Technical Description

Girl with a Pearl Earring (Meisje met de parel)

The fine, plain-weave linen support, which has been lined, has a threadcount of 14.7 x 14.3 per cm 2. Only fragments of the original tacking edges survive.

The composition was laid in with light and dark areas. The ground is a thick, yellowish-white layer containing lead white; chalk, and possibly umber.

The dark background and the deeper shadows of the girl's face, turban, and bodice were established with a mixture of black and earth pigments and further modeled with a paler, ocher color. The shadow of her nose was underpainted with red lake while the highlights on her nose, right cheek and forehead have a thick, cream colored underpaint. The turban was painted with varying shades of an ultramarine and lead-white mixture; wet-in-wet, over which a blue glaze was applied, except in the highlights. A thin, off-white scumble of paint over the brown shadow of the girl's neck defines the pearl, and is painted more opaquely at the bottom where the pearl reflects the white collar. Small hairs from Vermeer's brush are found in the half-tones of the flesh areas.

* Johannes Vermeer (exh. cat., National Gallery of Art and Royal Cabinet of Paintings Mauritshuis - Washington and the Hague, 1995, edited by Arthur Wheelock)

signature:

inscribed top left corner IVMeer
(IVM in ligature)