Nicolaes Maes
Mother with Her Child in a Cot
ortrecht
Nicolaes MAES
Dordrecht 1634 - Amsterdam 1693
In about 1648 he became a pupil of Rembrandt in Amsterdam, staying there until 1654 when he returned to his native town Dordrecht. Before studying painting with Rembrandt van Rijn in Amsterdam, probably between about 1648 and 1653, Nicolaes Maes learned to draw from a local Dordrecht master. Subsequently, he returned home to embark on an independent career. By the 1650s he had developed a reputation for painting the intimate life of women and children; his finest pictures capture aspects of Rembrandt's tenderness and intimacy. Maes's scenes often include vignettes such as a cat stealing the dinner of an old woman as she prays. By representing an interior as a suite of rooms rather than a three-wall, one-room enclosure, Maes had great impact on the Delft painters Johannes Vermeer and Pieter de Hooch. In his early years he concentrated on genre pictures, rather sentimental in approach, but distinguished by deep glowing colours he had learnt from his master. Old women sleeping, praying, or reading the Bible were subjects he particularly favored.
In the 1660s, however, Maes began to turn more to portraiture, and after a visit to Antwerp around the middle of the decade his style changed dramatically. He abandoned the reddish tone of his earlier manner for a wider, lighter and cooler range (greys and blacks in the shadows instead of brownish tones), and the fashionable portraits he now specialized in were closer to van Dyck than to Rembrandt. In 1673 he moved permanently to Amsterdam and had great success with this kind of picture.
About 1660 Maes began specializing in portraits, becoming wildly successful by abandoning his Rembrandtesque style for the bright colors and studied elegance of Flemish artists such as Anthony van Dyck. Arnold Houbraken's 1721 biography described the transformation: Maes "learned the art of painting from Rembrandt but lost that way of painting early, particularly when he took up portraiture and discovered that young ladies preferred white to brown."
- Willem van Alst
- Balthasar van der Ast
- Hendrick Avercamp
- Dirck van Baburen
- David Bailly
- Jacob Adriaenz. Backer
- Bartholomeus van Bassen
- Gillis Gillisz de Bergh
- Jan de Bisschop
- Hans Bollinger
- Ferdinand Bol
- Paulus Bor
- Ambrosio Bosschaert (2)
- Jan Both
- Leonaert Bramer (3)
- Quiringh van Brekelenkam
- Adriaen Brouwer (3)
- Hendrick ter Brugghen (5)
- Hendrick van der Burch
- Willem Buytewech (2)
- Jacob van Campen
- Pieter Codde (2)
- Adriaen Coorte (4)
- Aelbert Cuyp
- Gerrit Dou (8)
- Willem Drost
- Karel Dujardin
- Willem Duyster
- Gerbrand van den Eeckhout
- Pieter Jansens Elinga
- Cesar van Everdingen (3)
- Carel Fabritius
- Cornelis Gijsbrechts
- Jan van Goyen (3)
- Frans Hals (3)
- Dirck Hals (2)
- Jan Davidsz. Heem
- Maerten van Heemskerck
- Bartholomeus van der Helst
- Jan van der Heyden
- Meyndert Hobbema (2)
- Gerard van Honthorst
- Pieter de Hoogh
- Van Hoogstraten (3)
- Gerard Houckgeest (3)
- Jan van Huysum
- Willem Kalf
- Jan van Kessel
- Philip Koninck
- Pieter Lastman
- Judith Jansdochter Leyster
- Jan Lievens
- Cornelis de Man
- Nicolaes Maes
- Michiel Janz. van Miereveld
- Gabriel Metsu
- Frans van Mieris (8)
- Jan Miense Molenaer (2)
- Pieter Molijn
- Paulus Moreelse (2)
- Aert van der Neer
- Eglon van der Neer
- Caspar Netscher (2)
- Jacob Ochervelt (2)
- Adriaen van Ostade (2)
- Antonie Palamedesz
- Egbert van der Poel
- Pieter Symonz. Potter
- Rembrandt van Rijn
- Jacob van Ruisdael (5)
- Solomon van Ruisdael(3)
- Rachel Ruysch (2)
- Pieter Saenredam (2)
- Godfried Schalcken
- Hendrick Sorg
- Matthias Stom
- Jan Steen
- Harmen Steenwyck
- Michael Sweerts
- David Teniers the Younger
- Gerard Terborch
- Willem van de Velde (4)
- Jacob van Velsen
- Johannes Verkolje (3)
- Jan Cornelisz Verspronck
- Hendrick van Vliet
- Daniel Vosmaer (3)
- Jacobus Vrel (2)
- Jan Baptist Weenix
- Jan Wijnants
- Emmanuel de Witte (4)
- Philips Wouwermans (2)