form of mercuric sulfide is cinnabar, a name reserved only for the natural mineral. The natural product found chiefly in Almaden and Idria has been eliminated for practical purposes. The properties of both natural and artificially prepared are practically identical. The best cinnabar came from Spain, but there were deposits of it in Italy at Monte Amiata, not far from Siena, and elsewhere in Europe. Upon grinding the red color begins to appear, and the longer it is ground, the finer the color becomes.

The traditional use of red glazes of madder, kermes, and cochineal lakes over vermilion underpaint not only increases the purity of the color but has been shown to reduce the tendency to darken as well. It is also known that the farther light can penetrate into the binding medium, the more quickly the vermilion will darken.

Vermilion in Vermeer's Painting

a detail of Vermeer's Woman Holding a Water Pitcher

Vermeer used vermilion in the traditional manner under glazes. The striking red satin gown in the Glass of Wine and that of the Girl with a Wineglass were probably first modeled with shades of vermillion and white lead and perhaps small quantities of black or natural ultramarine in the deepest shades. The whole gown was then glazed with madder lake. The same technique was also used to paint the fanciful read plumed hat worn by the Girl with a Red Hat.

Vermeer also made use of vermillion to paint the oriental carpets which appear on the tables in many of his interiors. Again he seems to have employed the same technique described above. In its purer form, vermillion may be observed in the various ribbons and trimmings worn by his sitters.