Vermeer's Delft Today: Schutterij and the Doelen

Civic Guards 1

In the Netherlands, the 12th and 13th century ushered in progressive urbanization of the growing population. Civic guards or militia, as they are also called, became necessary to protect the towns because traditional private guards of the aristocratic rulers proved insufficient. Protection was required not only from foreign enemies, but from fire or the flooding as well. Popular revolts had to be occasionally put down. Hence the Dutch name for their guards was Schutter (in German: 'Schütze', from: 'beschützen') which in the original meaning of the word is "guardian" (to guard, to protect) and not "shooter."

crossbow

A crossbow, c. 16th century
exhibited in the
Legermuseum Delft.

Members of the Schutterij were selected  from the town’s wealthy burghers since the lower classes could not afford the appropriate equipment and uniform even though some local authorities had occasionaly paid for the equipment. Officers and captains were appointed by the city magistrates, and aside their social origin, they had to be members of the Reformed Church. In the words of a Delft edict of 1655, they were " the most suitable, most peacefull and best qualified burgers or children of burgers." Their pay, compared to their duties, was neglible consisting in a small subsidiary or a (partial) release from certain taxes. Nevertheless, the membership in a Civic Guard was a matter of civic pride, an  honor which lead to the development of a kind of "civic nobility" (burgeredeldom).

Civic guards obeyed strict rules, embedded in the general civil law. In time of war, importance was given to assigning colors and symbols for each town so that fellow citizens could be easily identified avoiding confusion in the tangle of a battle.

flintlock gun, 1670

A flintlock gun in the Dutch style of the 1670s,
probably made in the East Indies. Legermuseum Delft

In the Middle Ages the principle weapons of the Dutch civic guards were the voet- or  kruisboog (crossbow),  the handboog ( bow, with arrows)  or the pike (long pike or halberd) .

The municipality provided civic guards with shooting ranges frequently with a building ir hall for meetings and traditional feasts, such as the popular "Papegaai-Schieten," the "Parrot-Shooting" ; or the traditional banquets made famous by Frans Hals. The patron saints of the traditional Dutch civic guards were either St. Joris or St. Sebastiaan.

flintlock belt pistols

A flintlock belt pistol. 17th century.
Legermuseum Delft

During the 16th century, gunpowder (buskruit)  came into use for the new hand cannons (e.g. muskets)  and pistols which lead to the foundation of special groups of civic gurads: the "Kloveniers"  (a kind of musketeers) and larger shooting ranges.

The history of the Delftse Schutterij

The existence of a Schuttersgilde in Delft is first evident from an ordinance by the Delft magistrate from the year 1397, regulating the organization’s, duties and the rights. This ordinance is the oldest known from any Dutch city. It included exact guidelines as to the age and economic condition of the appointed members. Economic solidity was necessary to buy their complete equipment (weapons, uniform). Any show of conflict or envy among the members was strictly forbidden and punished by a fine. In some cases, (perhaps that of Vermeer himself) requirements could be stretched to include other such as a shoemaker and tailor in 1631. Evidently, as again in the case of Vermeer, belonging to the Catholic faith was not always considered an impediment. About one in twenty able-bodied-men of the right age qualified and the total number hovered around 800 members. Although the oath of the Civic Guard members was not taken lightly, some incidents occurred in Delft that demonstrate that they did not always come up to the mark, at least in the eyes of the public. However, they did constitute part of the backbone of the city of Delft.

A Walking Musketeer Seen from Behind
Anthonie Palamdesz
1640s
Metropolitan Museum of Art

After the onset of the war with France in 1672, the presence of Catholics in the civic guard was a matter of some consequence, since the Dutch Republic was fighting against the Catholic Louis XIV, and there may have been some apprehension about using Catholics of doubtful loyalty in the country's defense. While the grounds of Delft were not directly involved in the ensuing conflict and following French occupation, it had been flooded with refugees, especially from Tiel, which had been overrun by the French.

The principle colors of the Delft Civic Guard were black-and-white, the traditional colors of the city coat of arms. The patron saint  was St. Joris, mentioned already in the Chronycke van Ste. Ursulaas-kerk binnen der Stad Delft with the note that in 1411 the members of the Voetboogschutters ("crossbow shooters") had donated an altar dedicated to St. Joris.

Shortly after the "Unie van Utrecht" in 1579, a new  Ordonnantie Der Schutterijen ende wachten binnen der Stadt Delft was published on 12th May 1580. It contained a new division of the civic guard into four vendels (companies). Each vendel had 120 shooters with one captain and lieutenants as well as the vandeldrager (standard-bearer) and his lieutenants. The shooters were again divided in six rotten (squadrons), each with 20 shooters including their captains and lieutenants. The salary for a shooter was only 20 stuivers per year. Later the Kloveniers were awarded an extra pound of gunpowder for their firearms.

Every facet of the town's "night watch" and the opening and closing of the city gates was strictly regulated. Some corrections followed, among others a new division of the "vendels" in four quarters of the city, each marked with different colors. According to Dirck van Bleyswijk's Beschrijvinge der Stadt Delft (1667) these were: the "groene" (green) vendel for the first quarter, the "oranje" (orange) vendel for the second quarter, the "witte" (white) vendel for the third quarter and the "blauwe" vendel for the fourth quarter. In the Schuttersboek from 1674

Vermeer and the Delft Civic Guard

In the Schuttersboek from 1674 Johannes Vermeer is listed as member of the first squadron of the oranje vendel commanded by Abraham Coeckebacker. We know that the acclaimed Delft painter (a family friend of the Vermeers) Leonaert Bramer, had been a sergeant in the same company and a member of a select group known as the Brotherhood of Knights (broederschrappe). Two other important figures in the life of Vermeer had played a role in the Delft Civic Guard. The first was Captain Teding van Berckhout, who headed the second banner of the third quarter. Van Berckhout had once registered in his personal diary a visit to the Vermeer's studio. Although Van Berckhout's entry was very brief, it proves that the Delft artist enjoyed a certain fame since he was referred to as the "celebrated painter named Vermeer." In any case, his membership probably brought him into contact with rich collectors and potential clients.

The second person was Anthony van de Wiel, sergeant of the first squadron in the second banner of the third quarter. Van de Wiel had been Vermeer's brother-in-law while his sister Gertruy was alive. Van de Wiel served under Van Berckhout.

We do not know when exactly Vermeer joined the Civic Guard. It appears that the captains of the Delft Civic Guard remained unaware of the painter's difficult financial situation or perhaps by necessity or deference, they chose to ignore it. Perhaps the rules set down to guide the functioning of the Civic Guard were practiced less rigidly. Nevertheless Vermeer certainly enjoyed a good reputation of an honorable citizen. He had been elected two times as the chairman of the local St. Luke's Guild, one of the most powerful organizations in Delft.

Delft Civic Guard on parade

Members of the Schuttersgilde 'St. Jan' from Keyenborg, showing the traditional weapons of the historic Civic Guard: left: the handboog (also called flitsboog), middle: the voet- or kruisboog (crossbow), right: the piek (pike).

The inventory of 1676 of movable goods from Vermeer's estate (Vermeer died in 1675) lists an iron armor with a helmet and a pike in the "great hall" (groote zael). Pikes were used by the pikeniers from the infantry both for attacking foot soldiers or to defend their unit's musketeers from enemy cavalry. Pikeniers were near the bottom of the the Guard's standings.

Vermeer may have been involved in watching tasks, as pikes are typical weapons for watching at gates or doors within a castle. Two pikeniers are able to quickly block a gate or door for the first by crossing the long pikes, without shooting (and perhaps wounding the wrong person).
It is unlikely that Vermeer was involved in battles outside of Delft, perhaps he helped defend he city during the French invasion. 300 Delft Civic Guards were sent to Geertruidenberg, Heusden, Den Briel and Gorkum in 1672.

in collaboration with Adelheid Rech
 Frans Hals Civic Guards

Officers and Sergeants of the St. Hadrian Civic Guard
Frans Hals
c. 1633.
Frans Halsmuseum Haarlem

In no other century do we find such a wealth of portraits in the Netherlands than especially in the first half of the 17th century. The wealthy burghers wished to be depicted in all their new won prosperity. Group portraits of civic guards became a category of their own, called Schuttersstukken. The most famous is certainly Rembrandt's Night Watch (1642). The civic guard commissioned a painter, and every member who wished to be depicted had to pay for it according to his position. The whole category virtually disappeared in the Netherlands after the Treaty of Münster in 1648. Dutch patricians preferred then to be seen as dignified regents rather than military men.

Doelen

Terrain of the Nieuwe Doelen at the Verwersdijk.
Detail from the Kaart figuratief of 1675.
Like the Oude Doelen it has two shooting ranges for the different kinds of weapons.
Gemeentelijke Archiefdienst Delft.

Before 1654, there were two "Doelen" (shooting ranges) in Delft; archival sources name a "grote en kleine" or "oude en nieuwe Doel" (a large and a small  or and old resp. new place). These two places were situated, according to a letter from 1423 concerning the purchase of the ground by the burgomaster of Delft from a certain Aernt Pieter Vinckersz., behind the Verwersdijk, between Geerweg (Kantoorgracht) and Doelenstraat.

The infamous explosion of the Delft gunpowder magazine, located only a short distance from the Oude Doelen, complettly devastated the entire area. A suitable new loaction had to be found for shooting ranges for traditional weapons and firearms and the guard hall. In November 1655, the magistrate decided to build the "Nieuwe Doelen" on the grounds of the nearby Plague house resp. New Hospice (the former Mary Magdalen convent, situated at the Verwersdijk) which was severely damaged as well. The meeting quarters were splendidly decorated. Sculptures by Pieter Rijckx (who had already collaborated in the reconstruction of the Town Hall), and  frescoes by Leonard Bramer, detailed described in Dirck van Bleyswijck's Beschrijvinge der Stadt Delft (1667), adorned the prestigious new site.

The Nieuwe Doelen and the Anatomy theatre of the Surgeons' Guild. Engraving from Dirck van Bleyswijck's Beschrijvinge der Stadt Delft (1667).
Gemeentelijke Archiefdienst Delft.

Unfortunately, nothing survives of the Nieuwe Doelen which was destroyed to make place for residences.

 

 


 

 

  1. Principle source is the article by B. Th. G. Singeling, 'De Delftse Schutterij', in: De Stad Delft. Cultuur en maatschaapij van 1572 tot 1667. Ed. Ineke V. T. Spaander. Stedelijk Museum Het Prinsenhof Delft. 1981. 140-145.
New Doelen in Delft todya

A bird's-eye view to the area of the former Nieuwe Doele, according to the art historian and Delft expert Kaldenbach near the present Maastenstraat (to the left above) and Doelenplein (Doelenstraat to the right below, Verwersdijk left side).

New Doelen in Delft today

According to the period map and the engraving the house of the Nieuwe Doelen was located close to Verwersdijk. The image shows a row of houses at Verwersdijk between Maastenstraat and Doelenstraat – perhaps the location of the former Nieuwe Doelen?